Nowadays, we spend over 90% of our time indoors, and it is becoming increasingly evident that architecture has a profound influence on our brains and bodies. The interest in comprehending how the environment affects human well-being is on the rise, with a growing number of new studies on this subject emerging each year. Moreover, architecture firms are increasingly enlisting the expertise of researchers and human experience design consultants to explore and optimize these effects.
The Chilean lawyer, Juan Pablo Klenner, has dedicated himself to investigating one of the most discussed and least in-depth topics in architecture: copyright in our discipline. Plagiarism, referents or inspirations? It is a discussion that surely falls on deaf ears every time we talk about it among ourselves, but in the legal world it is clearly very well developed. If for some people creativity should not be measured in these terms, for others it is an issue that can go to court.
Following the publication of his book "Architecture too. Copyright for Architects", we talked to Klenner about what we have always wanted to know, but never dared to ask. "The idea of total originality must be rejected, no one is capable of creating something out of nothing, even in the work with the least external influences," he warns.
'Innovation' and 'design thinking' could possibly be two of the most extensively-used phrases both online and offline during the past decade. To respond to the global need of "changing the status quo", established companies, start-ups, and even universities have used this framework to generate novel ways of solving problems and create new products, taking into account their desirability, feasibility, and viability. And with that, a new archetype was conceived: the design thinker, someone who has the creative toolkit to generate something disruptive. So what is the meaning behind design thinking and what is its relationship with architecture?
The School of Architecture and Design at IE University expands the boundaries of architecture and design to provide sustainable responses for a changing world. Located in Madrid and Segovia, Spain, this innovative school is one to watch.
While architects are known for promoting sleek, clutter-free spaces, we have to ask: is this the best way to inspire creativity? Personal preference certainly plays a large part in how you respond to a stark table-tops with nary a stray pencil--maybe this is your nirvana. Or perhaps it’s theoretically preferable but once you have to sit down and work, you find yourself uninspired.
Author Tim Harford researched and compiled a number of examples for his book Messy in which “creativity, responsiveness, [and] resilience” were “integral to the disorder, confusion and disarray.” Do you agree? Or perhaps more importantly, what are you surrounded by when you’re in the zone and at your creative peak?
