Colors: The Latest Architecture and News

Barragán, Bofill, Graves, and Le Corbusier are architects renowned for their exceptional and sensitive use of color. In their approaches, color takes on an importance comparable almost to functionality, achieved through a nuanced and comprehensive perception of their context. But what is color? From a technical standpoint, it is a visual perception that arises from the interaction of light with our eyes and brain. However, when we explore its meaning on a more emotional and poetic level, it takes on a deeper significance. For Ricardo Bofill, color infuses life into architecture, while for Charles-Édouard Jeanneret, —better known as Le Corbusier—, it serves as a powerful tool to evoke emotions and create spatial illusions.

In 'Polychromie Architecturale' Le Corbusier argues that color is not only a decorative element but also a fundamental tool for creating environments and enhancing the functionality of architectural spaces. This idea, developed between 1931 and 1959, is articulated around a system composed of a range of colors, where each tone has its relevance and contributes to creating atmospheres that transcend mere architectural design. An example is JUNG's LS 1912 toggle switch range, which combines classic design with advanced control options and showcases the diverse hue variants of the 63 colors in Le Corbusier's color system.

Although the sensory approach in the built environment is often based primarily on visual aspects, such as color and light, as we delve deeper into the relationship of architecture with the senses other essential elements emerge, such as aromas, textures, sounds, and even flavors. These components are fundamental to creating a profound experience between the user and the environment in which it takes place, demonstrating that design and sensory experience are intrinsically connected.

Thus, sensory design offers an immersive atmosphere for a full spectrum of senses where its perception extends beyond physical boundaries. An example of this is the Vertical Panorama Pavilion, located in a region of California (USA) with a strong identity linked to the wine tradition. This structure, with a glass canopy of Color PVB interlayers, serves as a shelter for hospitality. Inspired by nature, the pavilion’s canopy engages all the senses: from the texture of the gravel on the walking path to the wind currents in the area and the characteristic aromas of the region.

Nowadays, the cycles of change around society and architecture have generated new urban models, emerging technologies, and design trends that underline the need for constant adaptability in all areas. In this context, aspects such as flexibility, reliability, and simplicity emerge as distinctive elements, both in architecture and in the components that constitute it, including materials. This is why lines such as the EGGER Decorative Collection 24+, crafted from wood-derived materials, seek to redefine concepts through a rolling series, updated at most every two years. This dynamic enables a more agile response to new trends, influences, and product innovations that arise in the built environment.

Pantone has just just announced “Peach Fuzz” or PANTONE 13-1023,” the 2024 Color of the Year. Known for its color standards and digital solutions in the design community, Pantone announced the color aiming to move towards empathy and understanding. A hue between pink and orange, the color is soft and inviting and offers “tenderness and communicating a message of caring, community, and collaboration.”

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Nowadays, the term “utopia” is used to describe an idea that seems unattainable —at least in the contemporary context— intrinsically related to philosophical, scientific, urbanistic, and architectural concepts, among others. The close connection between utopias and architecture is evident, as this discipline is often associated with imagination. Some notable examples include “The Unreliable Utopia of Auroville's Architecture” and “The City in Space: A Utopia” by Ricardo Bofill. In this context, architects and designers alike use design as a means to develop innovative and disruptive ideas through various elements.

Although considered an idealized concept that does not exist, some designers have ventured into exploring the notion of utopia. AXOR, in conjunction with the Valencia-based design studio Masquespacio, has turned the page by conceiving and bringing to reality a new bathroom concept for a unique hotel suite that embodies their vision of personal luxury. Titled “Utopian Dream”, this design response blends vibrant colors with unexpected details, a combination that this duo defines as a mystic experience above the clouds.

Colors have played an essential role in the history of modern architecture - from Le Corbusier's theory of polychromy to the aesthetic conceptions of the Bauhaus. However, we find ourselves at the beginning of an era where the interpretation and implementation of colors in architecture are undergoing a transformation based on their impact on the built environment.

Throughout the month, we conducted an open call to listen and learn from our readers, exploring their predictions and thoughts related to the future of colors in architecture. After reviewing an immense number of comments and opinions, it was surprising to discover commonalities regarding the importance of considering energy efficiency in color choices. Check out the main viewpoints below.

Colors directly influence space perception. Through them, it is possible to stimulate the user's mood - making the environment calmer or more dynamic - and also change our perception of space without changing a centimeter of any wall. Dealing with them is not always easy. In a time when we want rooms with more personality (or more "instagrammable"), learning to compose with different shades and textures is essential.

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