Thousands of years ago, a chain of volcanoes and hills formed a valley that became home to five lakes. According to indigenous mythology, this area served as a key reference point for the founding of the ancient Tenochtitlan, marked by the signal of an eagle perched on a cactus, devouring a snake. At the height of its splendor, the city was organized within an intricate system of causeways, many of which still serve as main thoroughfares, along with canals connecting the five water bodies. Over time, events such as colonization, independence, revolution, and modernization transformed its structure and name, leading to what is known today as Mexico City.
https://www.archdaily.com/1022469/mexico-city-a-bustling-evolving-metropolis-built-above-five-lakesEnrique Tovar
Along India's southwest coast dotted with a mix of colonial architecture and ancient heritage, the city of Kochi stands as a relic of foreign influence. A previously colonized town by the Portuguese, Dutch, and British now breathes new life into its built landscape. Across the world, in the German city of Kassel, the scars of World War II are etched into the environment, deep under its revived cultural soul. Both Kochi and Kassel, though worlds apart in geography and history, shared a commonality: the power of art and festivals to heal. In the aftermath of historical trauma, these cities found renewal in the creative expression of artists from around the globe.
Dakar is a city of constant development. From colonial times, and on, the capital of Senegal has seen a lot of shifts in its societal definition which has, in turn, affected its architectural and urban fabric. Ever since the French mandate which somewhat forced a shift of local living traditions into a more 'European' lifestyle, the wheels of change have been set in motion. Afterward, a notable post-colonial attempt at re-defining Dakar was inevitable. It came about in many ways, still seen today, and it built a city of mixed architectural languages that defies most visitors' expectations.
Though the renowned African mid-century modernism was certainly present in the years after Senegal's independence in 1960, this was mostly due to its popularity with practicing architects in the region, not its relevance for the capital's rebuilding efforts. The modernist approach, which was mainly seen in the public, institutional, and cultural buildings, and which persists today in a more undefined contemporary style, was always aimed at showcasing Dakar to the world. It did not, however, reflect the reality of the city's development nor the way its dwellers live.
In an effort to refocus on Dakar, some of our more recent ArchDaily coverage has highlighted the many development and design efforts that look to provide a better means of living to inhabitants.
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Le Masurier (documenté en 1769-1775). Esclaves noirs à la Martinique, 1775. Huile sur toile – 125 x 106 cm. Paris, ministère des Outre-mer / Archives nationales. Image Courtesy of Archives nationales
The institution of slavery shaped landscapes on both sides of the Atlantic Ocean. And in turn enslaved and free Africans and their descendants created new landscapes in the United States, the Caribbean, and Sub-Saharan Africa. African people had their own intimate relationships with the land, which enabled them to carve out their own agency and culture.
