El Tintal Library is the result of reusing a former disused waste transfer plant and transforming the 5-hectare site into a park along Avenida Ciudad de Cali with 6th Street. The rescued building from ruin was a 25-meter-wide by 72-meter-long industrial warehouse with a total area of 3,600 m², distributed over two floors of considerable height. Built with a sturdy concrete structure and large spans, it was adaptable to new use, enhancing its robust and industrial appearance.
By Rogelio Salmona
The construction of Torres del Parque began in 1968 and was completed in 1970. Between 1964 and the start of the project, there was a period of uncertainty, doubts, and successive trials to find the right form for the project, not only from an architectural perspective but also from urban and landscape points of view.
The site, characterized by its overwhelming topography, the Plaza de Toros, the abandoned Parque de la Independencia (for over 15 years), and the magnificent panoramic view of the foothills, still untouched by the multitude of towers and dense buildings, invasions, and senseless occupations of the area, should not only be taken into account in the development of the project but, above all, be exalted through architecture that is implemented in such a correct and sensitive manner that it transforms and shapes the city. It should be the heartbeat of the place and a meeting point between reason, enchantment, and poetry. Between clarity and magic, an architecture that can be discovered, that doesn't impose itself, as it is more beautiful when discovered with surprise, like discovering nature. Ultimately, an architecture that integrates with the existing Plaza de Toros and allows transparency between the city and its foothills, reclaiming the steep street adjacent to Parque de la Independencia and transforming it into a pedestrian garden formed by stairways and ramps connected to the residential complex and the park.
For much of the world, this past year was spent within the confines of our homes, undoubtedly blurring the lines between our public, professional, and private lives and transforming our living spaces into places of work and productivity. This transformation of spaces and how they are used is nothing new in the world of architecture as countless spaces take on various roles beyond what they were originally designed for--a fact reflected in their layout, design, and the materials used within them.
The building of the General Archive of the Nation, designated as a national cultural interest asset by a court ruling in October 2007, reflects the modern archival philosophy and, combined with its collection of historical documents, performs a "miracle" of communicating memory through architecture.
It is hard to achieve a poetic aesthetic when designing archives because they are essentially warehouses, enclosed storage structures, with no sunlight, water, wind, or even dust. In this sense, an archive building is anti-architecture! Even caves need light for us to fully grasp their spatiality. These major limitations could only be overcome through the imagination of a great architect, and above all, through the essential and intrinsic qualities of architecture.
