Classical Architecture: The Latest Architecture and News

Greek and Roman cultures laid the foundations for modern civilization, leaving a lasting legacy in philosophy, literature, mathematics, and art. Although their contributions in these areas are significant, they are sometimes overlooked. However, in disciplines such as sculpture and architecture, their influence has remained almost unchanged, deeply rooted in the classical ideals of beauty. This is exemplified by canonical works such as the Parthenon, the Roman Pantheon, and the Discobolus, which continue to captivate with their proportion, symmetry, and detail. Consequently, it is unsurprising that Greco-Roman classicism remains significant due to its aesthetic timelessness, revitalized throughout different periods, from neoclassicism to contemporary proposals.

In this modern context, the Greco-Roman mythology, epic tales, and classical architectural concepts inspire a fresh perspective on reimagining interior aesthetics. Embracing an avant-garde take on neoclassicism, a new wave of modern interiors adopts sharp strokes to define figures and details, such as pilasters and capitals, echoing the sinopia of historic wall frescoes. These designs transform monumentality into cozy and elegant atmospheres. By blending historical and contemporary references, they provide innovative figurative solutions that craft poetically scenic spaces. Arcadia collection exemplifies this approach, standing out as a tribute to classicism and presenting a unique visual narrative through its wall coverings.

Though lesser known, the Hungarian city of Veszprém is one of the oldest and most important cities in the country. Designated as the European Union Capital of Culture for 2023, Veszprém boasts a longstanding history, visible through its evolving, yet well-preserved architectural monuments. In fact, one of the first notable observations as one walks through the city streets is its eclecticism and layers of historically diverse buildings, that sporadically arise. Despite the difference in styles and architectural languages, they collectively tell the story of the county and its spiritual and political relevance. Its pedestrian-friendly streets, many parks and public spaces, connect the Veszprém monuments, as one delves into a historic promenade.

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Funded by Andrew W. Mellon and the National Endowment for the Humanities foundations as part of the Open Book Program, a collection of classic books, published between 1964 and 1998 are now available online as open access e-books through the MIT Press Open Architecture and Urban Studies book collection.

A draft of an executive order titled “Making Federal Buildings Beautiful Again” is moving forward towards possible signing by President Donald J. Trump. The proposed document favors Classical Greco-Roman design typologies for federal buildings in Washington, DC and elsewhere throughout the USA. This order would revise the current rules that regulate the design of federal buildings contracted through the GSA (General Services Administration — a Federal agency managing the construction, administration, and upkeep of US Government buildings and real estate). It was initiated by the National Civic Art Society, a Washington, DC based nonprofit organization that disapproves of what the US government has been building for decades. According to the New York Times, the chairman of the National Civic Art Society, Mr. Marion Smith, stated that: “For too long architectural elites and bureaucrats have derided the idea of beauty, blatantly ignored public opinions on style, and have quietly spent taxpayer money constructing ugly, expensive, and inefficient buildings.” 

A new executive order by Donald Trump has the potential to make new federal architecture in the United States follow the classical style. Called "Making Federal Buildings Beautiful Again", the order would require rewriting the Guiding Principles for Federal Architecture, issued in 1962, to ensure that “the classical architectural style shall be the preferred and default style” for new and upgraded federal buildings.

Whether it's to start analyzing a detail or impressing someone in conversation, understanding a classical building begins with an awareness of the different classical orders of architecture. In the historical records of architecture, the first account of the orders was written by Vitruvius: "[...] The orders came to provide a range of architectural expressions, ranging from roughness and firmness to slenderness and delicacy. In true classical design, order choice is a vital issue—it is the choice of tone," [1] which for the author, synthesizes the "architecture grammar." [2]

According to John Summerson, author of The Classical Language of Architecture, "[...] a classic building is one whose decorative elements derive directly or indirectly from the architectural vocabulary of the ancient world—the 'classical' world [...]. These elements are easily recognizable, such as, for example, the five standard types of columns that are used in a standardized way, the standard treatments of openings and pediments, or, still, the standardized series of ornaments that are employed in classical buildings." [3]