This article was originally published on Common Edge.
Cities need to prepare for a wave of declining houses of worship. While faith institutions, at least the Christian ones, have been asking WWJD (What would Jesus do?), municipalities need to get them to ask another question: WWJJD (What would Jane Jacobs do?). Doing so might lead to a new model for true community houses of worship.
David Chipperfield, laureate of the 2023 Pritzker Prize, has designed over a dozen museums throughout his career, with some still under construction. As a typology that has significant urban and social impact, Chipperfield and his team have skillfully leveraged each commission to transform neighborhoods and cities while still honoring the essence of the place and what was there before. His museums make powerful statements without being obtrusive, and this is reflected in the choice of materials and the construction solutions used.
Like an oversized minimalism, Chipperfield gives the materials space to unfold and be understood. In his galleries and museums, the materials appear exposed, clean, and highlighted through contrast. They give character to the space while giving prominence to the art on display, generating suitable atmospheres for its proper appreciation. Regularity, continuity, and repetition help shape this background, while the filtered light finishes building the right scene.
Urban Agency, in partnership with COBE, won in 2019 a competition to transform a former steel factory into an 850,000 square meters car-free mixed-use district. The industrial site is planned to become a mixed-use district, with housing for over 8,000 new residents, office spaces, schools, workshop spaces, and 268,000 square meters of landscape, including a reactivated river area. The master plan strategies focus on urban nature, renaturalization, preservation and reuse, car-free streets, and an adapted dense mix of buildings and functions.
Today’s cities have been substantially reshaped to correspond with environmental and social needs or to reconstruct themselves after natural disasters or war. Whereas master plans and regulations take years, millions of people remain trapped in the crossfire and urgently need aid in their cities. With this pressing issue in mind, WZMH Architects developed a prefabricated- modular system for salvaging thousands of structures across Ukraine that have been partially or fully destroyed during the war. This system aims to integrate building technology into new buildings to create more sustainable communities.
The Quadracci Pavilion by Santiago Calatrava and the Contemporary Arts Center by the Pritzker-winner Zaha Hadid are celebrating their 20th anniversary. Both buildings are the first US projects completed by these legendary architects that have contributed to the stimulation of economic development in Midwestern American cities over the past two decades. In fact, for that reason, Milwaukee's mayor declared September 16 "Santiago Calatrava Day" to commemorate the Pavillion's opening.
Sex Day is an unofficial holiday created by marketers celebrated on September 6th in Brazil, highlighting one of the greatest taboos in modern society: sexuality. From an architectural and urban point of view, the immorality associated with sexual activities, especially in exchange for payment, deeply impacts our society and also affects the territory.
While sometimes considered morally wrong, sinful, forbidden, and impure, sex, sexuality, and pleasure are all inherent to human physiology. Prostitution is sometimes referred to as "the world's oldest profession," playing a fundamental role in our societies, as well as in our territory, in the spatial organization and dynamics of cities. This practice is at the margins of modern society and therefore has ended up occupying segregated spaces in the cities.
Celebrating the 500th anniversary of the Fuggerei social housing in Augsburg, Germany, MVRDV has collaborated with Fugger Foundation to initiate a conversation about the future architectural and urban plans of Fuggereien, the world’s oldest social housing complex. Throughout the upcoming months, the Fugger Foundations are hosting interdisciplinary debates that highlight Fuggerei’s guiding urban principles and discuss challenges about the field of architecture, politics, culture, and sciences, by notable individuals in each respective field.
.jpg?1629793779 "Traumhaus Funari Project . Image Courtesy of MVRDV")
Exactly a year ago, on August 4, 2020, the third-largest non-nuclear explosion ever-recorded destroyed almost half the city of Beirut, ripping through the port and the eastern part of the capital. One of the biggest urban tragedies of modern times, killed more than 200 people, wounded thousands, and left an estimated 300,000 people homeless, damaging over 80,000 commercial, residential and public spaces. Felt across neighboring countries, the blast stripped the city’s constructions of their cladding, framing, and glass elements, while completely tearing down other buildings, leaving around US$15 billion in property damage, in times of Covid, political and social unrest, and economic collapse.
One year later, so little has changed. One year later, it only became harder for the people of Beirut. One year later, everything in the city still reminds them of that day. Major questions remained unanswered, no rescue or action plans have been taken by governmental institutions, instead, civil society rose to take into their own hands, reconstruction efforts, in the total absence of the state.
