Courtyards have long been a fundamental aspect of traditional Chinese architecture, serving as central spaces around which domestic life is organized. These spaces play a vital role in creating a harmonious living environment, offering benefits that range from regulating indoor temperatures to enhancing social interactions and fostering a close connection with nature.
Neri&Hu presented “Liminality”, a multimedia exhibition selected by Lesley Lokko, at the International Architecture Exhibition in Venice. The exhibition took place in the Dangerous Liaisons section of La Biennale di Venezia at the Arsenale. In response to Lokko’s curatorial statement, Neri&Hu’s display explored the concept of liminality, the “zone” between design practice and theoretical exploration. The display consisted of three adaptive reuse projects that represent the practice’s research in “Reflective Nostalgia, Recasting Vernacular, and Ruinophilia/Future Artifact.”
The city of Los Angeles has selected six finalists for the competition to design a new memorial dedicated to the victims of the 1871 Chinese Massacre. In one of the darkest chapters in the city’s history, on 21 October 24, roughly ten percent of the city’s Chinese population at the time, at least 18 residents, were murdered by a mob of rioters. The memorial seeks to raise public awareness of the 1871 racially motivated mass killing while simultaneously addressing contemporary concerns regarding race, intolerance, and violence. The memorial was first announced in April 2021, and it is set to be built near the site of the massacre and the Chinese American Museum.
The architectural practice OPEN has revealed the design for the Shanfeng Academy, a project currently under construction that topped out at the end of April, marking the completion of its highest point. The new campus center, located in a new district of Suzhou city, will host a K-12 international school while also aiming to act as a cultural hub for the local community.
Surrounded by canals, the city of Suzhou is known for its historical gardens with temples, bridges, pavilions, and rock sculptures. These, along with traditional Chinese architecture sites, offer a counterpoint to the city’s active social life and fast-paced business sector. The challenge for OPEN architects was to create a large-scale urban project whilst being sympathetic to the heritage of the city.
What elements and qualities does space need for a well-balanced physical and spiritual recovery? How to design spaces that are healthy for both our minds and our bodies? What makes an environment livable and sustainable in the long term?
These are the questions we need to address in the era of the rapidly developing real estate market. Why do we tend to inhabit more and more high-density residential towers? Are we necessarily more mentally secure? If not, what are the spatial solutions or cures for the current urbanites’ anxiety? In this article, we will explore ways of unwinding and finding cures in space.
As one of the latest built works of acclaimed Pritzker architect I.M. Pei, Suzhou Museum was built in the heart of his hometown, Suzhou, China. As one of the last surviving modernists, the architect strove to bring together both his modernist sensibilities as well as the Suzhou vernacular. Sited on the northeast section of the historic quarter of Suzhou, the museum is adjacent to the landmarked Zhong Wang Fu, a complex of 19th-century historical residences, and the Garden of the Humble Administrator, a 16th-century garden listed as a UNESCO World Heritage site. [1]
Images in this article were captured in 2016 by Rome-based photographer, Chenxing Mi. Read the full article after the break.
