This article was originally published on Common Edge.
Recently I visited Pittsburgh for a fascinating hand-drawing conference at Carnegie Mellon’s superb school of architecture, which to my knowledge is not among the top 10 in U.S. News and World Report. I wonder why? The curriculum is cutting-edge, the faculty world-renowned, and the students well-grounded and talented. More people of color are in the design community at CMU than at Princeton, SCI-Arc, or Harvard.
The Architectural League of New York has announced the winners of its 42nd cycle of the Architectural League Prize for Young Architects + Designers. The theme for this edition of the competition was “Uncomfortable,” asking young designers to contemplate their position while wrestling with many uncomfortable responsibilities, like challenging traditional paradigms, dismantling architectural legacies, grappling with the costs of comfort, or responding to rising ecological concerns.
Established in 1981, the competition is open to young architects and designers in an effort to recognize the visionary work of young practitioners. This year’s theme was developed by the 2023 Young Architects + Designers Committee, which included recent League Prize winners Jose Amozurrutia, Germane Barnes, and Jennifer Bonner. The jury included the committee in addition to Barbara Bestor, Wonne Ickx, Kyle Miller, and Tya Winn.
The end of the War of 1812 left the young United States of America awash with nationalist fervor. In the following years, the world’s first modern republic experienced unprecedented growth and prosperity; it was not without reason that the period came to be known as the “Era of Good Feelings.”[1] It was into this epoch of unbridled national pride that Thomas Jefferson, one of the country’s founding fathers and its third President, introduced his master plan for the University of Virginia: an architectural manifestation of the Enlightenment and republican ideals he had helped cultivate.
