Chapel: The Latest Architecture and News

The Rothko Chapel, a celebrated structure appreciated for its profound meditative space, has announced its reopening to the public on December 17th. Following the extensive damage caused by Hurricane Beryl last July, the custodians of the structure announced its indefinite closure, as a team of art conservators, engineers, and volunteers began the extensive work to restore both the architecture and the invaluable artworks stored within. The Chapel's reopening marks a significant milestone in the recovery process, making this sanctuary of contemplation accessible once again to the community.

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In an increasingly diverse world, the emergence of multi-faith spaces represents a significant shift in architectural design, reflecting the evolving religious landscape of contemporary society. These spaces, which began to be formally established in the 1950s in public buildings like airports and hospitals, serve as microcosms of social transformation and peaceful coexistence. They allow various traditions to harmoniously share environments, embodying principles of inclusivity, flexibility, and adaptability.

As communities grow more multicultural and increasingly diverse, these spaces serve as physical manifestations of religious inclusion, encouraging the acceptance of religious and ethnic minorities within multicultural landscapes. Their proliferation reflects a growing need for inclusive environments that cater to diverse spiritual needs while promoting interfaith understanding. However, designing and implementing these spaces presents complex challenges, often sparking debates about representation, neutrality, and the very nature of sacred space. These discussions underscore the delicate balance architects must strike in creating spaces that are both universally welcoming and spiritually meaningful.

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Built in 1971, the Rothko Chapel in Huston, Texas, was conceived as an intimate sanctuary for people of every belief, while in front of the chapel, Barnett Newman's sculpture "Broken Obelisk" stands in memory of Dr. Martin Luther King Jr. In 1964, Mark Rothko was commissioned by John and Dominique de Menil to create a meditative space for his site-specific paintings. Rothko’s vision clashed with that of the initial architect, Philip Johnson, over the scale and grandiosity of the building, which he felt distracted from the art. The project underwent several revisions with different architects, including Howard Barnstone and Eugene Aubry. Now officials have announced the indefinite closing of the chapel, after having sustained severe damage during Hurricane Beryl, the Category 1 storm that hit Houston on July 9.

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The Wayfarers Chapel, known locally as "The Glass Church," was designed by Lloyd Wright, the eldest son of architect Frank Lloyd Wright, and completed in 1951. Located in the Palos Verdes peninsula in Los Angeles, its design aimed to blend the lines between architecture and nature, with large-span glass panels opening up to space toward the redwood canopies. Last year, the structure was designated a national historic landmark. Now, due to “accelerated land movement” in the area, the structure, which has been closed off to the public since February, was announced to be disassembled to protect it from further damage.

The Chapel of St. Ignatius in Seattle, designed by Steven Holl Architects, has been honored by the American Institute of Architects (AIA) with its Twenty-five Year Award. AIA’s award is conferred on a building that has set a precedent, stood the test of time for 25 to 35 years and continues to set standards of excellence for its architectural design and significance. The Chapel of St. Ignatius finished in 1997, reflects the ideal of the Jesuit practice, a religious order of the Catholic Church, in which no single method of worship is prescribed. Instead, the sect recognizes that “different methods helped different people.” That idea is reflected in the Chapel of St. Ignatius, Seattle University’s main chapel, where differences in light unify to support the worship and ritual needs of the university community.

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The 21st Serpentine Pavilion, Black Chapel, designed by Chicago-based artist Theaster Gates opens today, on June 10, 2022. On display until the 16^th of October 2022, the project is realized with the architectural support of Adjaye Associates with Goldman Sachs’ patronage. In 2021, the Pavilion events program was planned to reflect Gates’ concept of interlinking architecture and music, particularly emphasizing artistic explorations of monastic sounds and hymns. The pavilion will act as a platform for Serpentine’s live program throughout the summer, offering the public space of reflection, connection, and joy.

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Trahan Architects broke ground on the new Chapel of St. Ignatius and Gayle and Tom Benson Jesuit Center at the Loyola University in New Orleans. The new spiritual site and the community gathering space draw on elements of the Jesuit tradition, central to the University's heritage. Through the circular design, the light-filled interior space and the predominance of natural materials, Trahan Architects creates a space of universal spirituality at the heart of the campus.

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Tucked beneath the dense trees of Al-Ozer Forest in Mount Lebanon, Byblos-based architects and visual artists of JPAG Atelier created a secluded retreat away from humans and the chaos of the urban life. The Earth Chapel is a unique sanctuary that lets its visitors experience both the simplicity of the architecture and the richness of the surrounding landscapes, all at once.

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OPEN Architecture’s anticipated project Chapel of Sound has finally topped out on November 15th with the pouring of its broad concrete roof.

The project, which is expected to open in the summer of 2020, includes a semi-outdoor amphitheater, an outdoor stage, and viewing platforms, overlooking the mountainous rural area of the Jinshanling Great Wall. 

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This week we’ve selected the best chapels previously published on our site. They reveal different ways of designing a small and sacred space. For inspiration on how to create these atmospheres, integrate different materials, and make proper use of light, we present 32 remarkable examples.

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This project emerged during the summer of 2015, when CHOPEkE Collective, together with Paúl Pérez, a seminarian and active member of the group, visited the community of Santa Luisa de Marillac, located in the central periphery of Ciudad Juárez. At the time, members of the community had an "unworthy" space -as they called it- for their meetings and spiritual activities.

A pure volume, slightly lit, sits in the middle of a garden. It is a private chapel in Quinta de St. Ovídio in Lousada, built between 1989 and 2001 and designed by Álvaro Siza Vieira. The project starts from a path, where you can see the prismatic white volume from afar. As you pass through the building and some steps, you arrive at the entrance square. Here you will notice that Siza differentiated the main facade, in stone, from the other three, in white painted concrete, giving it importance.