A surface does more than simply cover a space—it transforms it, infusing personality, rhythm, and soul. It evolves from being a mere backdrop to becoming an active element that shapes the atmosphere through the interplay of material, form, and light. The balance of the touch, the thickness, incisions, tones, and luminous reflections can transform surfaces into sensory experiences. Textures can evoke stability or lightness, grooves introduce dynamism, colors define moods, and light sculpts depth and movement. Ceramic, with its aesthetic and functional versatility, is particularly well-suited to this role, offering architects a broad palette of creative possibilities.
Created by a series of angled parallel lines that form a mesmerizing zigzag, the herringbone pattern has withstood the test of time and remains present in diverse design styles. Named after the resemblance to a fish's bones –a herring, for instance–, this classic V-shaped pattern arranges rectangular blocks in different proportions. With varying block edge length ratios, such as 2:1 or sometimes 3:1, the versatile design adapts to a wide range of uses, dimensions and materials.
The arrangement of the blocks, even when used in single colors, creates a subtle texture and adds visual interest. While the herringbone arrangement may seem simple at first glance, the strong directional quality of the typically 45-degree angle lines requires a careful design process for a seamless and consistent look. The pattern can be found in walls and floors, from fabrics to wood and tiles. By playing with geometric shapes, it continues to be a trend that infuses style and structure into interior design while complementing a space's overall aesthetic. Below we dive into Architonic’s catalog to present different ways to apply it, exploring ceramic, wood, and synthetic herringbone patterns.
In the quest to preserve certain architectural, historical, and cultural features of original Catalan homes, apartment renovations are conceived as a means of connecting the past and the present through the recovery and/or restoration of coverings, flooring, carpentry, facades, and more. The history of ceramics in Spain has evolved over the years, experiencing periods of productive flourishing as well as decline. However, the expressive language, versatility, and adaptability of hydraulic tiles to tradition and the future stand out in homes' interior and exterior spaces with their wide combination of colors, textures, and patterns.
The historical local markets of San Lorenzo and Sant'Ambrogio in the centre of Florence, Italy, have been a meeting point for local people for decades; a privileged location from which a sense of community, belonging and sharing has grown. The structure-symbol for local residents and a major tourist attraction, they recently underwent a series of renovation works to update their image and strengthen relations with customers and retailers, with a view to preserving their identity and authenticity.
In pool design, one big challenge is to make sure that the pool blends in with the rest of the architecture. If it is being designed from scratch, the materials must meet the necessary design criteria, as well as the technical requirements of areas exposed to the elements and in direct contact with water.
These were the premises that Sebastián Arquitectos took into account in this project for a villa—Casa EA!—, using a single floor tile collection by Gres Aragón. Set in the midst of Litago nature reserve, at the foot of Mount Moncayo in Zaragoza (Spain), the villa blends in beautifully with its surroundings.
Recycled Ceramic Washbasin. Image Courtesy of VitrA
Producing sustainable materials and products demands constant analysis of how we conserve resources and manage waste effectively. This unfolds within a scenario where the environmental impacts of global warming and the climate crisis are becoming increasingly evident. In that context, sustaining the dialogue on waste disposal is fundamental to positively impacting our environment and maximizing circular economy opportunities.
Embracing this perspective and demonstrating a commitment to sustainability through waste reduction and resource conservation, VitrA has created an entire washbasin with 100%* recycled waste materials, including discarded ceramics from its production process. This innovative product has been designed to have a minimal environmental impact and reduce the global warming potential of its production by 30% per product, transforming materials once considered waste into valuable resources.
https://www.archdaily.com/1016103/repurposing-discarded-waste-materials-into-a-100-percent-star-recycled-washbasinEnrique Tovar
Architecture, understood as a cultural product, is strongly influenced by diverse stimuli that include historical, geographical, and cultural aspects, among others. Together, these elements form a heritage that may (or may not) endure through time. Although architecture tends to adapt to each culture, modeling its traditional techniques according to its context and shaping the surrounding environment, there is no guarantee that the traditional elements in it will endure or remain unchanged over time. This is largely due to the constant evolution of society and technology, which sometimes tends towards universality and the adoption of a common language, rather than one of their own.
Given this scenario, it is essential to explore an approach where innovation and technology do not replace tradition and artisanal production; instead, they arise as a means of exploration towards emerging routes. Adopting novel techniques and innovative materials that are adapted to specific local needs makes it possible to maintain an authentic expression that responds to the demands of the environment. This approach, which could be termed neo-craft, allows for the preservation of a distinct voice that reflects the authenticity of the local context. At the same time, it contributes to a universal perspective, merging the local with the global.
https://www.archdaily.com/1012790/at-the-intersection-of-innovation-and-tradition-the-talavera-projectEnrique Tovar
Advancements in 3D printing technology are progressing at an unprecedented pace, accompanied by a parallel surge in computational power for manipulating and creating intricate geometries. This synergy has the potential to offer architects an unprecedented level of artistic freedom in regards to the complex textures they can generate, thanks to the technology's remarkable high resolution and rapid manufacturing capabilities. If the question of production was out of the way, and architects could now sculpt virtually anything into a facade effectively and efficiently, what would they sculpt?
Aiming to balance the calm and uniformity of minimalism with the tactile appeal of raw, textured materials, ceramics emerge as a versatile medium to bridge the gap between sterile spaces and those that might become overwhelming. Whether incorporating large formats or small mosaics, or embracing organic or geometric aesthetics, the diverse range of ceramic options enables the infusion of character into spaces while maintaining a sense of order and cohesion. But it is not a simple task. In the pursuit of this harmonious blend, we explore specific types of ceramic cladding that have been effectively applied in architectural projects, enriching the visual language of minimalism while grading its complexity with precision.
The duality of sunlight in the field of architectural design presents fascinating contrasts, especially when addressing the question of how to interact with it through the built environment and the materials that define architecture. The sun's influence in this discipline has become an essential part of the cultural heritage of some countries, as evidenced by Spanish architecture, where the interaction with sunlight manifests through elements such as lattices. These lattices are recognizable on the facades of buildings from the Middle Ages, exemplified by structures like the Alhambra, to 20th-century constructions such as Casa Gomis, considered historical monuments.
The facade, being the skin of the building, is the architectural component that is usually directly exposed to sunlight. Based on this premise, we seek to establish a dialogue between openness to the environment and the need for protection, thus creating a synergy between functionality and aesthetics. In this context, sunscreen facades have been developed through various approaches, standing out for their ability to address this design condition. For this reason, we have selected solar control solutions from Spanish brands, distinguished by their technical characteristics and materiality through various approaches.
https://www.archdaily.com/1010864/sunscreen-facades-from-ceramic-textile-systems-to-double-skin-glassEnrique Tovar
Heatherwick Studio has revealed the design of a new shopping district in the historic city of Xi’an in Shaanxi, China. The proposal aims to highlight the city’s rich heritage of ceramic-making and, through this, to create a sensory experience for visitors in opposition to the restricted act of online shopping. Spanning over 1115,000 square meters, the development features a mixture of functions, from offices, apartments, and a hotel, to a variety of green spaces, rooftop terraces, gardens, and a sunken terrace, all doubling as social spaces. The project is under construction and scheduled for completion in 2024.
The small town of Illueca lies in a rift valley, flanked by the massifs of the Sierra de la Virgen and Sierra de la Camamila mountain ranges, which run close to the Moncayo Nature Reserve (Zaragoza, Spain). It is in this setting that Permán & Franco Architects Studio have built a primary-care health center, with a distinctive design and ventilated façade by Faveker.
The Illueca Health Centre stands in a new development area of the town, providing the region with healthcare services, including 11 nearby towns and villages. It was built on an almost 1,400 m2 plot of land featuring an over two-meter drop between the entrance at street level and the land used as a base for the building.
The Santa Creu & Sant Pau Hospital Research Institute, designed by Pich Aguilera Arquitectes in conjunction with 2BMFG Arquitectos, stands in the Santa Creu & Sant Pau Hospital complex in Barcelona –one of the biggest Modernist Spanish architectural ensembles, declared a World Heritage Site by the UNESCO.
The Research Institute stands out for its striking ceramic envelope and its capacity to blend in with Sant Pau Hospital’s Modernist buildings, while also focusing on high energy savings and improved comfort inside the building. The ceramic slats were made to measure for the project by Faveker, a specialist in high-tech façade solutions.
Ascension Paysagère, designed by Dutch office MVRDV, is a mixed-use development that combines residential, commercial, and community spaces in the French city of Rennes. It stands out from its surroundings through a series of stepped terraces inspired by geological formations such as gorges and mountain ranges, with terraces designed to provide a variety of living and communal spaces, as well as tree-lined gardens and public squares. To amplify the effects desired by the designers, the chosen ceramic tile resembles the rock colors of the region, and changes its appearance with every change in climate, reflecting the environment and the light.
The search for the fundamental particle has been driving curious minds for much longer than we imagine. Leucippus and Democritus, Greek philosophers from the 5th century B.C., were the first to propose that the entire universe was made up of particles called atoms, indivisible and colliding against each other in an infinite void. Since then much has been studied about how dynamics actually take place at the atomic level (neutrons, protons and electrons), and there is still much to be discovered. Understanding the Higgs boson, for example, may even lead to a new understanding of the origin of the universe and life, since it can explain how elementary particles have mass. Moving from atomic abstraction to the world as we know it is a fascinating thing. It was this plunge into the particle –the smallest known part of the universe– which inspired the new collection by the Italian company Fiandre Architectural Surfaces, which produces ceramic pieces for spaces.
The terms critical regionalism, popularized by theorist Kenneth Frampton, proposed an architecture that embraced global influences, albeit firmly rooted in its context. That is, an approach defined by climate, topography and tectonics as a form of resistance to the placidity of modern architecture and the ornamentation of postmodernism. Bringing familiar elements to a particular location can allow the building to be better accepted and incorporated into the local context. This was the case of the New Maitland Hospital, which incorporated a large brick panel next to the main façade, as a reference to the community's traditional symbols.
Ceramic fragments and figures found at the Neolithic site of Mureybet, in Syria's Middle Euphrates valley, indicate that clay and fire work date back to the 7th millennium BC. This means that dealing with ceramics is one of the oldest activities in human history. More than 9,000 years later, ceramic, and all its derivatives, has become one of the most used materials in construction, being used at different times, from structure to finishes.
Arcadia Cinema / DW9. Image Courtesy of Iris Ceramica Group
In the context of the pandemic, where several businesses were forced to close temporarily, movie theaters across the world were among the most affected. Fast forward more than two years later, and the lingering effects of COVID-19 are still present, marking a turning point in the traditional cinema experience. But even as attendance is still not close to pre-pandemic levels, certain segments of moviegoers are enjoying the benefits of the giant screen, comfortable seats, massive speaker systems and theater snacks.
