India is often recognized for its thriving technology industry, with a reputation for producing a substantial number of skilled tech professionals each year. This has attracted a dynamic technology ecosystem that increasingly draws global companies to establish operations in the country. The rise of tech parks has become a key strategy for harnessing this talent and resources, cultivating an environment conducive to innovation. What impact do these tech parks have on the urban landscape of Indian cities?
CBD: The Latest Architecture and News
MAD Architects Unveils Fluid Design for Cloud 9 Sports Center in Shijiazhuang, China
Ma Yansong/MAD Architects has unveiled their design for the Cloud 9 Sports Center, a 6,000-square-meter athletic complex in the city of Shijiazhuang, China. The venue is proposed to become the focal point of CBD's Central Park, marking the public space surrounded by residential, commercial, and recreational amenities. The center is designed to showcase a soft and fluid exterior to fit into its surroundings, mirroring the landscaped park while offering a range of facilities including a gym, indoor and outdoor tennis courts, and commercial spaces. The new sports center broke ground in March this year and is expected to be completed in 2025.
Building Berlin's Future: Construction Begins on MVRDV's LXK Office and Residential Campus
MVRDV has just begun construction on the LXK Office and Residential Campus in Berlin. Situated in Friedrichshain, near Berlin Ostbahnhof, the development spans approximately 61,200 sqm and boasts city center views from its green rooftops and terraces. Designed as two buildings, a horizontal band encircles the middle of either structure, serving as a distinctive landmark in Berlin.
SOM and Fender Katsalidis to Design High-Tech Towers in Sydney's Central Business District
SOM and Fender Katsalidis have won an international design competition for Central Place Sydney, a commercial development that will introduce new transformative public space and high-tech towers. Located in Sydney's Central Business District, Australia, the proposed project seeks to transform the western edge by introducing innovative buildings and public realm improvements.
Call for Proposals: High-speed Railway Transportation Hub and CBD in Central Gui’an New District, China
The Gui’an New District, the eighth National New Districts in China, is located between Guiyang City and Anshun City, Guizhou Province with a planned area of 1,795 km2. The District, committed to the goal of “creating a city with pastoral landscapes”, will be built into a new leading area in inland economic development, a pilot area for innovation and development, an agglomeration of high-end service industries, an international area for leisure, vacation and tourism and a leading area for the construction of ecological civilization. The planning of a comprehensive high-speed railway transportation hub and CBD in central Gui’an New District strives to build it into an important transportation hub and central business district. The Management Committee of Guizhou Guian New District and the Planning and Construction Bureau of The Management Committee of Guizhou Guian New District hereby publicly call for the proposals for the planning of such a transportation hub and CBD as required, sincerely inviting the participation of experienced and qualified design agencies worldwide.
Registration deadline for international teams is on July 10th, 2015. More details below:
Why China's Copy-Cats Are Good For Architecture
When we see another Eiffel Tower, idyllic English village, or, most recently, a Zaha Hadid shopping mall, copied in China, our first reaction is to scoff. Heartily. To suggest that it is - once again - evidence of China’s knock-off culture, its disregard for uniqueness, its staggering lack of innovation.
Even I, reporting on the Chinese copy of the Austrian town of Halstatt, fell into the rhetorical trap: “The Chinese are well-known for their penchant for knock-offs, be it brand-name handbags or high-tech gadgets, but this time, they’ve taken it to a whole other level.” Moreover, as Guy Horton has noted, we are keen to describe designers in the West as “emulating,” “imitating,” and “borrowing”; those in the East are almost always “pirating.”
However, when we allow ourselves, even unconsciously, to settle into the role of superior scoffer, we do not just the Chinese, but ourselves, a disservice: first, we fail to recognize the fascinating complexity that lies behind China’s built experimentation with Western ideals; and, what’s more, we fail to look in the mirror at ourselves, and trouble our own unquestioned values and supposed superiority.
In the next few paragraphs, I’d like to do both.