In the quest to preserve certain architectural, historical, and cultural features of original Catalan homes, apartment renovations are conceived as a means of connecting the past and the present through the recovery and/or restoration of coverings, flooring, carpentry, facades, and more. The history of ceramics in Spain has evolved over the years, experiencing periods of productive flourishing as well as decline. However, the expressive language, versatility, and adaptability of hydraulic tiles to tradition and the future stand out in homes' interior and exterior spaces with their wide combination of colors, textures, and patterns.
Catalan Modernism: The Latest Architecture and News
Casa Gomis by Antonio Bonet and Modern Architecture in Catalonia, Through the Lens of Arnau Rovira
In 2021, the Government of Catalonia recognized Casa Gomis, designed by the architect Antoni Bonet Castellana for the Gomis-Bertrand family between 1949 and 1956, as a Cultural Heritage of National Interest in the category of Historical Monument.
Designed from a distance in Argentina, 'La Ricarda,' as the residence is also known due to its proximity to the eponymous pond, which recently became the center of debate over the expansion of Barcelona Airport, stands out for its vaulted roof and glazed enclosures that engage with the surroundings of Prat de Llobregat.
First House Designed by Gaudí to Open as Museum
It has been confirmed that the museum opening date for the Casa Vicens in Barcelona has been rescheduled for the second half of 2017. Originally scheduled for the second half of 2016, the reopening of Gaudi's first house was not able to be completed due to the complicated and labor intensive renovations. This will be the first time the house, declared World Heritage site, will be open to the public without it being a residential or private space.
The Casa Vicens, located on 24 Carolines Street, was the first house ever designed by Antoni Gaudí. In 1883 Manel Vicens, promoter of the project, commissioned the architect to build what would be his summer home. At that time Gràcia, now a cosmopolitan neighborhood, was a separate town. Therefore, the project did not contemplate the possibility of other buildings being built around it, and so to this day, it remains a completely freestanding building in a neighborhood characterized by its compact character, narrow streets, and high density of population.