California: The Latest Architecture and News

Studio Gang has released images of their proposed high-rise MIRA residential scheme in the heart of San Francisco. Currently under construction, the 400-foot-tall tower will contain almost 400 residential units when completed, 40% of which will be below market rate.

The scheme's design is centered on the evolution of the bay window element, a feature common to San Francisco’s early houses. The bay window is reimagined in a high-rise context, twisting across the full height of the tower to offer views across the city.

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The experimental design group Space Saloon has completed their first workshop, LANDING, to create exploratory projects and installations that rethink design-build and hands-on education. Curated by Danny Wills and Gian Maria Socci, the mobile educational camp investigates perceptions of place to develop projects that make territories and environments legible. Studying material, cultural, and energy-based phenomena, students from the Southern California Institute of Architecture (SCI-Arc) and the International Program in Design and Architecture at Chulalongkorn University in Bangkok (INDA) came together in the high desert of Morongo Valley, California.

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ArchDaily and Airbnb were both founded in 2008, but for two very different reasons. Since then, ArchDaily has amassed a vast database of tens of thousands of buildings, located in cities and countries all around the world. Meanwhile, Airbnb has revolutionized the way in which we explore these countries, and use these buildings, even if just for one night.

While architecture lovers have occasionally been offered very limited experiences through Airbnb, such as a one-night stay on the Great Wall of China, or an architectural tour of the 2020 Tokyo Olympic Stadium courtesy of Kengo Kuma, it transpires that Airbnb’s listings contain some notable architectural gems available for regular booking.

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This article was originally published by Metropolis Magazine as "The Skyscraper's Innovative Structure is Changing the Game for Earthquake Design".

The most remarkable thing about 181 Fremont—San Francisco’s third-tallest tower, designed by Heller Manus Architects—is not the penthouse’s asking price ($42 million). Rather, it’s an innovative yet unglamorous structural detail: a viscous damper system that far exceeds California Code earthquake-performance objectives for buildings of 181 Fremont’s class, allowing immediate reoccupation after a seismic event.

Morphosis has released images of its proposed Orange County Museum of Art (OCMA) in California. The scheme hopes to create an “open and engaging urban presence within Orange County’s largest center for arts and culture” when it opens in 2021.

At 52,000 square feet, the museum will allow OCMA to organize major temporary exhibitions alongside spacious installations. The museum will contain nearly 25,000 square feet of exhibition galleries, representing a 50% increase on their current location in Newport Beach.

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Studio Gang has released details of their first project in Los Angeles, a 26-story mixed-use tower designed in collaboration with local development partner Creative Space and European lifestyle brand MOB. The scheme places an emphasis on community spaces, with a curved form creating dynamic public plazas at street level, forming a link between Chinatown, the recently-opened LA State Historic Park, Union Station, and El Pueblo.

Located on 643 North Spring Street, the scheme will provide 300 apartments ranging from studios to three-bedroom units, and a 149-room hotel operated by MOB. Emphasizing the importance of community space and interaction, the residents and hotel guests will share a rooftop amenity deck with landscaped terraces on the second and third floor, as well as a gym, coworking spaces, rentable offices, pop-up stores, a rooftop swimming pool and bar, and space for outdoor cooking.

A post shared by Franky Lam (@frankylamchops) on Apr 16, 2018 at 5:02am PDT

UK-based design studio NEWSUBSTANCE has debuted at the Coachella Valley Music & Art Festival with a seven-floor pavilion taking visitors on an “ever-changing journey of light, color and perspective.” The 75-foot-high (23-meter-high) pavilion named “Spectra” consists of a spiral form featuring an observation deck at its peak, projecting a rainbow band of color.

The dazzling color scheme is produced by the separation of light waves by their varying degrees of refraction, embodying the lively spirit of the Coachella festival. Through this manipulation of the physical properties of light, Spectra is capable of producing over 16 million colors.

Italian artist Edoardo Tresoldi, known for his majestic wire mesh sculptures, has unveiled his biggest artwork to date for the Coachella Valley Music and Arts Festival in Indio, California. Titled “Etherea,” the site-specific installation represents the culmination of Tresoldi's research in the music field, realized as three transparent structures taking inspiration from Neoclassical and Baroque architecture.

The Italian artist has established a reputation for wire mesh sculptures, having been named by Forbes as one of the 30 most influential European artists. The Etherea sculpture represents the artist’s investigation into architecture as a tool for contemplation, a “dedicated space where the sky and clouds are narrated through the language of classical architecture.”

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OMA New York has released initial details of its design for the Audrey Irmas Pavilion, a new addition to the Wilshire Boulevard Temple in Los Angeles, California. The OMA scheme, currently seeking planning approval, seeks to “forge new connections within the existing campus and create a new urban presence to engage Los Angeles.”

Having won a competition for the pavilion's design in 2015, the OMA scheme represents the firm’s first commission from a religious institution and their first cultural building in California. Designed in collaboration with Gruen Associates, the Audrey Irmas Pavilion will form the newest addition to the Wilshire Boulevard Temple, the oldest Jewish congregation in Los Angeles. The scheme will serve as a multi-purpose gathering space in what Rabbi Steve Leder regards as “the city’s most diverse neighborhood.”

Results have been announced for the 5th Global LafargeHolcim Awards for Sustainable Construction, with three women-led teams awarded the gold, silver, and bronze positions. The design competition asked participants to speculate on future methods of balancing environmental performance, social responsibility and economic growth, “exemplifying architectural excellence and a high degree of transferability.”

The competition attracted over 5,000 submissions from 131 countries. Having been regionally assessed by juries in Europe, North America, Latin America, the Middle East/Africa and Asia Pacific, 55 successful proposals were entered for the global awards, where six winning schemes were selected.

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Recently, long-standing architecture critic for the LA Times Christopher Hawthorne announced that he was stepping down to take up the position of chief design officer for the City of Los Angeles in Mayor Eric Garcetti’s administration. According to Hawthorne, the role will involve raising “the quality of public architecture and urban design across the city — and the level of civic conversation about those subjects.” This dramatic shift from the question: what is the role of the critic and architecture criticism in shaping civic architecture?

“Do people love tech companies so much that they would live inside them?” This is the question posed by The New York Times in an article reflecting on Facebook’s plans for Willow Village, a 59-acre urban district located at the company’s Menlo Park headquarters in San Francisco, California.

The Lucas Museum of Narrative Art, designed by MAD Architects, has broken ground in Los Angeles, California. Founded by “Star Wars” creator George Lucas, and standing at the gateway to the city’s Exposition Park, the scheme is envisioned as a “futuristic spaceship” landing on the site’s natural environment.

The building’s interior has been designed as an expansive, open cave, flooded with natural light from skylights above. At least $400 million worth of art will be housed in the museum, including over 10,000 paintings, illustrations and movie memorabilia. The first floor and roof will be designated as public areas for visitors to exercise, relax, and “directly experience nature in the urban environment."

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Construction is well underway on Disney’s much anticipated Star Wars: Galaxy’s Edge theme parks planned for both Disney World in Florida and Disneyland, California.

A new drone video released by Disney Parks shows that many of the California park’s landscape and architectural elements – including mountains spires, towers and domes – are already in place. Inspired by the real-world land- and cityscapes of Istanbul and Morocco, the park will evoke the Outer Rim planet of Batuu, a remote trade outpost located along old sub-lightspeed trade routes.

In recent years, many ambitious proposals have been brought forward to revitalize and improve the area around the Los Angeles River. The Lower Los Angeles River Revitalization Plan (LLARP), proposed by Perkins + Will Architects in conjunction with various community groups and public institutions, aims to connect residents to the river and improve the environment surrounding it.

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SPF:a has revealed their design for the new Anaheim Performing Arts Center (APAC) to be located adjacent to Angels Stadium in Anaheim’s Platinum Triangle District. The $500 million, 500,000-square-foot cultural campus will contain three theaters and a range of culture and entertainment program elements, housed within striking buildings inspired by the orange tree.

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Apple’s unwavering love for glass and seamless edges is one of the reasons designers flock in masses to purchase their products. But that aesthetic has caused a bit of a snafu at the company’s new Foster+Partners-designed headquarters in Cupertino, where employees are running into the highly transparent glass walls at an alarming rate.