Lo-tech Augmented Reality. Image Courtesy of James Corbett
Augmented reality (AR) software has been a common feature in professional design toolkits for a while. But the recent release of Apple’s Vision Pro glasses shows the mixed-reality wearables sector is making serious inroads in consumer markets too, as one of the world’s biggest names in consumer design and technology enters the market.
A major reason for the immense hype surrounding Apple’s foray into AR/VR hardware, however, is the decision to position it as ‘spatial computing.’ By taking the complexity of augmented reality, and using it to heighten a familiar consumer sector – personal computing – the Cupertino-based brand has simplified the whole experience, widening its understanding and appeal.
By digitizing architecture services, German firm baupal seeks to democratize sustainable and customized architecture, making design, energy assessments, permitting and cost evaluations more accessible and straightforward for private builders and smaller construction projects. Baupal is an online building application service that takes advantage of digital processes and efficient team structures to streamline design, planning and permitting processes for a range of small-scale projects.
Selected as one of Archdaily's Best New Practices of 2021, Baupal is a Berlin-based start-up co-founded in 2020 by Constantin Schmidt-Thomé, Justus Menten, and Max Schroeren with the purpose of "simplifying design and building application for everyday homeowners and their contractors. "With backgrounds in finance, entrepreneurship and architecture, the team set out to transform the design and planning approval process into a customer experience through digital and transparent workflows. The firm specializes in conversions, extensions and new single-family houses, while also providing building application services to construction companies.
By 2025, Dubai plans for a fourth of its buildings to be printed in 3D construction methods, demonstrating the potential of a fast-growing technology capable of redefining and pushing the limits of traditional architecture. As the technique emerges as a viable solution in the construction, engineering, and architecture areas, its popularity is quickly increasing. In fact, just between 2021 and 2028, the global 3D construction market is expected to grow by 91%, according to a July 2021 report by Grand View Research. Why this rapid growth? Besides being a faster alternative and having lower construction costs, it can also provide affordable housing solutions and allow countless design possibilities, among many other benefits. Thus, as architects must adapt to a new technological era, where speed and efficiency have become key factors in design and execution processes, the rise of 3D printing shows enormous promise. It could even help reshape construction as we know it.
With the aim of generating a significant impact on the responsible and sustainable consumption of resources and energy in the construction industry, ETH Zürich in collaboration with FenX AG is using foam 3D printing (F3DP) to manufacture geometrically complex formwork for the construction of special elements in concrete.
This year both organizations have defined themes related to improving the quality of life and reducing the effects of the climate crisis by taking action in the built environment. While the International Union of Architects' 2021 World Architecture Day theme is "Clean Environment for a Healthy World", UN-Habitat's World Habitat Day has announced "Accelerating Urban Action for a Carbon-Free World" as their topic.
Artificial intelligence, machine learning and generative design have begun to shape architecture as we know it. As systems and tools to reimagine the built environment, they present diverse opportunities to rethink traditional workflows. Designers also fear they may inversely affect practice, limiting the services of the architect. Looking to building technologies, new companies are creating software and projects to explore the future of design.
In May, aec+tech hosted an event on Clubhouse discussing how architects are using generative design in architecture firms today and towards the future. Five guest speakers from reputable architecture and tech start-ups —Zaha Hadid Architects, BIG, Outer Labs, 7fold, and RK Architects— joined the session to share their experiences and insights.
In November of 2020, Foster + Partners announced a collaboration with the robotics design company Boston Dynamics. Together, the two have been testing Boston Dynamics’ robot dog, Spot, to help capture and monitor progress on construction sites. The robot boasts the dexterity to climb stairs, avoid obstacles, and traverse rough terrain, allowing it to monitor building sites and collect data quickly and easily. In this way, designers and contractors can remedy errors rapidly and at minimal cost, ensuring that projects progress according to their set timeframes and budgets. With manual data collection, errors might be noticed at a much slower rate and communication between contractors may suffer as well. Thus, Spot optimizes construction monitoring and on-site collaboration.
https://www.archdaily.com/954784/how-does-spot-r-work-the-robot-that-compares-design-to-reality-at-the-construction-siteLilly Cao
The construction industry moves a huge amount of resources, employs millions of people, and is a fairly accurate gauge for the economic situation of different countries. If the economy goes down, construction shrinks, and vice versa. Members of the construction industry include mining companies, contractors, material manufacturers, architects, engineers, governments, real estate, and more. In other words, many agents participate either directly and indirectly in the industry. But construction is also considered to be one of the most backward and resistant industries to embrace new technologies, instead opting to replicate traditional ways of doing less efficient work with high rates of waste. A study by McKinsey & Company showed that, unlike other industries, industry productivity has remained stable in construction in recent years, despite all the technological progress that has occurred.
Autodesk has just acquired Spacemaker, a platform that “gives architects and developers the automation superpower to test design concepts in minutes” and explore the best urban design options. Targeting architects, urban designers, and real estate developers, the cloud-based AI-powered generative design helps professionals taking better early-stage design decisions.
For many, the aesthetics of wood are powerfully enchanting. With a huge diversity of species and innumerable variations in colors, weights, and textures, wood is one of the most highly appreciated materials of all time. But the unrestrained logging of forests for use in construction has had and will continue to have enormous environmental impacts if precautions such as sustainable management, legitimate certification, or reforestation are not taken. Being an organic material, when used for construction, wood tends to morph under conditions of humidity, heat, and loads, and its fibers eventually deform over time. In addition, wood is a material that does not respond well to environments where it is soaked and dried repeatedly, which can cause it to rot after some time if it is not adequately waterproofed. Therefore, there are some situations where using wood may not be a good idea.
Robotic automation has been widely adopted by the manufacturing industry for decades. Most automotive vehicles, consumer electrical appliances, and even domestic robots were made and assembled by “armies” of robots with minimal human supervision. Robotic automation brings higher production efficiency, a safer working environment, lower costs and superior quality. After years of development and deployment, the process now requires minimal human involvement.
https://www.archdaily.com/945761/a-fully-automated-construction-industry-still-a-long-road-aheadDarwin Lau
The construction industry is responsible for 75% of the consumption of earth's natural resources. Stone, sand, iron, and many other finite resources are extracted in huge quantities to supply the markets. Additionally, construction sites themselves generate enormous quantities of waste, whether through construction, demolition, or remodeling. In Brazil, for example, construction waste can represent between 50% and 70% of the total mass of municipal solid waste [1]. This waste often ends up in landfills and dumps rather than being properly disposed of, overwhelming municipal sanitation systems and creating informal disposal sites.
Craftmanship is back. Following a century of mass production and industrial development, crafts are starting to be revalued and reinterpreted. A new sensitivity towards raw materials, the recovery of local techniques and the defense of small-scale trade are a few of the claims that this comeback represents. Materials such as earth and ceramics, textiles and wood are being reinterpreted by designers, artists, and architects around the world, in search of both their own style and the representation of collective nostalgia.
Automation is rapidly becoming a normalized part of many people’s daily lives and careers, a trend which has by no means evaded the construction industry. While this increasingly pervasive technology is often considered a symptom of the contemporary 21st century, however, one automated construction technology may have a history stretching as far back as the 1960s. This technology, the bricklaying robot, has transformed dramatically since its limited realization over 50 years ago, splintering into newer, more technologically advanced variations today.
https://www.archdaily.com/928440/the-evolution-of-bricklaying-robots-changing-the-rules-of-traditional-constructionLilly Cao
By 2050, the world’s population is expected to have exceeded 10 billion people, making overcrowded cities one of the most pressing issues of the present. Data analysis, machine learning, transportation developments, and the rapid development of new social technologies are increasingly changing the needs of people and communities, which will have a direct impact on the issue of overcrowding and on our built environment more largely.
Additive Manufacturing (AM) is a term used to identify the manufacturing processes performed by 3D printing through layer-by-layer construction. In addition to avoiding the generation of waste through the use of precise geometries and exact quantities of material, these controlled processes can be much faster than traditional ones, since they don't require tools or other instruments.
Additive Manufacturing is done based on a digital model. The process begins with a CAD design or three-dimensional scan and then translates that shape into an object divided into sections, allowing it to be printed. Its use has extended from industrial design to the replica of archaeological objects to the manufacture of artificial human organs and tissues, among many others.
Materials and technology come together in new spaces and experiences. When looking to innovations in advanced construction, the Institute for Computational Design (ICD) and the Institute of Building Structures and Structural Design (ITKE), together with students at the University of Stuttgart, have been creating a series of experimental pavilion for many years. These structures tell a story of computational design and computer-aided manufacturing processes for advanced construction.
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