A "meanwhile space" refers to the temporary use of an otherwise vacant area—whether it’s an empty shop, a disused building, or a site awaiting redevelopment. The concept revolves around making productive use of these spaces during the interim period before a long-term purpose is established. Essentially, it’s about what happens in the meantime, turning unused spaces into vibrant, functional places during periods of uncertainty or transition.
Graffiti, as an art form, has a complex relationship with gentrification. On one hand, it has engaged the streets and urban fabric as a canvas for people to express themselves culturally and socio-politically. This expression could be a form of rebellion by ethnic minorities and disadvantaged groups in certain neighborhoods, or it can build up a sense of cultural uniqueness and social expression, giving a neighborhood a positive character and attracting newcomers. However, over the years, the latter has been an agent of gentrification, spiking up property values to accommodate richer residents and alienating the native communities of those neighborhoods.
In certain instances, artists recognize their role in this urban scheme and tweak their art form through its style, message, location, and action as direct forms of protest to fight against gentrification. From Brixton, Shoreditch, and Hackney in London, Williamsburg and Bushwick in New York, to The Canal Saint-Denis and Belleville in Paris, the use of graffiti on the streetscapes of these neighborhoods can either protest or inspire different forms of development.
Sir David Adjaye has designed a new memorial in Brixton to honor the life of Cherry Groce. The project will be sited in Windrush Square as a tribute to her life, an innocent mother who was shot in her home in 1985 by the Metropolitan Police. The new memorial will be designed to act as a beacon of hope in the pursuit of equality, justice and truth.
A year since the passing of David Bowie, one of music and pop culture’s greatest icons, fans have launched a fundraising campaign to support the erection of a permanent memorial statue in London, in honor of the late musician.
“We’re taking the lightning flash from the cover of Aladdin Sane, and turning it into a three-storey tall sculpture,” explains Charlie Waterhouse of This Ain’t Rock ‘n’ Roll, one of the organizations behind the campaign, working in conjunction with David Bowie’s team.
New London Architecture (NLA) has named the winners of this years New London Awards, celebrating the best projects and architects shaping London today. Taking home top honors, Zaha Hadid was crowned "New Londoner of the Year" for her influential work, both in the UK and abroad. The jury commended Hadid for "her role as a champion of design to both the government and the general public alike," citing her success with the London Aquatic Center and the Serpentine Sackler Gallery.
Out of the 51 projects awarded, Pringle Richards Sharratt's Black Cultural Archives (BCA) in Brixton was named London's best new building. The Grade II listed structure, which had been on the English Heritage's Heritage at Risk Register since 1992, was restored as a new home for BCA’s extensive archives, serving as an exemplar for preservation and reuse.
