Black Architects: The Latest Architecture and News

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Design justice is grounded in personal experience and built through everyday actions. Wandile Mthiyane is an architectural designer that embodies this idea, an activist that grew up in Durban, South Africa during the Apartheid. From an early age he was drawn to building and design, a background directly tied to his childhood. He realized he wanted to build a better future by working to undo the architectural effects of institutionalized racial segregation. Today, Wandile has become recognized for creating social impact, including his work to transform his hometown of Durban.

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Running from May 20th to November 26th, 2023 in the Giardini, at the Arsenale, and at various sites around Venice, the 18th International Architecture Exhibition will be titled: The Laboratory of the Future. Announced today by the President of La Biennale di Venezia, Roberto Cicutto, and the Curator of the exhibition, Lesley Lokko, the theme and title of this edition will consider the African continent as the protagonist of the future. “There is one place on this planet where all these questions of equity, race, hope, and fear converge and coalesce. Africa. At an anthropological level, we are all African. And what happens in Africa happens to us all”, explains Lokko.

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The 2022 laureate of architecture’s highest honor, the Pritzker Architecture Prize is Diébédo Francis Kéré, known as Francis Kéré, Burkina Faso-born architect, educator, social activist, receiver of the 2004 Aga Khan Award for Architecture and designer of the 2017 Serpentine Pavilion. Recognized for “empowering and transforming communities through the process of architecture”, Kéré, the first black architect to ever obtain this award, works mostly in areas charged with constraints and adversity, using local materials and building contemporary facilities whose value exceeds the structure itself, serving and stabilizing the future of entire communities.

“Through buildings that demonstrate beauty, modesty, boldness, and invention, and by the integrity of his architecture and geste, Kéré gracefully upholds the mission of this Prize,” explains the official statement of the Pritzker Architecture Prize. Announced today by Tom Pritzker, Chairman of The Hyatt Foundation, Francis Kéré is the 51st winner of the award founded in 1979, succeeding Anne Lacaton and Jean-Philippe Vassal. Praised “for the gifts he has created through his work, gifts that go beyond the realm of the architecture discipline”, the acclaimed architect is present equally in Burkina Faso and Germany, professionally and personally.

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Commended for his impactful contributions to architecture, design, and the community, Sir David Adjaye has been awarded with the inaugural Charlotte Perriand Award, an honor created by The Créateurs Design Awards that recognizes excellence and integrity in the design industry, and inspires future generations in honor of the late female trailblazer. The Ghanian-British 2021 RIBA Gold Medalist and founder of Adjaye Associates was selected for his achievements that "go beyond becoming city landmarks", and his holistic and impactful approach in developing residential, commercial, and cultural typologies.

The Board of La Biennale di Venezia, has appointed Ghanaian-Scottish architect, academic, and novelist Lesley Lokko as Curator of the 18th International Architecture Exhibition - La Biennale di Venezia. The 18th International Architecture Exhibition will be held from Saturday 20 May to Sunday 26 November, 2023.

Germane Barnes has won the 2021 Wheelwright Prize from Harvard University Graduate School of Design. The $100,000 prize will fund two years of travel and research for Barnes’s proposal Anatomical Transformations in Classical Architecture, an examination of classical Roman and Italian architecture through the lens of non-white constructors. Barnes will study how spaces have been transformed through the material contributions of the African Diaspora while creating new possibilities within investigations of Blackness.

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The following text is excerpted from John S. Chase — The Chase Residence (Tower Books, 2020) by architect and University of Texas professor David Heymann and historian and Rice University lecturer Stephen Fox. Richly illustrated with archival materials and new drawings, the book is the first devoted to Chase, who was the first Black licensed architect in Texas. The study is divided into two parts, with Heymann examining the personal, social, and architectural significance of Chase’s own Houston house and Fox describing Chase’s architectural career.

This excerpt draws on Heymann’s analysis and highlights the first incarnation of the Chase Residence (Chase substantially altered its architecture in 1968). It places great emphasis on the house’s remarkable courtyard, a modernist innovation, and a singular statement about domestic living at the time. New section, elevation, and perspective drawings prepared for the book help illustrate the ingenuity of the house’s configuration. Finally, the excerpt was selected in part to honor Drucie (Rucker) Chase, who passed away in January of 2021.

The Museum of Modern Art has launched Reconstructions: Architecture and Blackness in America, the fourth installment of the Issues in Contemporary Architecture series. Investigating the intersections of architecture, Blackness and anti–Black racism in the American context, the exhibition and accompanying publication examine contemporary architecture in the context of how systemic racism has fostered violent histories of discrimination and injustice in the United States.

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Architecture for Change (ARCH), a newly launched nonprofit initiative dedicated to addressing systemic racism in the architecture and design industry, is kicking off with an online auction featuring donated works—sketches, models, plans, photographic prints, and more—from a host of notable architects including Sir David Adjaye, Daniel Libeskind, Michel Rojkind, David Rockwell, Jennifer Bonner, Trey Trahan, and others.

Paul Revere Williams, the late architect who was the first black member of the American Institute of Architects (AIA), has recently been receiving some long-overdue recognition. The AIA awarded him a posthumous gold medal in 2017; a PBS documentary “Hollywood’s Architect: The Paul R. Williams Story” aired in February, and a book titled “Regarding Paul R. Williams: A Photographer’s View” was published in September.

Reflecting on the current global situation, Chicago Architecture Biennial (CAB) has reinvented its 2021 edition, in order to generate conversations about the “intersection of architecture and design and such critical issues as health, sustainability, equity, and racial justice”. The Biennial has also announced the appointment of David Brown, designer, researcher, and educator, based at the School of Architecture at the University of Illinois at Chicago, as the Artistic Director of the fourth edition, entitled The Available City.

Over two days, approximately 500 online participants together set the agenda, formed and dissolved discussion groups, and shared knowledge and resources. With the assistance of an “open space” facilitator, this is how Cut|Fill, a virtual "unconference” on landscape architecture, unfolded.

Organized by the Urban Studio and Ink Landscape Architects, Cut|Fill was meant to “raise questions we all want to discuss,” explained Andrew Sargeant, ASLA, a founder of Urban Studio. One of those important questions: “how can landscape architects design with empathy and end dismissive behavior towards people of color?”

Investing in virtual projects has probably never been more timely, after all, we have been partially deprived of contact with the concrete world. Exploring the singularities of the present moment and the power of online engagement, a group of architects from Angola started an ambitious work: pursuing a new identity for Angolan architecture.

Formed by Yolana Lemos, Kátia Mendes, Mamona Duca, Elsimar de Freitas, and Gilson Menses, Grupo BANGA is responsible for the project Cabana de Arte (Art Hut), which combines the efforts of young architects and artists from Angola in virtual works that seek to bring visibility to emerging professionals and bring architecture closer to people's daily lives.

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This article was originally published on Common Edge.

In the wake of the murder of George Floyd at the hands of the Minneapolis Police, the United States erupted in protests and demonstrations. The fervor generated by that event reached the world of architecture education a couple of weeks later, when two groups at the Harvard Graduate School of Design (GSD)—the African American Student Union (AASU) and AfricaGSD—posted a public statement, Notes on Credibility, calling for reforms at the school. Four days later, Dean Sarah M. Whiting posted a response, Towards a New GSD. Shortly after, I reached out to the groups, and they put me in touch with two of their members: Caleb Negash, a second-year student in the MArch program, and Andrew Mbuthia Ngure, a third-year student in the same program.