BIPOC: The Latest Architecture and News

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Design justice is grounded in personal experience and built through everyday actions. Wandile Mthiyane is an architectural designer that embodies this idea, an activist that grew up in Durban, South Africa during the Apartheid. From an early age he was drawn to building and design, a background directly tied to his childhood. He realized he wanted to build a better future by working to undo the architectural effects of institutionalized racial segregation. Today, Wandile has become recognized for creating social impact, including his work to transform his hometown of Durban.

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Commended for his impactful contributions to architecture, design, and the community, Sir David Adjaye has been awarded with the inaugural Charlotte Perriand Award, an honor created by The Créateurs Design Awards that recognizes excellence and integrity in the design industry, and inspires future generations in honor of the late female trailblazer. The Ghanian-British 2021 RIBA Gold Medalist and founder of Adjaye Associates was selected for his achievements that "go beyond becoming city landmarks", and his holistic and impactful approach in developing residential, commercial, and cultural typologies.

Germane Barnes has won the 2021 Wheelwright Prize from Harvard University Graduate School of Design. The $100,000 prize will fund two years of travel and research for Barnes’s proposal Anatomical Transformations in Classical Architecture, an examination of classical Roman and Italian architecture through the lens of non-white constructors. Barnes will study how spaces have been transformed through the material contributions of the African Diaspora while creating new possibilities within investigations of Blackness.

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The following text is excerpted from John S. Chase — The Chase Residence (Tower Books, 2020) by architect and University of Texas professor David Heymann and historian and Rice University lecturer Stephen Fox. Richly illustrated with archival materials and new drawings, the book is the first devoted to Chase, who was the first Black licensed architect in Texas. The study is divided into two parts, with Heymann examining the personal, social, and architectural significance of Chase’s own Houston house and Fox describing Chase’s architectural career.

This excerpt draws on Heymann’s analysis and highlights the first incarnation of the Chase Residence (Chase substantially altered its architecture in 1968). It places great emphasis on the house’s remarkable courtyard, a modernist innovation, and a singular statement about domestic living at the time. New section, elevation, and perspective drawings prepared for the book help illustrate the ingenuity of the house’s configuration. Finally, the excerpt was selected in part to honor Drucie (Rucker) Chase, who passed away in January of 2021.

The Museum of Modern Art has launched Reconstructions: Architecture and Blackness in America, the fourth installment of the Issues in Contemporary Architecture series. Investigating the intersections of architecture, Blackness and anti–Black racism in the American context, the exhibition and accompanying publication examine contemporary architecture in the context of how systemic racism has fostered violent histories of discrimination and injustice in the United States.

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Last year, as the pandemic kept many housebound, artist and architectural historian Esther Choi found herself fielding a lot of requests from BIPOC students and young professionals looking for advice. She noticed several of the same concerns cropping up, specifically those having to do with the stresses of studying or working in environments that were overwhelmingly white. So, as one will do these days, Choi took to social media, where she announced virtual information sessions in which she would talk about her professional experience in an attempt to help others. The success of these initial, informal get-togethers led Choi to plan a series of events where BIPOC design students and young professionals could pick the brains of established BIPOC architects, designers, and writers about their careers and ways to navigate often unsupportive fields. The conversations would be casual, frank, and encouraging. Choi named the initiative Office Hours.

Architecture for Change (ARCH), a newly launched nonprofit initiative dedicated to addressing systemic racism in the architecture and design industry, is kicking off with an online auction featuring donated works—sketches, models, plans, photographic prints, and more—from a host of notable architects including Sir David Adjaye, Daniel Libeskind, Michel Rojkind, David Rockwell, Jennifer Bonner, Trey Trahan, and others.

Newly built houses, with their sizable carbon footprints, don’t just contribute to climate change. For many Americans, they’re also too expensive—a bitter irony in cities rife with vacant buildings and record evictions.

Given the urgency of both issues, projects that retrofit livable housing into existing low-carbon shells (the initial embodied carbon was spent long ago) might be worth a closer look. We searched for them and came across a handful that promise a cure for housing insecurity and excessive greenhouse gas emissions.

Paul Revere Williams, the late architect who was the first black member of the American Institute of Architects (AIA), has recently been receiving some long-overdue recognition. The AIA awarded him a posthumous gold medal in 2017; a PBS documentary “Hollywood’s Architect: The Paul R. Williams Story” aired in February, and a book titled “Regarding Paul R. Williams: A Photographer’s View” was published in September.

Every company across the country is talking about “diversity” and “inclusion”—but what actions are actually being taken to address the issues? In May, following the death of George Floyd and the rise of the Black Lives Matter movement, conversations were had, statements issued, and boxes checked. But achieving diversity and inclusion will involve addressing long-term, systemic issues that cannot be solved with a black square on Instagram or a carefully crafted statement from a PR department.

The first step toward diversity and inclusion is recognizing that talking about it is not enough, and the path to real change is going to be a process.

Reflecting on the current global situation, Chicago Architecture Biennial (CAB) has reinvented its 2021 edition, in order to generate conversations about the “intersection of architecture and design and such critical issues as health, sustainability, equity, and racial justice”. The Biennial has also announced the appointment of David Brown, designer, researcher, and educator, based at the School of Architecture at the University of Illinois at Chicago, as the Artistic Director of the fourth edition, entitled The Available City.

Over two days, approximately 500 online participants together set the agenda, formed and dissolved discussion groups, and shared knowledge and resources. With the assistance of an “open space” facilitator, this is how Cut|Fill, a virtual "unconference” on landscape architecture, unfolded.

Organized by the Urban Studio and Ink Landscape Architects, Cut|Fill was meant to “raise questions we all want to discuss,” explained Andrew Sargeant, ASLA, a founder of Urban Studio. One of those important questions: “how can landscape architects design with empathy and end dismissive behavior towards people of color?”

Investing in virtual projects has probably never been more timely, after all, we have been partially deprived of contact with the concrete world. Exploring the singularities of the present moment and the power of online engagement, a group of architects from Angola started an ambitious work: pursuing a new identity for Angolan architecture.

Formed by Yolana Lemos, Kátia Mendes, Mamona Duca, Elsimar de Freitas, and Gilson Menses, Grupo BANGA is responsible for the project Cabana de Arte (Art Hut), which combines the efforts of young architects and artists from Angola in virtual works that seek to bring visibility to emerging professionals and bring architecture closer to people's daily lives.

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