Environmental issues urgency and increasing temperatures on the planet are nothing new. There are many factors contributing to environmental degradation. However, two can be viewed as representative of critical points in the current world system: plastic and waste disposal, better known as garbage.
The environmental crisis cannot be attributed solely to these two examples. They are used here as examples to mobilize issues involving multiple agents, materials, and diverse methods. These issues lead to devastating consequences, increasingly irreversible.
Architectural education has always been fundamentally influenced by whichever styles are popular at a given time, but that relationship flows in the opposite direction as well. All styles must originate somewhere, after all, and revolutionary schools throughout centuries past have functioned as the influencers and generators of their own architectural movements. These schools, progressive in their times, are often founded by discontented experimental minds, looking for something not previously nor currently offered in architectural output or education. Instead, they forge their own way and bring their students along with them. As those students graduate and continue on to practice or become teachers themselves, the school’s influence spreads and a new movement is born.
Beyond light as a physical phenomenon perceptible by the human eye, daylight is an inexhaustible architectural resource that is sometimes taken for granted. Just like the air we breathe, we are all aware of the existence of light, but rarely do we seek to do anything else with it. It is essential to recognize its presence as an enabler of experiences in space, due to its intrinsic relationship with architecture and human beings.
The incidence of light in architecture directly influences the way we perceive the passage of time. Since ancient times, constructions such as ziggurats have integrated strategies to capture the changing daylight through their roofs, evolving and remaining present in modern constructions such as the Villa Savoye. More recently, the flatness of roofs in contemporary buildings has been a great resource for incorporating architectural elements that also allow them to be inhabited, such as roof access hatches, which serve as a link between natural light and roof terraces.
Below, we review some of the latest technologies in skylights and access hatches, such as those developed by LAMILUX.
https://www.archdaily.com/997903/the-threshold-between-daylight-and-architecture-flat-roof-access-hatchesEnrique Tovar
As human beings we cannot live without stories, we need them to fill those gaps in our reality, to live in our imagination those thousands of lives that are different from ours and, in some cases, impossible.
Could we qualify as "good architecture" that which has a story, or several stories, to tell us? That which is a story in itself? Such a subjective question undoubtedly generates different answers, but one possible answer is "yes". And one example is the Brion Tomb project, one of Venetian architect Carlo Scarpa's major masterpieces.
Galería de arte en calle Trafalgar; Archivo histórico comarcal del Garraf; Rehabilitación de vivienda en Walden-7, Viviendas siete vidad - Montaje con fotografías de proyectos de los estudios mencionados
We are going through times of great change and we are all aware of that. The role of women in the field of architecture is becoming more and more relevant and, unlike other times, such as in the 20th century, the female figure is no longer hidden behind the male figure, as happened to Anne Tyng with Louis Kahn or Lilly Reich with Mies van der Rohe, just to mention a few examples.
What is good architecture? More than two thousand years ago, Vitruvius would have answered that good architecture is that which contemplates three basic principles: firmitas (firmness), utilitas (utility), and venustas (beauty), as he described in his treatise De Architectura, and probably no one would have questioned it. Today, this broad question is capable of eliciting hundreds of answers, all personal and subjective, which have to do with the experience of each person.
Reflecting on what the materials of the future will be like, we will talk about a material that is booming in Barcelona and which perhaps leads us to respond by suggesting that, as always, everything comes back.
For some years now, hydraulic mosaics have been back on trend, generating interest due to their high artisan value and their diverse designs, perfect for combining traditional environments with avant-garde details.
TNC / Taller de Arquitectura de Ricardo Bofill. Image Cortesía de Ricardo Bofill Taller de Arquitectura
Catalonia's National Theatre, known by the abbreviation TNC, is a public theatre located in the Plaça de les Arts, near Plaça de Glòries, in Barcelona. It is one of the city's most prestigious buildings and one of the most important cultural institutions in Catalonia.
Furniture has a direct impact on the quality of interior design projects. Among other features, its presence blends with the function of the spaces, setting a boundary between them.
An internal space with neutral colors, for example, might highlight certain furniture that, beyond fulfilling their function, also assumes a contemplative profile. These pieces of furniture have become iconic by their design, which, in some cases, were created by great names of architecture that explored this field and drew pieces that represented their style.
Graphics, even before language and writing, were the first means of communication and significance for humanity. Drawing is the act of replacing reality with representation, that is, replacing objects with images encoded in each of the graphic representation systems.
In architecture, graphics stimulate the imagination and are the basis of project thinking since they do not only constitute our code of communication but configure our ability to express ourselves in disciplinary terms. In fact, at first, the drawing is constructed in the mind of the architect, before it looks for support from any type of instrument.
Poner la mesa. Image Cortesía de Florencia Köncke y Paula Olea Fonti
Setting the Table is an illustrated reflection by architects Florencia Köncke and Paula Olea Fonti. In the following paragraphs, the authors develop a first approach to the study of the table as "the centre of our notion of domesticity"(1). In the relationship between space, objects and people and as a social catalyst for gathering and exchange.
https://www.archdaily.com/977914/setting-the-table-from-the-ordinary-table-to-the-extraordinary-tableFlorencia Köncke + Paula Olea Fonti
“If you’re a painter, you need a canvas. If you’re a sculptor, you need marble or plaster. And if you build a house, you need a piece of land.” Welcome to the wonderful world of Not Vital, where the Swiss multi-faceted artist shows us his sculpture park, foundation, and castle in this video.
Louisiana Channel meets Not Vital in his studio in Sent, the town in Switzerland where he grew up and one of the places where he still lives. Building places to live have been with him since childhood: “My first work was more related to trying to build a house or a habitat. The first one was when I was only three years old in 1951. There was so much snow that my brother and I built a tunnel,” he says and continues: “I think that it was the first time I realized that I like to build my own habitat. Even though it was much more comfortable to live in the house, I spent the day in the tunnel. I remember the light, the smell of the snow. I just felt great.”
In 1929, Ludwig Mies van der Rohe and Lilly Reich design the German National Pavilion for the 1929 Barcelona International Exhibition. The official reception for the exhibition was held there, presided over by King Alfonso XIII and the German authorities. From then on, the story is well known to everyone. A symbolic work of the Modern Movement, the Pavilion has been extensively studied and interpreted, and has inspired the work of several generations of architects.
We are starting to say goodbye to the year and after a review of all the contents developed, we find ourselves with a wide range of architectural advice that involves both interior and exterior spaces. Addressing issues from the domestic sphere to more technical and decisive questions, these are intended to serve as a guide and/or suggestions, rescuing those necessary considerations to take into account when planning our spaces, regardless of the use or the future they contemplate.
When designing an architectural space, it's necessary to think about how to satisfy the needs of each user, looking to achieve an adequate level of comfort and a pleasant experience. Auditoriums, cinemas, and theatres are spaces that involve large masses of people, so special attention must be paid to factors like isoptics, acoustics or accessibility so that when witnessing an event, everyone is able to receive the same information.
It could be said that one of the main aspects to take into account when designing a swimming pool is the choice of colour for the coating. The light, the shadows, the depth, the environment and the elements that surround it are variables that directly affect the final tonality of the water. The effects of artificial and/or natural lighting also determine the final aesthetic, because if it's located outdoors, reflecting the sky, it will create a different effect than if it's located indoors, where the ceiling would influence its colour.
MAIO is currently building a five-story building with 40 social housing units in the Sant Feliu de Llobregat district, Barcelona. The project design urban connectivity, social equity, and sustainability. As the winner of a two-phase competition, the building will house hierarchyless, generic, flexible spaces to fit the inhabitants' needs.
The technical needs of the construction of bridges many times guide the development of the design itself. However, architecture is never put aside, rather the opposite. The aesthetics of bridges that we collect in this article are the result of an intense, demanding, and stimulating dialogue between architecture and engineering, where the search for solutions only ends when both disciplines are fully satisfied.
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