Art: The Latest Architecture and News

Six months after the release of the namesake book during the latest installment of the biennial, PERFORMA has launched Bodybuilding, which features thirty-five architecture studios who engage with performativity.

Is architecture a period or a comma? Are built forms hermetic bodies or catalysts for action? PERFORMA curator Charles Aubin and architect Carlos Mínguez Carrascor, published Bodybuilding: Architecture and Performance, during the most recent installment of the PERFORMA 19 biennial in New York City last November. Noticing a lack of a comprehensive, multigenerational survey on the subject, the duo’s interest in investigating the ways architects engage with performance goes as far back as a symposium they co-organized at the Performa 17 Hub in 2017. The book, which features essays by Mabel O. Wilson and Bryony Roberts, Lluís Alexandre Casanovas Blanco, and Victoria Bugge Øye, seeded the fundamental approaches now deeply rooted in the online exhibition: the impact of movement on systematic urbanization, the body’s relationship to buildings and monuments, and architecture’s role in action, be it physical or sociopolitical.

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Overall, when designing exhibition spaces, certain aspects contribute to an effective display of the pieces: diffuse lighting, spatial distribution, and high ceilings are some of them. The combination of these features with rooms that are able to transform themselves (using elements that can be perforated, repainted, and adapted according to each exhibition), is common in many art galleries, expressing the dialogue between art and architecture.

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The recent success of Parasite, the award winning film directed by South Korean director Bong Joon Ho, has created a conversation around the emphasis of architecture and interior spaces in movies. This particular film does an excellent job of blurring the boundaries between the two disciplinary fields, to the point where the architecture is not just the background of the set, but it has been placed at the forefront of the storyline, and takes on the leading role in many scenes.

Mies van der Rohe Foundation together with Side Gallery presented "No Fear of Glass", an artistic intervention in the Mies van der Rohe Pavilion in Barcelona, Spain, developed by designer Sabine Marcelis.

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The interview Per Kirkeby: "We Build Upon Ruins" published on Louisiana Channel not only showcases the colorful canvases of the Danish painter, sculptor, filmmaker, and writer, but also his own reflections on the importance of surroundings that "give us so much baggage." It's this very idea that Kirkeby brings to his brick sculpture displays, where something simple and sometimes useful puts aside inaccessible conceptualism to pay homage to the surroundings rather than the sculptures themselves.

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The Bulgarian artist Christo will wrap the famous Arc de Triomphe in Paris with recyclable blue fabric in his next work. The work, which will open on April 9 and last for two weeks, coincides with the artist's large exhibition at the Center Pompidou, which brings together works done in partnership with his late wife, Jeanne-Claude, during the period in which they lived in Paris.

Architecture can be understood through many prisms but is often seen solely as the response to material demands - housing, leisure, commerce, etc. But perhaps no space is more emotionally and symbolically loaded than that of sacred spaces. Designing spaces for worship (religious or otherwise) can be one of the most creative and liberating tasks of this profession. These spaces transcend the terrestrial plane of mere material to become part of a universe of subjectivity and faith.

We present below a series of illustrations of such spaces by André Chiote, featuring famed architectural works by designers such as Gottfried Bohm, Oscar Niemeyer, and Peter Zumthor. 

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Street art has long surpassed mere trend to become an integral part of cities' cultural identities. What was once considered vandalism is now not only accepted but encouraged. The works of once-prosecuted artists such as Banksy and Shepard Fairey are now collector's items; murals can cost anywhere from $1,000 to $20,000 or more. Through their works, artists may even have the power to save cities.

Sculptor and jewelry designer, Cydney Ross explores the architectural passage of time through unconventional ceramics and mixed media. By over-firing, freezing, and thawing her materials, she simulates the swaying, slumping, and even collapsing of structure.

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Artist David Louf, aka Mr. June, has earned a reputation for creating striking urban art, most recently using three-dimensional murals that play off architectural elements. As Colossal reports, within the last year Mr. June's geometric abstractions have become increasingly architectural as they aim to challenge viewer’s perceptions. Producing work since 1985, Mr. June recently completed a 130-foot diameter dome in North Carolina and a 3D mural for Urban Nation in Berlin.

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In a world of 3D, HD, 4K, and CGI, architectural representation in the film, television, and gaming industries are becoming ever-more realistic, ever-more dazzling, and ever-more expensive. But strip away the special effects, and the beautifully-crafted architectural forms of fictional worlds such as Game of Thrones, Harry Potter, and Marvel are no less impressive.

To demonstrate this, Angie’s List has produced a set of elemental, greyscale, pen-and-paper illustrations of some of the entertainment industry’s most iconic fictional worlds, celebrating style, form, materiality, and shadow. From the sleek futurism of Star Wars and Marvel to the vernacular fortresses of Game of Thrones and Skyrim, the “Fictional Architecture” series captures the finer details of our favorite fictional universes.

The late British architect Will Alsop was noted for his exuberant and irreverent attitude that took material form in his expressive, painterly portfolio of educational, civic, and residential works. At the ripe age of 23, he was awarded second place in the 1971 Centre Georges Pompidou. From there, he went on to work for the ever humorous Cedric Price before establishing his practice with John Lyall, and eventually many others, in the early 1980s. With a career spanning almost fifty years, here are ten iconic works from an architect who never missed an opportunity to play.

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