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Art: The Latest Architecture and News

Democratizing Art and Redefining the Gallery Experience

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Art has long been perceived as elitist, an image solidified by its deep ties to power and wealth. In ancient times, works of art were status symbols reserved for rulers and religious figures, while the Renaissance marked a period in which wealthy patrons like the Medici family promoted art as a tool of social and political prestige. In the 17th century, with the rise of art academies, strict standards were established for what was considered "high culture," further distancing art from the masses.

By the 19th century, the art market had become shaped by private collectors and commercial galleries who viewed art as a luxury product, accentuating its exclusivity and making accessibility a secondary issue. Artistic movements like Impressionism, Modernism, and street art challenged the elitism of art, broadening its reach and questioning its institutional exclusivity. While the contemporary system remains dominated by wealthy collectors and a market that prioritizes profit over accessibility, there are still initiatives aiming to change this dynamic.

Eileen Gray Through the Lens: Film Sheds Light on the Architect and Her Vision of Modernism

A journey through the legacy of Eileen Gray and her most famous house in the French Riviera, "E.1027 – Eileen Gray and the House by the Sea," by directors Beatrice Minger and Christoph Schaub, invites viewers into the layered legacy of the pioneering Irish architect and her unique vision of modernism. Designed in the late 1920s, the villa not only embodies Gray's architectural genius but also bears the shadow of an uneasy narrative involving Le Corbusier and Jean Badovici. Through their docufiction, Minger and Schaub illuminate Gray's groundbreaking work and critique the prevailing narratives of male dominance in modernist history.

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Aesthetics Alone Do Not Give Sacred Space Its Meaning

This article was originally published on Common Edge.

In the post-pandemic era, an oversupply of underutilized churches is a growing reality. Besides offering explorations in adaptive reuse, what does this trend say about modern spirituality? Have humans lost interest in the sacred? In a recent article on Common Edge, Duo Dickinson addressed this concern by claiming that "the cultural change that is causing the abandonment of churches does not end the human search for the sacred."

While correctly stating that no formula can turn architecture into "the holy," he seemed to indicate that a new spirituality might still be found in architectural form. As we consider what changing forms of sacred space mean for the modern era, looking for a revitalization of spirituality through architecture alone risks a repeat of an error made in the last century: expecting too much of aesthetics.

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Light as an Active Participant in Space: Robert Wilson’s Minimalist Approach to Stage Lighting

Robert Wilson embodies the roles of director, set designer, scenographer, lighting designer, and architect in a single figure. Internationally celebrated as a pioneer of stage lighting and honored with numerous prestigious awards, including the Golden Lion of the Venice Biennale and the Praemium Imperiale, Wilson, now in his eighties, continues to travel the world, staging remarkable productions. His use of light and color is marked by precision and minimalism, creating scenes that skillfully oscillate between stillness and drama. During rehearsals at the Düsseldorf Schauspielhaus, he elaborates on the interplay between stage and architecture, his creative process, and the profound impact of light on darkness.

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Rothko Chapel Closes Indefinitely After Suffering Damage During Hurricane Beryl

Built in 1971, the Rothko Chapel in Huston, Texas, was conceived as an intimate sanctuary for people of every belief, while in front of the chapel, Barnett Newman's sculpture "Broken Obelisk" stands in memory of Dr. Martin Luther King Jr. In 1964, Mark Rothko was commissioned by John and Dominique de Menil to create a meditative space for his site-specific paintings. Rothko’s vision clashed with that of the initial architect, Philip Johnson, over the scale and grandiosity of the building, which he felt distracted from the art. The project underwent several revisions with different architects, including Howard Barnstone and Eugene Aubry. Now officials have announced the indefinite closing of the chapel, after having sustained severe damage during Hurricane Beryl, the Category 1 storm that hit Houston on July 9.

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Storytelling for Interiors: From Murals and Wallpapers to Digital Screens

Walls have long been more than mere structural elements; they are canvases that narrate stories, reflecting desires for nature, spirituality, or the pursuit of tranquility and stimulation. With advancements in addressable LED pixels, walls have evolved into immersive digital surfaces capable of displaying any image in large format, adapting to the needs of the moment.

However, while universities continue to train architects and interior designers to create static buildings, the art of meaningful storytelling through digital screens—especially those with dynamics—remains largely unexplored in academic curricula.

Chromasonic: An immersive Renaissance of California's Minimalist Light and Space Movement

Step into the realm where the minimalism of the 1960s Light and Space movement intertwines with contemporary high-tech algorithms and sensors. Back then, light artists like James Turrell, Dan Flavin, and Robert Irwin captivated audiences with the bare essentials, using precisely daylight or lamps to heighten visual perception. Fast forward to today, Chromasonic takes this synergy of light and color but augments it with sound and algorithms. Envisioned as a global network to experience the harmony of body and mind, Johannes Girardoni's team unveiled the first satellite of perception in the heart of Venice Beach, California. Through a collaboration with Google, Milan Design Week showcased how the interplay of light and color can go on tour as a walk-in installation on a larger scale.

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Tadao Ando Transforms Historic Scuola Grande in Venice into an Exhibition Dedicated to Artist Zeng Fanzhi

A new exhibition presenting the works of artist Zeng Fanzhi has opened in the historic Scuola Grande della Misericordia in Venice, Italy. Running from April 17 to September 30, 2024, concurrent with this year’s edition of the Venice Arts Biennale, the “Zeng Fanzhi: Near and Far/Now and Then” exhibition showcases the latest breakthroughs in the artist’s practice in a space adapted by architect Tadao Ando.

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Transforming Public Spaces Through Art: An Interview with Antonio Ton

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How do we give new meaning to degraded public spaces? Vibrant colors, geometric patterns, and community collaboration. That could describe the approach of Rio de Janeiro artist Antonio Ton. Drawing inspiration from interactions he finds on the streets and engaging in dialogue with local communities, his works extend beyond revitalizing sports courts and skate parks. Ton demonstrates how art fosters the creation of a space for gathering and leisure. We spoke with him to delve into his artistic process and explore the outcomes his paintings offer.