Art Museums: The Latest Architecture and News

The Metropolitan Museum of Art in New York has unveiled the design for a new wing dedicated to its 20th- and 21st-century art collection. Architect Frida Escobedo, the first woman to design a Met wing, is leading the project. The Oscar L. Tang and H.M. Agnes Hsu-Tang Wing will increase gallery space by almost 50 percent, adding over 70,000 square feet. This expansion will address accessibility issues, improve infrastructure, and enhance the sustainability of the building. The opening of the new wing is anticipated in 2030.

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Bjarke Ingels Group (BIG) is leading the transformation of a former supermarket into the new Museum for Paper Art in Denmark's North Jutland region. With paper art deeply ingrained in Danish cultural heritage, symbolized by Le Klint's folded lampshades and H.C. Andersen's intricate paper cuttings, this renovation and expansion aim to elevate the museum's profile and double its visitor numbers. The design will celebrate paper as both an art form and a craft, extending the museum's role in promoting this unique heritage.

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The Joslyn Art Museum in Omaha, Nebraska, is set to reopen on September 10, 2024, after an extensive restoration and expansion led by Snøhetta in collaboration with Alley Poyner Macchietto Architecture (APMA). This transformation introduces the new 42,000-square-foot Rhonda & Howard Hawks Pavilion, designed to significantly enhance Nebraska's largest art museum by adding new gallery spaces and reimagining the visitor experience.

The Suzhou Museum of Contemporary Art, spanning 60,000 square meters, is envisioned as a village of 12 pavilions, presenting a contemporary take on the city's historic urbanism, architecture, and landscape. Designed by Bjarke Ingels Group - BIG, ARTS Group, and Front Inc., the project is part of Suzhou's development around Jinji Lake. It reimagines the classical garden 'lang,' or corridor, framing gardens with outdoor art installations. The pavilions' layout draws inspiration from Suzhou’s garden heritage, guiding visitors through an artistic, natural, and aquatic journey. The museum, which recently celebrated its topping out, is scheduled for completion in 2025.

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The team comprised of David Kohn Architects, noA Architecten, and Asli Çiçek has won the international competition for the redesign of SMAK, the Municipal Museum of Contemporary Art in Ghent, Belgium. The project includes the reconfiguration of the museum grounds and the extension of a cluster of historic buildings in the center of the city. Established in 1999, the Stedelijk Museum voor Actuele Kunst aims to redefine its relationship with the city and to create more appropriate space for the design of its extensive contemporary art collection.

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Diller Scofidio + Renfro (DS+R) has unveiled their proposal for the expansion of The Broad, a contemporary art museum founded in 2015 by philanthropists Eli and Edythe Broad on Grand Avenue in downtown Los Angeles. The project is set to adapt the existing museum, also designed by Diller Scofidio + Renfro, to the growing expectations of the public, as the institution has far exceeded its projections, now regularly attracting nearly four times more visitors than originally envisioned. The intervention aims to enhance public accessibility and offer the opportunity to host live performances and events, while also accommodating the institution’s growing collection. The expansion is expected to open before the 2028 Summer Olympics.

Brooklyn-based firm SO-IL has revealed the design for a new campus art museum at Williams College in Massachusetts, created to become a primary teaching resource for the institution renowned for its art history program. Since its inauguration in 1926, the Williams College Museum of Art has gathered an expansive collection of over 15,000 works. Through the design of SO-IL, the museum will be able to move into its first freestanding purpose-built home. In May 2024, the museum will present an exhibition on SO-IL’s design.

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The Royal Ontario Museum (ROM) in Toronto will undergo an architectural transformation designed by Hariri Pontarini Architects. As one of the largest museums in North America and the largest in Canada, the architects have transformed its ground floor and the Bloor Street entrance, introducing an interior plaza “pulsing with activity and artistic expression.” Dubbed OpenROM, this multifaceted endeavor aims to “open the museum up even more to the public,” revolutionizing the museum experience and making it more accessible for the 1.4 million annual visitors of the cultural institution.

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The Joslyn Art Museum in Nebraska announced that the restoration and expiation works led by Snøhetta and Alley Poyner Macchietto Architecture (APMA) are nearing completion, as the transformed institution is scheduled to reopen on September 10, 2024. The new 42,000-square-foot Rhonda & Howard Hawks Pavilion, designed by Snøhetta and APMA will add new gallery spaces to Nebraska’s largest art museum, becoming the centerpiece of the large-scale project for reimagining the visitor experience.

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Many buildings often fall into disuse due to our cities' constant economic, social, and technological changes. The programmatic inconsistency of current times demands great versatility and adaptability from our infrastructures, increasingly leading projects to become uninhabited, and left to abandonment and decay.

Next, we present a series of 20 Latin American projects in which old warehouses, homes, prisons, mills, and markets were recovered and transformed into Cultural Centers, Museums, and Galleries.

Qatar Museums has released renderings showcasing the future Lusail Museum, designed by Swiss architecture office Herzog & de Meuron. The museum will house one of the largest collections of Orientalist art, exploring the movement of people and ideas across the globe and over the centuries. The new institution also strives to provide opportunities for high-level study for scholars, academics, policymakers, and curators. Consequently, the building is conceived as “a vertically layered souk, or miniature city contained within a single building,” aiming to encourage conversations, debates, and meditation on global issues.

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Herzog & de Meuron has revealed the design for the Seoripul Open Art Storage, a collective archive space that will serve three museums in Seoul: the Seoul Museum of Art, the Seoul Museum of Craft Art, and the Seoul Museum of History. Going beyond the archive program, the proposal aims to open up the building to visitors, transforming the art storage into a dynamic civic space. Located on the Eastern Border of Seoripul Park, the building is characterized by a pyramidal glass structure set in a garden that functions as a secluded outdoor space for Archive/Museum visitors.

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The Dallas Museum of Art (DMA) announced Madrid-based practice Nieto Sobejano Arquitectos as the winner of the international design competition Reimagining the Dallas Museum of Art. The project was selected out of 154 submissions from around the world, and a shortlist featuring internationally recognized names such as David Chipperfield Architects, Diller Scofidio + Renfro, Johnston Marklee, Michael Maltzan Architecture and Weiss/Manfredi. The winning proposal was conceived ‘as a reflection of the original building, transforming the relationship between art, landscape, and community into a balance of memory and innovation,’ according to the architects. The winner’s concept design is available to view in a free presentation on Mezzanine Level 2 at the DMA through this Fall and on the competition website.

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Estonian studio OÜ Kolm Pluss Üks won the international architecture competition for the Tartu Cultural Center. Selected out of a total of 107 proposals, the winning project titled “Paabel” is set to become the cultural heart of the city center, capturing the competition's main goal and developing an outdoor space solution. Kadarik Tüür Arhitektid OÜ took the second position for their design of “Tarte Tatin”, while the third place went to Denmark-based architectural studio Atelier Lorentzen Langkilde Aps.