At the 18th International Architecture Exhibition of La Biennale di Venezia, the Pavilion of Slovenia set out to explore the theme of ecology and the paradoxical ways in which architecture relates to it. Instead of understanding it strictly through energy-efficient adaptations like heat pumps or recovery ventilation, the exhibition titled +/- 1 °C: In Search of a Well-Tempered Architecture aims to address the theme holistically. The Pavilion curators Jure Grohar, Eva Gusel, Maša Mertelj, Anja Vidic, Matic Vrabič, together with fifty European architects and creatives, researched and analyzed vernacular buildings from Europe to gain insight into the living example of intuitive adaptations.
Taking a broader perspective on architecture, the exhibition shifts its focus towards the discipline rather than just the profession. It’s not “about building buildings per se”, explains the curator to ArchDaily. Instead, it seeks to question our conventional understanding of architecture, and with that, architectural exhibitions. The 2023 Biennale is a laboratory in every sense of the word, a global platform of experimentation, and a space to explore new ideas in the absence of spaces that allow us to do so. "It borrows its structure and format from art exhibitions, but it differs from art in critical ways which often go unnoticed", states Lesley Lokko in her initial statement.
The National Pavilion of the Czech Republic presents the exhibition “The Office for a Non-Precarious Future” at the 18th International Architecture Exhibition of La Biennale di Venezia. The exhibition investigates current pressing issues faced by the architectural profession and especially by young practitioners by asking the initial question: ”How can architects design a better world if they themselves work in a toxic working system?.” The pavilion is commissioned by Helena Huber-Doudová and will present the works of exhibitors Eliška Havla Pomyjová, David Neuhäusl, and Jan Netušil. As the Czech ad Slovak Pavilion at the Giardini della Biennale is under reconstruction, the Czech Republic will exceptionally use the Arsenale in the Artiglierie section as its exhibition space. The Czech and Slovak Pavilion in Giardini will serve only as a digital hub to complement the main presentation.
Built on a cluster of 118 small islands in the shallow Venetian Lagoon, the city of Venice, Italy, has captivated the imagination of architects and tourists alike. The area has been inhabited since ancient times, becoming a major financial and maritime power during the Middle Ages and Renaissance, as proven through the rich architecture that characterizes the city to this day. With influences from the Byzantine, Gothic, and Renaissance styles, the city represents a palimpsest of architectural narratives, overlapping and influencing each other. In recent years, Venice has become a major attraction for architects drawn to the La Biennale di Venezia, the most important Architectural Exhibition featuring national pavilions, exhibitions, and events to explore new concepts and architectural innovations.
Beyond the Biennale, Venice itself is an open-air museum for architecture lovers. While the city is best known for its historical buildings, Modernist and contemporary interventions add a new layer of interest, with many contemporary architects working with the historical fabric, like OMA’s intervention and rehabilitation of Fondaco dei Tedeschi, or David Chipperfield’s renovation of Procuratie Vecchie, one of the buildings that define Piazza San Marco. In addition to what the city has to offer, the site of the Venice Biennale is also marked by interventions by famous architects such as Carlo Scarpa, Sverre Fehn, and Alvar Aalto, made permanent due to their outstanding qualities.
For the 18th International Architecture Exhibition – La Biennale di Venezia, the Pavilion of Ukraine presents an exhibition titled “Before the Future,” focusing on the paradox of “building a future from a collapsing present.” The intervention reimagines two spaces, one in Arsenale and one in Giardini, to evoke protective structures that have become emblematic of feelings of safety while under threat for Ukrainian society. The curatorial team, composed of Iryna Miroshnykova and Oleksii Petrov, of the Kyiv-based architectural office ФОРМА, and Borys Filonenko, independent curator, art critic, and lecturer, set out to work with specialists from numerous fields to further explore the theme “Laboratory of the Future.”
Saudi Arabia announced its participation at the 18th International Architecture Exhibition – La Biennale di Venezia, with an exhibition titled IRTH إرث,legacy in Arabic, exploring qualities of materials in relation to the Saudi landscape. The third round of participation the Saudi Pavilion will have at the International Architecture Exhibition, this year's edition is represented by architect AlBara Saimaldahar and curated by the duo Basma and Noura Bouzo. The Pavilion will be on display at the Arsenale – Sale d’Armi 2023.
A fountain of sinks . Image Courtesy of Arvi Anderson
The Estonian Centre for Architecture has chosen the exhibition “Home Stage,” curated by Aet Ader, Arvi Anderson, Mari Möldre of b210 Architects, to represent the Pavilion of Estonia at the 18th International Architecture Exhibition of La Biennale di Venezia. Hosted in a rental apartment close to the rear exit of the Arsenale complex, the exhibition explores the contradiction between the living place as a home and as an exchange value. Various Estonian performers will each spend a month in the Venetian rental apartment, which will become both a home and a stage. The exhibition will be open from May 20 to November 26, 2023.
Over the past couple of weeks, we have seen how countries have responded to “How will we live together” in 115 different ways. Some studied the environment and how to sustain it, while others explored how they can create a safe space for refugees and citizens to coexist. In this roundup, we are concluding the list of national pavilions displayed at the 17th International Architecture Exhibition – La Biennale di Venezia, and highlighting how they answered curator Hashim Sarkis' question.
"When we enter the restroom, we are never alone. Instead, we are entangled in a network of bodies, infrastructures, ecosystems, cultural norms, and regulations". Although restrooms are often overlooked facilities that cater to the needs of individuals, they are, however, spaces where gender, religion, race, hygiene, health, and the economy are defined and expressed. For the 17th International Architecture Exhibition at La Biennale di Venezia, Matilde Cassani, Ignacio G. Galán, Iván L. Munuera, and Joel Sanders designed two pavilions that exhibit how restrooms are political architectures, serving as battlegrounds for the world's disputes.
Model of the unrealised Palazzo dei Congressi, Venice. Image
The city of Venice has been caught in a tug of war between progress and traditionalism for many years, and particularly since the construction of a railroad viaduct in 1846 linked the island city to the Italian mainland for the first time in its history.[1] Over a century later, the Venetian government commissioned Louis Kahn to design a new Palazzo dei Congressi for the city; his proposal, while paying respect to the histories of both the Republic of Venice and a unified Italy, could not escape similar controversy.
The 2016 Venice Biennale will see the inaugural collaboration between La Biennale and London's Victoria & Albert Museum (V&A) with an exhibition located in the Sale d’Armi (Arsenale) entitled A World of Fragile Parts. The show aims to explore the threats facing the preservation of global heritage sites and how the production of copies can aid in the preservation of cultural artefacts.
https://www.archdaily.com/787177/londons-victoria-and-albert-museum-to-present-a-world-of-fragile-parts-in-2016-venice-biennaleAD Editorial Team
Victoria_and_Albert_Museum__London.jpg?1462899945&format=webp&width=640&height=429)