In the global context, the first factories emerged in the latter part of the 16th century, primarily housing typographic workshops. Over time, their purposes expanded to include carpentry, tapestry, and porcelain workshops. However, the recognizable form of industrial buildings we see today only took shape in the 18th century, closely tied to the transformations brought about by the Industrial Revolution. The shift from human labor to machinery fundamentally altered the scale of these structures, turning them into expansive warehouses.
In Greater Boston's city of Malden, Massachusetts, an inter-generational community of thirty households hired an architecture firm and collectively designed their cohousing community. Responding to the cohousing community's request for collective living in an urban setting, French2D designed a typology-challenging building with individual residential units connected by a framework of shared spaces. The result is a 48,700 sqft unique and colorful type of multi-family housing. It is one of a growing number of cohousing projects in the United States.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design discuss the local architecture, adobe buildings, and natural landscapes of the southwest region of the United States. The two cover the role nature has in cities, designing experiences, how architecture can co-exist with the natural landscape, craftsmanship, and more. Destinations included the Taos Pueblo in New Mexico, Monument Valley, Antelope Canyon, Frank Lloyd Wright’s Taliesin West, and Paolo Soleri’s Arcosanti.
Including sustainable strategies in architectural projects is not just a trend, it is a necessity. Each day we become more aware of the importance of responsibly managing natural resources and understanding the environmental factors involved in designing a project.
Solar energy is one of the most commonly employed strategies in residential architecture, both active and passive. Many countries around the world offer incentives to encourage the use of solar systems, and the benefits of installing these systems can be seen in a short period of time, with a reduction of up to 95% in the monthly energy expenses, which makes this strategy one of the most attractive of all sustainable solutions. Furthermore, the average lifespan of a solar panel is 25 years, operating entirely on its own and requiring only basic cleaning once a year.
Located 270km north of Dakar, the capital of Senegal, and near the border with Mauritania, is the Island of Saint-Louis. It is a prominent colonial city in West Africa, known for its blend of Mediterranean architecture with a tropical climate. Saint-Louis was founded by the French Colony in 1659 as its first trading post on the Atlantic coast of Africa. It later became the capital of French West Africa (AOF) and Senegal. However, it lost this status in 1902, which led to its economic decline.
This complex history has made Saint-Louis a melting point for different layers of architecture and urbanism. The island showcases a grid urban form with double-storey villas, which is typical of 19th-century French colonial urbanism. Additionally, it features tropical courtyards, shaded balconies, 1920s art déco houses, and early '30s modern civic buildings. However, due to its economic and infrastructural isolation, this architecture and urban heritage have continuously degraded. Therefore, it seeks new interventions for the conservation, restoration, and re-adaptation of the city.
In a bid to explore new materials and methods for more sustainable construction, Henning Larsen opens the “Changing our Footprint” exhibition at the Danish Architecture Center in Copenhagen. The initiative, open from November 17, 2023, until March 3, 2024, aims to showcase ideas for more climate-friendly architecture and to start conversations on architecture and construction’s role in mitigating the effects of climate change. This represents the second iteration of the exhibition, as the first version opened at the Aedes Architecture Forum in Berlin earlier this year.
The final steel beam on JPMorgan Chase’s new headquarters was placed this week, reaching a height of 423 meters. Designed by Foster + Partners, the project at 270 Park Avenue in New York takes up to 14,000 future occupants. The event was attended by Norman Foster, founded and executive chairman of Foster + Partners, JPMorgan Chase Chairman & CEO Jamie Dimon, New York City Mayor Eric Adams, and local officials in the city. The design boasts an all-electric tower, with net-zero operational emissions, powered by a New York State hydroelectric plant.
Marking a transformative milestone for Phibsborough, about 2 km north of Dublin's city center, Part 8 of the planning application for the Dalymount Park Stadium remodeling project has been submitted by the Dublin City Council (DCC). As part of a collaborative design effort, IDOM and Gilroy McMahon Architects have crafted proposals for the new stadium, which will have the capacity to accommodate approximately 8,000 spectators. The design also includes plans for the regeneration of the area, seeking new urban connections and incorporating a community center as an integral part of the project.
While exploring the 18th International Architecture Exhibition, the ArchDaily team had a chance to engage in conversation with several curators of the national pavilions, along with Lesley Lokko, the curator of the entire exhibition. The discussions delved into the unique character of this year’s edition focused on an understanding of Africa as a “Laboratory of the Future.” Through this lens, the biennale became “a healing experience,” in the words of Lesley Lokko, reinterpreting and deconstructing the meaning behind ideas such as decolonization, decarbonization, resource management, or finding the hidden potential in vernacular forms of practice.
Following Lokko’s curatorial direction, the exhibitions presented at the national pavilions explored the specific conditions of their territories, striving to uncover and highlight the unique challenges and opportunities faced by their local cultural landscapes. During the interviews, the curators opened up in regard to their personal inspirations and the drive behind the choice of program, the messages embedded in the displays, and their hopes for the future of the profession.
Born in the post-war period in the United Kingdom, the Brutalism movement was first met with skepticism but has found a new appreciation in the last decade, capturing the imagination of new designers fascinated with the interplay between striking geometric shapes and the exposed raw materials in which they are rendered. From Britain, the movement spread throughout Europe, Southeast Asia, and Africa, gathering different variations influenced by the cultural and socio-economic status of each area. In this article, we delve into the particularities that define Italy's contribution to the Brutalist movement, exploring the style through the lens of Roberto Conte and Stefano Perego. The two photographers have also published a photographic essay on the subject, taking the form of a book titled “Brutalist Italy: Concrete Architecture from the Alps to the Mediterranean Sea”.
Left: ‘(Re)membering the See Monster’ by Eldry John Infante; Centre: The Archatographic Map of the Incomplete Landscape on Pedra Branca’ by Eugene Tan; Right: ‘Grundtvig’ by Ben Johnson. Image Courtesy of Architecture Drawing Prize
The Architecture Drawing Prize, now in its 7th edition, celebrates the art of drawing in three main categories: hand-drawn, digital, and hybrid. The Prize attracted nearly 250 drawings from around the world, a record for the competition, with the majority of entries being in the hand-drawn category. The winners of each category have been announced. The winning drawings, along with the shortlisted entries will be displayed at the World Architecture Festival in Singapore from 29 November until 1 December 2023, and at Sir John Soane’s Museum in London from 31 January to 3 March 2024. The Overall Winner will announced on 29 January 2024 as part of a webinar hosted by Sir John Soane’s Museum, ahead of the exhibition.
According to the jury, the technologies used by the entrants to find creative ways of depicting buildings generated probing discussions among the jury members, testing the nature and definition of architectural drawing. Sponsored by Iris Ceramica Group, the Architecture Drawing Prize is co-curated by Make Architects, Sir John Soane’s Museum and World Architecture Festival (WAF).
Have you ever considered how spaces are perceived, experienced, and enjoyed from a height of 95 cm? Considering urban design from the child's perspective is essential for fostering inclusive, healthy, and secure cities. Components tailored to these needs benefit children and enhance the experience for adults, the elderly, and people with disabilities. Blocks play a pivotal role in this discourse as key urban elements. These spaces provide several opportunities for utilization and adaptation within urban environments. They can be modified and designed in diverse ways, incorporating strategies to better cater to the specific needs of children.
The vomitorium and its purpose is one of historical architecture’s most common misconceptions. It’s said that the vomitorium was a room that neighbored Roman feasts, where guests could socially eject the contents of their stomach before returning to the feast with renewed capacity. Although this theory was not entirely based on fiction – as Romans are known to have indeed taken up habitual regurgitation, possibly as a sign of excess wealth – there’s no reason to believe there was a specific room dedicated to the practice.
The original usage of the term ‘vomitorium’ – taken from the same Latin root ‘vomere’ – in fact refers to a room that allows a large building to disgorge itself of its contents. A vomitorium, therefore, is nothing more than a corridor. Specifically, a wide, arterial corridor leading to or from a high-capacity public space such as a theatre, arena, or stadium, designed with the intention to get as many people in or out of the venue as quickly as possible. A well-designed vomitorium, for example, is essential for efficient emergency evacuation procedures, but even during day-to-day activity, the ability to move large numbers of people quickly helps with a venue’s turnover and creates a more pleasant crowd experience.
Skidmore, Owings & Merrill (SOM) has completed the restoration works for Lever House, one of New York’s Modernist landmarks. The building was completed in 1952, following SOM’s design. At that time, architecture critic Reyner Banham said of the building “it gave architectural expression to an age just as the age was being born.” Since then, SOM has retained a level of stewardship, revisiting the building and ensuring that the restoration works preserve the original image without compromising contemporary standards of performance.
Construction on MVRDV’s La Serre started. Situated in the ZAC Léon Blum eco-district in Issy-les-Moulineaux, just outside of Paris, and designed by MVRDV, in collaboration with landscape architect Alice Tricon, and developer OGIC, the scheme aims to challenge conventional apartment living by integrating nature into the urban setting. The project features housing units, shops, and ample greenery, aiming to create a haven of biodiversity.
Double-height ceilings, commonly found in museums and industrial warehouses to accommodate large objects, offer both aesthetic and functional advantages. This concept seamlessly translates to residential designs, where these ceilings are often strategically placed near social areas or stairs. By doing so, they enhance the overall space, increase illumination, and add an impressive sense of height. In this context, we present examples to illustrate how to maximize the benefits of double-height ceilings in your home.
Some of the most picturesque projects are those built in the mountains; the rustic cabin wrapped with a floor-to-ceiling glass panel that overlooks the snow-covered trees. Visually, the architecture exudes an enchanting feeling, but is it truly a habitable space? When houses are built on an elevation of 3,000 meters, installing a fire element alone is not efficient or sustainable. Spaces on such altitudes or particular geographic locations require to be treated thoroughly, beginning with the architecture itself. Whether it's through hydronic in-floor heating systems or wall-mounted chimneys, this interior focus explores how even the most extreme winter conditions did not get in the way of ensuring optimum thermal comfort.
