In 2024, a diverse range of topics have been comprehensively explored, some focusing specifically on architectural details and construction systems. These articles provide valuable insights into architecture's often-overlooked technical and functional aspects. By shifting attention away from aesthetics, materials, and spatial massing, they reveal the importance of intricate details and the construction systems underpinning contemporary projects' larger architectural vision.
Executing these seemingly small elements is crucial in shaping how architecture is perceived and experienced. Specifying and drawing a thoughtfully designed detail is not dissimilar to determining the correct screw in building a car—its thread count, material, and length—can dramatically influence not only the success of an architectural design but also the quality of the human experience it fosters. Such details, while often dismissed as mundane and may not be the most recognizable features of stellar projects, profoundly impact the cohesiveness and functionality of architectural projects.
As we move past Thanksgiving and step into December, the festive season is fast approaching. This time of year brings celebrations, holidays, and travel plans into full swing. Particularly in the Northern Hemisphere, there is a strong association between end-of-year festivities and cold, snowy weather.
Among the many traditions that celebrate the season, one of the most logistically and architecturally challenging is arranging for the giant Christmas tree for Rockefeller Center in New York City. This spectacle of moving a 70+ foot, 10+ ton tree into one of the busiest city centers in the world continues to capture the holiday spirit annually.
In the 21st century, Glass has become a cornerstone material for architecture. Once limited to apertures and openings, Glass now dominates entire facades, especially in high-rise buildings where transparent cladding material is preferred to maximize views. The technological advancements in Glass have been remarkable, transitioning from single-pane panels, such as those used in Bauhaus' iron window frames, to today's triple-pane systems with specialized gas infills, such as argon, designed to address Glass's long-standing thermal limitations.
Air rights transactions have become essential in urban development, allowing cities to grow vertically while preserving limited land resources. Typically defined as the right to use or sell the space above a property, air rights enable property owners to transfer unused floor area ratio (FAR) to neighboring parcels, creating increased density and financial gain opportunities. However, the definition can vary based on locality and region, as each country interprets air rights and the ability to build or transfer them differently. As urban centers face mounting pressures from limited land supply and population growth, air rights continue to offer a creative solution that fosters architectural innovation and economic efficiency.
Overprovision can be seen as an architecture strategy through the lens of resilience—making spaces adaptable to changes, reinterpretations, and future needs. However, could overprovision also offer a productive lens for rethinking spatial design? Are there parallels in architectural theory or practice that align with this concept, as explored by notable figures in the discourse on space?
This question becomes particularly relevant in residential design, especially in regions like Hong Kong or Tokyo, where the demand to maximize space is a cultural and practical norm. Designers are frequently tasked with "making use of every inch" for storage or function, reflecting a tendency among residents to accumulate belongings disproportionate to their living spaces.
The design of public bathrooms and changing facilities has historically catered to a generalized notion of user needs, often oversimplifying the complexities of gender-specific requirements and falling short of supporting the unique needs of women. These needs extend beyond biological differences—such as the necessity for more stall privacy and differences in height and body posture—to include cultural factors that influence restroom use and expectations over time.
For instance, women's contemporary clothing often lacks adequate pocket space, resulting in the need to carry a handbag, even for simple essentials like phones and wallets. Despite efforts in recent architectural designs to address these disparities, the layered nuances of biological, cultural, and gender identity factors present a multifaceted challenge that defies a one-size-fits-all solution.
For centuries, burial practices across various cultures have connected honoring the deceased to the earth, with cemeteries firmly grounded in the soil as a symbol of eternal peace. Yet, as discussed in one of our articles, No More Room for the Living or the Dead: Exploring the Future for Burials in Asia, land shortages in densely developed urban areas present significant challenges to traditional burial practices, especially as societies like Japan face an aging population. Given these spatial constraints, how can above-ground cemeteries and columbariums be designed to provide a dignified, tranquil resting place while respecting cultural values?
Our contemporary society has been witnessing a surge in skyscraper construction in urban centers worldwide for various reasons—including engineering advancements, increased urban density, space constraints, and, arguably, a competitive drive for building the tallest structures. The allure of all-glass facades and the pursuit of curtain walls with larger panes of continuous glass have often come at the cost of functionality.
In these towers, operable windows are sacrificed for aesthetics and expansive views, with a central core layout that maximizes 360-degree views while creating architectural "solar heat-gain monsters." Without natural or cross ventilation, these glass skyscrapers trap significant heat from solar radiation within habitable spaces, relying almost exclusively on mechanical HVAC systems to cool these spaces. This raises the question: is passive ventilation strategy becoming obsolete in high-rise design, or can operable systems be integrated effectively into our high-tech towers?
Coffee culture continues to thrive in the contemporary world, with a noticeable shift from the dominance of chains & franchise stores to a growing market for prosumer coffee. As more and more coffee consumers become prosumers, individuals who both produce and consume, they are turning coffee-making into a hobby, even a ritual, and are expecting coffee shops to keep up. Consumers are becoming more knowledgeable, paying close attention to the source and type of beans, brewing methods, and equipment. They also appreciate the design of coffee machinery, not just for its functionality but for its aesthetics, efficiency, and space management. This surge in interest, especially in Asia, has led to changes in coffee shops' operations. Many individual coffee shops, responding to the rise in consumer spending power and interests, are motivated to focus on creating unique, immersive experiences for an ever-growing marketable audience.
Organized by Monaco Marina Management (M3), the 4th edition hosted on September 22nd & 23rd at the Yacht Club de Monaco, has brought together 250 maritime industry professionals alongside worldwide investors and innovators to encourage the development of virtuous marinas. With the common goal to modernize and make maritime infrastructures more responsible, this annual networking gathering demonstrates how sustainability is becoming a true driver of change by connecting the whole marina ecosystem and promote the development of efficient & attractive marinas.
Rural environments are often difficult to define in administrative and professional contexts and carry notable biases and complexities. Population and density thresholds are the most common determinants for drawing administrative boundaries, yet other factors, such as infrastructure, employment, and services, contribute to the characterization of rural environments. In the United States, the Census Bureau defines rurality, not by its characteristics or resources, but by absences, as "any population, housing, or territory not in an urban area." For the design and planning community, it is important to define the future of rural environments, not through the metrics of urban resources or infrastructure, but to design a new framework for flexibility, adaptation, and health.
In Delirious New York, Rem Koolhaas vividly discusses the Downtown Athletic Club, a striking example of how an unassuming building exterior can conceal a vibrant mix of distinct, self-contained programs. Inside the uniform facade of this skyscraper, a private athletic club hosts an eclectic range of facilities—boxing gyms next to oyster bars and interior golf ranges below swimming pools—all segregated yet highly accessible. The Downtown Athletic Club epitomized the dynamism of New York's skyscrapers at the time, showcasing the thrill of capitalism through a selective, inward-focused world of leisure and privilege for the selected. This "machine of programs" operated independently of the external city as an isolated ecosystem within its walls. Yet, one might ask: could a similar model, designed for public use, create a more inclusive, lively community and neighborhood experience? This will activate the building within, instead of only serving the selected elites, and influence and transform the urban fabric and shapes around the building. In Hong Kong, a distant parallel can be drawn with the Municipal Services Buildings (MSBs)—publicly-funded structures that serve the community by integrating diverse functions within a singular vast building mass, much like the Downtown Athletic Club.
With escalating land values in urban centers, there has been a growing trend to float public spaces from ground level to elevated locations, such as rooftops or podiums between buildings. From a development perspective, maximizing floor area has become crucial as urban environments expand. Ground-level spaces are highly sought after for retail use due to their strategic location, which attracts foot traffic and potential customers and drives city development and economics.
This financial consideration, which often guides building activities and directions in urban centers, contradicts design principles advocated during the modernist era for the benefits of better outdoor space for the public, such as the concept of 'Freeing the Ground'. Architects like Le Corbusier championed this concept through projects like Villa Savoye and Unite d' Habitation. These modernist designs envisioned a future where buildings were elevated to restore open, accessible outdoor ground-level spaces for its users. However, for the reasons above, many contemporary projects instead seek to replicate the function of public grounds within the building's structure.
Large-scale infrastructure projects often aim to connect distant locations within urban areas, facilitating quicker transportation, logistics, and commercial activities along their routes. However, while these projects link distant destinations, their substantial physical presence can significantly affect local communities. This may result in the disconnection and disengagement of previously connected neighborhoods, the disruption of public spaces, and generally negative outdoor experiences caused by noise, pollution, and lack of attention and maintenance to these infrastructures.
Nevertheless, several successful built environment projects have re-integrated contentious infrastructure into the community through thoughtful design of outdoor spaces, with Paris' Coulée verte René-Dumont being one of the first examples and New York's High Line being one of the most prominent examples. The High Line demonstrates how well-conceived outdoor projects can address the alienation caused by extensive infrastructure, foster community reconnection, serve as cultural and economic hubs, and even spur further economic redevelopment, as in Hudson Yards.
Professionals in the AEC industry are well aware of the issues that grapple the built environment. That the construction industry is the largest consumer of materials and is responsible for 40% of all carbon emissions is a commonplace fact. Construction work is also a large waste generator and could greatly benefit from circular design principles. Almost three-quarters of all construction projects tend to be over budget, and nearly half of the spending on buildings goes into the overheads. In a fast-paced world with multi-faceted challenges, technology, and digitization seek to deliver significant solutions.
Architecture and planning centers on human experience and bringing people together. Few firms have structured their office around these ideas like Ayers Saint Gross. Founded in 1912, the firm has over a century of experience, including a majority of their work in support of colleges, universities, and cultural facilities. Today, the 185-person firm has offices around the country, including in Baltimore, Washington, D.C., and Tempe, AZ.
Looking through interior images of houses, we often see grand bedrooms with an influx of natural lighting. We see inviting open-space living rooms, lush terraces, and kitchens with high-end equipment and refined finishes. But what we don't see is that behind these sleek walls are small neglected bedrooms without proper ventilation, natural lighting, or space to move around, dedicated to those who cater to the entire household.
The disparate spatial configuration and "colonial" approach to the living conditions of servants and foreign laborers have existed long before the rise of congested cities and micro-apartments. Household owners, or at least a good sum of them, have always felt that domestic workers needed and deserved less space to reside in, not just in terms of spatial area, but in terms of necessary living conditions for a better, more comfortable life.
Chinese architect and town planner Wu Liangyong was recently featured in a new interview from the International Union of Architects (UIA) about his life and teaching. As the former Vice-President of the UIA and the Architectural Society of China (ASC), Liangyong won the Jean Tschumi Prize back in 1996. Today, he reflects on his academic career spanning 70 years at the Tsinghua University School of Architecture.