BWM Designers & Architects has just revealed the design for the Austrian Pavilion at Expo Osaka 2025. Titled “Austria. Composing the Future,” the pavilion reimagines the expo’s theme, “Designing Future Society for Our Lives,” through a music lens, suggesting a future that is not only designed but also composed. In collaboration with facts and fiction, the pavilion and exhibition embark on a journey through Austria’s musical heritage and witness its transition into the future.
Concert halls, music, and performance venues stand as iconic symbols of cultural vitality within urban landscapes. Through these structures, which often become landmarks of the city, the residents are invited to take part and experience artistic expression, fostering a sense of community and connection. For architects, this program poses the intricate challenge of balancing form and function, creating spaces that enhance the acoustic experience, allow for the flow of audience and performers, and create visual spectacles in their own right.
Featuring both emerging and internationally recognized offices, this week’s curated selection showcases music and performance venues, from mixed arts and cultural centers to opera and ballet halls. Including proposals for international competitions such as David Chipperfield Architects or SHL and PAX architects’ designs for the Polish Royal Opera in Warsaw or Hariri Pontarini Architects’ design for an integrated center for the arts in Canada, the selection explores the program of music venues across scales and programs.
Architecture group BIG has unveiled the new stage design for the world tour of the Danish band WhoMadeWho. With visuals developed in collaboration with flora&faunavisions, EyeMix Studio, and Christopher Mulligan, the design features an inflatable sphere created to become a canvas for the three-dimensional video projections that contribute to the concert experience. The tour kicked off on November 2023 and will reach several cities around the world, including Paris, Madrid, Berlin, Istanbul, New York City, Los Angeles, Santiago de Chile, London as well as the band’s hometown, Copenhagen.
Fundació Mies van der Rohe has announced that a research project focused on Anna Bofill Levi has been awarded the third Lilly Reich Grant for Equality in Architecture. The project, titled “La arquitectura como contracanto: 1977-1996”, was initiated by architects Ma Elia Gutiérrez Mozo, José Parra Martínez, Ana Gilsanz Díaz, and Joaquín Arnau Amo. The research contextualizes the architectural works of pianist, architect, and composer Anna Bofill Levi and brings into focus the result of her multidisciplinary approach, intertwining practices and research in design, architecture and music.
Multi-day stretches of camping in tents and sweltering under the hot summer sun to be 100 rows back at your favorite musical artist’s set? It must be music festival season. As the year comes to a close, with music festivals returning in full swing after a COVID-19 hiatus, it’s important to understand the socio-economic impact that they have on the cities that host them, long after the final set performs. Do the short-term entertainment and monetary benefits outweigh the long-term urban inequities that they might exacerbate?
Finnish architect Juhani Pallasmaa once said that "architecture is essentially an extension of nature into the man-made realm, providing the ground for perception and the horizon of experiencing and understanding the world."
In the constant hustle and bustle of the modern surroundings, it is more than needed to take a step back and listen to the sounds of something as calmly powerful as nature. Moreover, listening to the beautiful harmonies created by birds chirping and sound waves can make our inner voice louder as well.
Miralles Tagliabue EMBT, directed by Benedetta Tagliabue, has won the international competition to design the Shenzhen Conservatory of Music, one of the city's 10 new era cultural buildings. Characterized by the dialogue generated with its surroundings, the complex integrates music and art in nature with a proposal of organic and sustainable architecture.
Amelia Tavella and Rudy Ricciotti have won the bid for the Henri Tomasi Conservatory of Music, Dance and Performing Arts. Selected by the city of Ajaccio, the designers proposed an integrated building into the Corsican slope.
LIONLION has released the music video for their latest song “Oceans Rise,” inspired by Bauhaus architecture. Coinciding with the 100th anniversary of the influential German school, the video offers a reduced, minimalistic design vocabulary set in the Pescher House by Richard Neutra.
It would seem that in London when it rains, it pours. Mere weeks after designs for the London Centre for Music were announced, efforts to bestow the city with another world-class concert venue have come to the fore. The Wimbledon Concert Hall, which currently has American architect Frank Gehry attached to the project, would add a 1,250-seat space for music and performance to the London suburb best known for tennis.
Born in 1969 in Mexico City, Michel Rojkind was educated in the 1990s at the Universidad Iberoamericana, while also performing as a drummer in Aleks Syntek’s popular rock band la Gente Normal. He opened his practice Rojkind Arquitectos in 2002. Among his most representative built works are Foro Boca for the Boca del Rio Philharmonic Orchestra in Veracruz, a newly expanded film complex Cineteca Nacional in Mexico City, a pair of factory additions for the Nestlé Company in Queretaro, and the Nestlé Chocolate Museum in Toluca, all in Mexico. We spoke about how his architecture engages with people, why architects should assume roles that extend beyond architecture, and the importance of generosity and not worrying about designing everything 100%.
The following excerpt from my interview with Rojkind completes a series of conversations that I conducted in Mexico City while preparing my exhibition “Something Other than a Narrative” from the Architects’ Voices and Visions series at Facultad de Arquitectura Universidad Nacional Autónoma de México, UNAM.
Architecture has long proved an inspiration to musicians, with artists as diverse as Art Garfunkel and Kanye all drawing (so to speak) from the field. Some musicians even began their professional careers as architects - Weird Al, Ice Cube, and three of Pink Floyd's founding members among them.
