This June, the Roppongi Museum in Tokyo is hosting an exhibition titled "Miss Dior: Stories of a Miss." Designed by OMA/Shohei Shigematsu, the display presents the 78-year legacy of the renowned Miss Dior perfume, which was launched alongside Dior's revolutionary "The New Look" in 1946. Organized as a journey through seven rooms, the exhibition design features not only the perfume and related memorabilia but also explores the various inspirations and collaborations that have shaped its cultural significance.
Beyond serving as mere backdrops for fashion shows, architecture often influences fashion collections, contributing spatially to their storytelling, offering material inspiration, and showcasing the connection between structure and shape. As both disciplines revolve around form, structure, and the human experience, architecture, and fashion share a strong connection, one often explored by creators in both fields. From meticulous tailoring and structural designs that mimic architectural lines, contours, and volumes, to architecture taking cues from how fashion works with the human shape, this interplay can create multidimensional experiences for the enthusiasts of both high fashion and architecture.
A global and cosmopolitan city, Milan is an uncontested mainstream fashion and economic center, widely coveted by worldwide visitors. The second most populated city in Italy, it hosts some of the world's major fashion and design-related events. Milan also houses prestigious educational institutions, many of which are renowned for heritage and conservationist specialties. Its cultural and design relevance cannot be understated as more and more creators are relocating and setting up shop in this booming creative hub.
The city's most recognizable tourist attractions are the renowned gothic Duomo di Milano, Santa Maria delle Grazia, or the Galleria Vittorio Emanuele II, amongst other classical and baroque sites. Milan also houses some of the boldest and most experimental modern and contemporary buildings that highlight the marriage of the beautifully crafted and often ornamental heritage with the modern, post-modernist, and contemporary monuments that make up its unique style.
For the Fall/Winter Prada 2024 menswear show, AMO has designed a space that draws inspiration from two contrasting elements of modern life: office interiors and the natural landscape. Transforming yet again the space of the Deposito Hall at Foundation Prada in Milano, the designers have chosen to create a contrasting image of seemingly opposite elements: rows of office chairs illuminated by the white glow of LED lights, standing over a pastoral landscape with meandering creaks and ample foliage. The design aims to highlight this separation between natural instincts and the typical environment of modern life.
Pantone 219C, or Barbie Pink, is a vibrant and bright magenta pink shade synonymous with the Barbie brand. Since the inception of the Barbie doll in 1959 by a company named Mattel, the doll has slowly trademarked this specific shade of pink. As Barbie’s popularity grew, the global association with the color pink did, too. From pink accessories, pink houses, pink haircuts, and pink packaging, there is no Barbie without pink. Moreover, as the doll became a popular cultural icon, her iconic shade of pink started to influence various industries beyond just toy manufacturing, including fashion, beauty, and interior design.
Saint Laurent Men’s Summer 24 at Mies van der Rohe’s Neue Nationalgalerie. Image Courtesy of Saint Laurent
Architecture and fashion share an interesting interplay in the formation of cultural expressions and identities. Both disciplines can become vehicles for creativity at different levels. Architecture is often described as the “third skin” of humans, while clothes represent the second skin, highlighting somewhat similar functionality of protecting the body while also allowing for self-expression and individuality.
The relationship between architecture and fashion can also be seen in the shared design principles, such as form, proportion, human scale, and materiality. More than a simple background for runway shows, architecture can contribute to setting the atmosphere, becoming a source of inspiration, and orienting the movement through space. Collaborations between architects and fashion houses, such as the renowned partnership between OMA/AMO and Prada, further blur the boundaries between the two disciplines, demonstrating the myriad of interconnections between the two creative fields.
Architect Tadao Ando has been commissioned to design this year’s Costume Institute exhibition highlighting the work of Karl Lagerfeld. The opening of the exhibition titled “Karl Lagerfeld: A Line of Beauty” was marked by the world-renown Met Gala, a fundraising event attended by celebrities and personalities perceived to be culturally relevant in the fashion scene. Perceived as a thematic and conceptual essay on Lagerfeld’s work, rather than a traditional retrospective, the exhibition aims to illustrate the designer’s method of creative expression and its significance in the industry.
The term ‘Architect’ can be open to interpretation much like the reverence of an Artist. However, the universally recognized definition of the role is regarded as one who designs and plans buildings, a key member in terms of building construction. Architecture as a profession presents itself as a very diverse occupation. As an Art and Science in every sense, it offers insight into a vast range of subjects that can be applied to a range of different ventures.
Often Architecture students are offered with such a rigid path, constrained with these short-sighted ideas that an Architect must follow a particular direction to flourish in the field. When in fact it is interesting to note the vast opportunities that arise when given opportunity to diversify. Here are the Architects that have branched out and become successful fashion designers …
Architecture and fashion seem like unlikely bedfellows. However, in more ways than one, they are cut from the same cloth. Ancient nomadic tribes lived in shelters made of cloth and animal furs, the very same materials used for clothes. So, clothes and buildings were made from the same craftspeople. Over time, as our constructions filled the basic needs for protecting the human body, these pursuits were elevated into distinct artforms. Today, designers like Virgil Abloh, formally trained as an architect, stitch the two pursuits back together with shows that reference designs by Mies van der Rohe, or jackets filled with puffy 3D buildings. Fashion retail environments also bring space and clothes together, often in thoughtful and interesting ways. This video looks at the history of architecture and fashion and visits a fashion retail store in Chicago called Notre, designed by Norman Kelley.
Courtesy of KARL LAGERFELD, Sierra Blanca Estates and One Atelier
During the past couple of years, luxury and fashion brands began venturing into architecture. Some built museums, foundations, and cultural organizations while others shaped residential structures that translated their identity into space. Following this same concept, KARL LAGERFELD, along with Spanish Developer Sierra Blanca Estates and the Design and Branding Firm The One Atelier, have developed the fashion house’s first “luxury architectural project”, the Karl Lagerfeld Villas in Marbella, Spain. Designed by The One Atelier, of which Andrea Boschetti is Head of Design, the project has low carbon impact, aligned with the brand’s commitment to the Fashion Pact - a global sustainability initiative that seeks to transform the fashion industry through objectives in climate, biodiversity, and ocean protection.
Asking what is “luxury architecture” and questioning why fashion brands are expanding into architecture, ArchDaily met with Andrea Boschetti to further understand the architect and urban planner’s take on the subject.
Virgil Abloh, a great American influential figure in the fashion, art, culture, design, and architecture scene, passed away at 41, after a silent battle with cancer. Known for his collaboration with AMO, especially for the Off-White Flagship Store in Miami, a brand he founded back in 2012, the trained architect was the first African-American to become the artistic director of a French luxury brand.
The news was announced on Sunday on Abloh’s official Instagram Account. The Creative Director of Louis Vuitton menswear battled a “rare, aggressive form of cancer, cardiac angiosarcoma […] privately since his diagnosis in 2019”, according to the post.
Chilean architect Smiljan Radic has designed and installed a perfectly transparent dome for Alexander McQueen's Spring / Summer 2022 fashion show earlier this week in London.
