The tenth edition of the Architectural Photography Awards has announced its shortlist, selected from entries from 64 different countries. The photographs are divided into six categories: Exterior, Interior, Sense of Place, Buildings in Use, Mobile, with Bridges being this year’s theme, and Portfolio, focusing on the theme of Transport Hubs. The photographs will be displayed at the World Architecture Festival (WAF) Lisbon in Portugal from 30th November - 2nd December. The winners, two per category, will be announced by the end of the festival.
APA Awards: The Latest Architecture and News
The Architectural Photography Awards Announces the 2022 Shortlist
The Architectural Photography Awards 2021 Announces its Shortlist
The Architectural Photography Awards 2021 has announced its shortlist for its ninth edition. Supported by Aluprof UK and the World Architecture Festival (WAF), the shortlist was selected from around 2000 entries and 42 countries, "highlighting the expertise of architectural photography and focusing on the skill and creativity of the photographer". The photographs are divided into 6 categories: Exterior, Interior, Sense of Place, Buildings in Use, Mobile, which this year’s theme is Greening the City, and Portfolio with the theme of Building with History.
APA Awards: James Ewing's Matrimandir Photograph Places First for Architecture
Brooklyn based architectural photographer James Ewing has placed first in the American Photographic Artists’ APA Awards for architecture. The image, as Ewing describes, “was created to describe the verdant landscape that surrounds the Matrimandir and the community of Auroville.”
“The land was in an advanced state of desertification when the Auroville project was started in the 1960s. Heavy erosion had removed most of the topsoil and left a barren scorched earth. Through many years of careful engineering and land management Auroville has created a lush, wooded, garden city. I sought out an elevated vantage point that allowed me to present the building in context with its landscape. The building without the landscape would only be half of the story. The cyclists in the foreground show scale and provide a contrast between the familiar low-fi technology of the bicycles and the fantastic sci-fi form of the Matrimandir itself.”