Africa: The Latest Architecture and News

Architecture in children’s shelters serves a purpose beyond building physical spaces; it is about creating refuges that nurture healing, protection, and growth. For vulnerable children, designing these environments plays a vital role in their emotional recovery. Every aspect—from natural lighting to room layout—works together to create a secure and welcoming atmosphere, supporting their physical well-being and psychological and social development.

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The middle of the Twentieth Century saw the independence of most countries on the African continent. Those euphoric times brought forward-looking sentiments and a wish to break with the past. Modernism, as an architectural movement, was ideal for the day, and newly independent countries had extensive building programs to assert themselves as fully functioning nations.

Hotels are one type of building that illustrates the complex architectural and political history of the times. Some were built specifically to host international delegations, others to boost tourism, while some were built as strong leaders' wishes. Although a marginal building type, several hotels across Africa stand as physical records of important parts of their respective country's history.

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A region's identity is deeply tied to its community spaces. These spaces—whether parks, public squares, or community centers—reflect their users' culture, history, and values. They don't just preserve regional identity; they actively shape how communities engage with their environment, fostering a dynamic relationship between place and people. Community spaces are more than just physical locations; they are vital social hubs that foster engagement, cultural expression, and a sense of belonging. These spaces symbolize a shared identity and purpose.

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Recent news headlines from the African continent show a variety of urgent issues affecting urban centers: severe flooding threatens Kenya's capital, Nairobi; the light rail system in Addis Ababa, Ethiopia, is faltering after a successful start. Meanwhile, in Egypt's capital, Cairo, new infrastructure and housing expenditures proved too steep and necessitated a government bailout. African cities face a plethora of problems but they also hold the potential to improve countless lives. As South America shares stark similarities in its history with that of Africa, it could provide both a point of reference and a positive example for tackling these concerns at an urban level.

There is an increasing character of abandoned buildings in many African cities and Limbo Accra; a spatial design practice, roots itself in the experimentation of their repair, reuse, and transformation. The practice views these buildings as a unique architectural typology that includes key city landmarks, from the abandoned Independence house in Lagos to the incomplete airport tower in Accra, amongst others. They see them as major opportunities for modern public space and as symbolic sites for spatial justice. Through techniques such as photogrammetry, Limbo Accra has been creating a digital archive of these buildings and collaborating with artists and designers to propose new prospects for them. ArchDaily had the opportunity to speak with Dominique Petit-Frère, the co-founder of Limbo Accra, about the collective character of these buildings, Limbo Accra’s approach to their transformation, and navigating challenges in the adaptive reuse of these structures.

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The modern and futuristic architecture of Sub-Saharan Africa reflects the aspirations and progressive spirit that dominated the early years of independence for many countries in this region between the late 1950s and early 1960s. This architectural production, coinciding with economic growth, employed complex construction methods in designs that seamlessly blended interior and exterior spaces (thanks to the tropical climate), focusing on form and expression of materiality. From this fusion of specific conditions emerged architectural masterpieces of unique value that demand 'rediscovery,' among them the Kenyatta International Convention Center (KICC) in Nairobi, Kenya.

There’s a well-known catchphrase – “Cape to Cairo” – that has spawned numerous books and piqued the imagination of countless travellers of the African continent. The phrase’s origins are of imperial nature, birthed out of an 1874 proposal by English journalist Edwin Arnold that sought to discover the origins of the Congo River. This project was later taken up by imperialist Cecil Rhodes, who envisioned a continuous railway of British-ruled territories that stretched from the North to the South of the continent.

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Set deep within some of the most isolated desert landscapes across the Middle East and further afield, these desert camp hotels offer a way to connect with their surroundings through the solitary experience of open and expansive scenery.

By disregarding the kind of structural interventions that might alter their historic and often culturally relevant landscapes, the projects position traditional and local skills, materials, and architectural techniques alongside high-end luxury interiors.

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