Adolf Loos: The Latest Architecture and News

Often referred to as the “City of Music,” Vienna stands as a living testament to architectural evolution across centuries. Bring together an array of styles, ranging from the grandeur of Baroque palaces to the innovative Art Nouveau designs and the Vienna Secession movement, visitors are drawn to the city for its architectural marvels. Vienna's eventful past is reflected in its architectural landscape, which has withstood wars, imperial expansions, and the changes of numerous artistic trends while managing to maintain its unique identity as a symbol of resilience and reinvention.

From Adolf Loos, whose radical ideas challenged the trends of his time, to Otto Wagner, a pioneer of Viennese Modernism, Vienna's architectural legacy continued to evolve. Fast-forwarding to contemporary times, Vienna's skyline bears the mark of internationally renowned architects like Zaha Hadid, whose fluid and futuristic designs push the boundaries of architecture. Hadid's work, including the Library and Learning Center at the University of Economics and Business, offers a dynamic contrast to the city's historic landscape. Moreover, firms like CRAB Studio, founded by Sir Peter Cook and Gavin Robotham, bring experimentalism to Vienna's architecture, infusing contemporary concepts into the urban fabric. These architects and firms contribute to Vienna's architectural richness, adding new chapters to its storied history while honoring its innovation and artistic legacy.

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This article was originally published on CommonEdge as "African Architecture: Ornament, Crime & Prejudice."

From the Fundación Arquia Blog, architect José Ramón Hernandez brings us an article that reflects on projects that can only be appreciated because of who they were created by. If it weren't for the fact that they bear the signature of their illustrious creator, they most likely would have gone completely unnoticed or even despised.

This article was originally published on the blog of the Chicago Architecture Biennial, the largest platform for contemporary architecture in North America. The 2017 Biennial, entitled Make New History, will be free and open to the public between September 16, 2017 and January 6, 2018.

The Tribune Tower has stood at the heart of Chicago’s cultural heritage for almost a hundred years. Like the spire of a secular cathedral, it still symbolizes the rise of the “city of big shoulders” and its defining role in the American Century. But the building is more than a Chicago icon. The story of its origin has proved to be one of the most enduringly influential narratives in 20th Century architecture, key to understanding the skylines of cities all over the world.

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There’s no doubt that one of the best things about architecture is its universality. Wherever you come from, whatever you do, however you speak, architecture has somehow touched your life. However, when one unexpectedly has to pronounce a foreign architect’s name... things can get a little tricky. This is especially the case when mispronunciation could end up making you look less knowledgeable than you really are. (If you're really unlucky, it could end up making you look stupid in front of your children and the whole world.)

To help you out, we’ve compiled a list of 22 architects with names that are a little difficult to pronounce, and paired them with a recording in which their names are said impeccably. Listen and repeat as many times as it takes to get it right, and you’ll be prepared for any intellectual architectural conversation that comes your way. 

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Update: We've added links to help you find these books for purchase and, in 5 of 8 cases, tracked down a way you can read them online for free!

Quality over quantity, so the saying goes. With so many concepts floating around the architectural profession, it can be difficult to keep up with all the ideas which you're expected to know. But in architecture and elsewhere, the most memorable ideas are often the ones that can be condensed textually: “form follows function,” “less is more,” “less is a bore.” Though slightly longer than three words, the following lists a selection of texts that don’t take too long to read, but impart long-lasting lessons, offering you the opportunity to fill gaps in your knowledge quickly and efficiently. Covering everything from loos to Adolf Loos, the public to the domestic, and color to phenomenology, read on for eight texts to place on your reading list:

Welcome to the fourth installment of The Long(ish) Read: an AD feature which presents texts written by notable essayists that resonate with contemporary architecture, interior architecture, urbanism or landscape design. Ornament and Crime began as a lecture delivered by Adolf Loos in 1910 in response to a time (the late 19th and early 20th Centuries) and a place (Vienna), in which Art Nouveau was the status quo.

Loos used the essay as a vehicle to explain his distain of "ornament" in favour of "smooth and previous surfaces," partly because the former, to him, caused objects and buildings to become unfashionable sooner, and therefore obsolete. This—the effort wasted in designing and creating superfluous ornament, that is—he saw as nothing short of a "crime." The ideas embodied in this essay were forerunners to the Modern movement, including practices that would eventually be at core of the Bauhaus in Weimar.