The British Council have revealed Island as the theme of the British Pavilion at the 2018 Venice Architecture Biennale. In the exhibition, Adam Caruso, Peter St. John (Caruso St. John), and Marcus Taylor will engage "with current political themes," and was submitted by means of an open call with reference to Shakespeare’s The Tempest:
Be not afeard; the isle is full of noises; Sounds and sweet airs, that give delight and hurt not.
The tragedy of architecture is how stupid architects are... we spend too much time trying to convince people to do things they don’t want to do. That really lowers the level of the discussion, I think.
In this video from the Louisiana Channel, Canadian architect Adam Caruso, founding partner of London-based Caruso St John, provides his take on the current climate of the architectural profession and the influences driving his own personal architectural philosophy. With his firm, Caruso has led the design of numerous art institutions, including the 2016 RIBA Stirling Prize winning Newport Street Gallery in London, that respond to “a deeper idea of place, of the history and culture of the place and how you read it today.
Like no other style, Art Deco represents a built manifestation of the interwar period’s enthusiasm and splendor. In London, buildings of this era reflect the elegance, progress and assertiveness that describe the modern metropolis age. Even today, these buildings have lost none of their aura and appeal, yet they lack any proper documentation.
Together, Niels Lehmann and Christoph Rauhut have worked tirelessly for the past three years researching and photographing London’s architectural Art Deco heritage. With your help, they will feature over 230 buildings with large-scaled photographs in the soon-to-be published book “Modernism London Style.” Follow this link to become a supporter and learn more.
Continue after the break to view more photos.