2018 Venice Biennale: The Latest Architecture and News

Take a peek into Japanese architect and theorist Arata Isozaki’s studio in the first of PLANE—SITE’s new video series, Time-Space-Existence. In this inaugural film, Isozaki discusses the Japanese concept of the space and time that exists in-between things, called "ma." Especially inspiring is Isozaki’s refusal to be stuck in one architectural style, as he describes how each of his designs is a specific solution born out of the project’s context.

As part of our 2018 Venice Architecture Biennale coverage, we present the completed Kosovo Pavilion. Below, curator Eliza Hoxha describes the exhibition in her own words.

The ‘90s in Kosovo under the Milošević regime are known as times of repression, a time when ethnic Albanians were expelled from all state-run institutions and thereby removed from public life. Funded by the 3 percent income tax mainly from Albanian Diaspora, Albanians created a parallel system of education, culture and healthcare in their private houses, which citizens offered for free. These private houses provided space for public life for almost ten years in Pristina, the capital and other cities in Kosovo. In the ‘90s, life that the city center provided for everyone ended for Albanians, and all activity was dislocated to the periphery. The entire Albanian community shrank into private houses. The house became a school, a restaurant, a promotional activity space, an office, an art gallery, a hospital and a home at the same time.

As part of our 2018 Venice Architecture Biennale coverage, we present the completed Australian Pavilion. To read the initial proposal, refer to our previously published post, "Australian Pavilion at 2018 Venice Biennale to Explore Architecture's Relation to Endangered Plants."

The theme for the Australian Pavilion at the 2018 Venice Biennale is Repair. Created by Baracco+Wright Architects in collaboration with Linda Tegg, it consists of a living installation, Grasslands Repair, that presents more than 60 species of Western Plains Grasslands plants from South East Australia. By covering the ground of the pavilion with these plants, it explores the relationship between architecture and the natural environment, especially in regards to the ecologically sensitive landscape of Australia and the cultural importance of the land for the Indigenous people.

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The concept and title Walls of Air was conceived as a response to the theme of Freespace proposed by curators Yvonne Farrell and Shelley McNamara in order to provoke questions about: 1. the different sorts of walls that construct, on multiple scales, the Brazilian territory; 2. the borders of architecture itself in relation to other disciplines.

Therefore, a reflection began on how much Brazilian architecture and its urban developments are, in fact, free. Without the ambition of reaching an answer, but hoping to open the conversation to a large and diverse public, we chose to shed light on processes that often go unnoticed due to their nature or scale. The immaterial barriers built between people or neighborhoods, and the processes of urbanization in Brazil on a continental scale are examples of questions we considered.

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Vatican City participated in the Venice Architecture Biennale for the first time this year, inviting the public to explore a sequence of unique chapels designed by renowned architects including Norman Foster and Eduardo Souto de Moura. Located in the woods that cover the island of San Giorgio Maggiore, the chapels offer interpretations of Gunnar Asplund’s 1920 chapel at Woodland Cemetery in Stockholm, a seminal example of modernist memorial architecture set in a similarly natural wooded context.

A new video produced by Spirit of Space offers a brief virtual tour of the structures that make up the Holy See’s pavilion, lingering on each just long enough to show different views and angles. As members of the public circulate through the chapels in each shot, the scenes give an impression of how each chapel guides circulation.

As part of our 2018 Venice Architecture Biennale coverage, we present the completed Austrian Pavilion. To read the initial proposal, refer to our previously published post, "Austrian Pavilion at 2018 Venice Biennale to Focus on the Importance of "Free Space" in Urban Spaces."

Part of the Austrian Pavilion at the 2018 Venice Biennale, Henke Schreieck’s “Layers of Atmosphere” installation creates two opposing but interconnected spaces; one features a simple wooden structure, whereas the other offers a simple light atrium whose walls are covered in thin layers of paper. Connected by a walking bridge, the spaces provoke questions about architecture as space and architecture that creates space.

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As part of our 2018 Venice Architecture Biennale coverage, we present the completed Finnish Pavilion. To read the initial proposal, refer to our previously published post, "Finnish Pavilion at the 2018 Venice Biennale to Examine the Future of Libraries."

Conceived by Commissioner Hanna Harris, Director of Archinfo Finland, and Curator Dr Anni Vartola, the Finnish Pavilion presents Mind-Building at the 2018 Venice Biennale, an exhibition that explores the importance of the public library in Finnish culture. With exhibition design by Tuomas Siitonen and graphic design by Johannes Nieminen, it showcases Finnish libraries through a thematic selection of architectural designs, objects and specially commissioned sound and video work.

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As part of our 2018 Venice Architecture Biennale coverage, coverage, we present the completed Lebanese Pavilion. To read the initial proposal, refer to our previously published post "Lebanon Pavilion at 2018 Venice Biennale To Reflect on The Built Environment Through a Reflection on The Unbuilt Land."

Titled “The Place that Remains” the Lebanese Pavilion, in the country's first participation in the Venice Biennale, showcased the characteristics and prospects of unbuilt Lebanese territories, and how these lands can improve the built environment and its living conditions. Curator Hala Younis chose to focus on Nahr Beirut (Beirut River) and its watershed, evaluating its bedrock and the challenges that come with it, such as the “fragile nature of territory, scarcity of resources, and commodification.”

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Solutions from the past can often provide practical answers for the problems of the future; as the London-based design and research firm, Space Popular demonstrate with their "Timber Hearth" concept. It is a building system that uses prefabrication to help DIY home-builders construct their own dwellings without needing to rely on professional or specialized labor. Presented as part of the ongoing 2018 Venice Biennale exhibition “Plots Prints Projections,” the concept takes inspiration from the ancient "hearth" tradition to explain how a system designed around a factory-built core can create new opportunities for the future of home construction.

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As part of our 2018 Venice Architecture Biennale coverage, we present the completed Turkish Pavilion. To read the initial proposal, refer to our previously published posts, "Turkey's Entry to the 2018 Venice Biennale to Offer Space for Creative Encounter" and “Turkish Pavilion at the 2018 Venice Biennale to Host a Series of Student Workshops”

Kerem Piker of the firm Kerem Piker Mimarlık curated this year’s Pavilion of Turkey entitled Vardiya (the Shift), together with associate curators Cansu Cürgen, Yelta Köm, Nizam Onur Sönmez, Yağız Söylev and Erdem Tüzün. Coordinated by the Istanbul Foundation for Culture and Arts (İKSV) and installed at Sale d’Armi, Arsenale, the pavilion functions as a space for gathering, conversation and sharing ideas, with a series of video installations projected on draped fabric screens as well as a lecture and meeting space designed to host the 122 architecture students invited from around the world to participate in workshops, discussions and keynote lectures in the space.

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As part of our 2018 Venice Architecture Biennale coverage, we present the completed Romania Pavilion. Below, the curatorial team describes the exhibition in their own words.

Mnemonics proposes a contemporary take on the event’s theme and takes an ultimately optimistic snapshot of the public urban space that Romanian society has seen transforming over the past decades. It raises the question of the social and cultural functions of the free public space in Romanian cities.

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As part of our 2018 Venice Architecture Biennale coverage, we present the completed Indonesia Pavilion. Below, the curatorial team describes the exhibition in their own words.

What if architecture has no form and shape? It will be freed.

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As part of our 2018 Venice Architecture Biennale coverage, we present the completed Latvian Pavilion. To read the initial proposal, refer to our previously published post, "Latvian Pavilion at the 2018 Venice Biennale to Highlight Turning Points in 20th Century Apartment Block Design.”

Black walls and an exposed concrete floor create a mysterious and eerie backdrop for Together and Apart: 100 Years of Living—the Latvian Pavilion curated by urbanist Evelīna Ozola, architect Matīss Groskaufmanis, scenographer Anda Skrējānem and director Gundega Laiviņa.

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As part of our 2018 Venice Architecture Biennale coverage, we present the completed Russian Pavilion. To read the inital proposal, refer to our previously published post, "Russian Pavilion at 2018 Venice Biennale to Explore Rich Railway History."

The Russian Pavilion highlights the past, present, and future of Russian railways. The exhibition shows railways as a response to a landscape which is in many places uninhabitable, allowing the people who use them to explore Russia's expansive territories.

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Videos

As part of our 2018 Venice Architecture Biennale coverage, we present the completed German Pavilion. To read the initial proposal, refer to our previously published post, “'Unbuilding Walls': German Pavilion at 2018 Venice Architecture Biennale to Probe Architecture of Division and Integration.”

Curated by GRAFT and Marianne Birthler, the German pavilion explores architectures of division and inclusion. In a light-filled space, black panels create division. The initial simplicity of the panels is complicated by their opposite sides, where text and images explicate the impact of wall-building worldwide.

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