The Triennale Milano and Fondation Cartier pour l'art contemporain present the exhibition Siamo Foresta, inaugurated in June and open until October 29, 2023. Curated by Bruce Albert and Hervé Chandès, the exhibition features works by 27 artists from different countries and cultures, mainly from Latin America and indigenous communities.
The exhibition is the result of a partnership between the two institutions — which has already produced six projects over eight years — and seeks to reach diverse audiences and promote artists from different geographical contexts. Designed by Brazilian artist Luiz Zerbini, the exhibition highlights the importance of the forest as a central theme and provides an emotional connection between the works.
https://www.archdaily.com/1003303/siamo-foresta-exhibition-at-the-milan-triennale-addresses-the-future-of-the-planet-through-indigenous-artistic-perspectivesArchDaily Team
Essentially beginning as a way to use old offcuts of natural stone materials such as marble, quartz, and granite, the 600-year-old technique of creating terrazzo surfaces is enjoying a particularly strong moment in today’s reuse culture. But sustainability isn’t the only calling card Terrazzo has.
The features that really put the manufactured composite material at the top of many designers’ wishlists are its mixture of hardwearing durability, crack-free water resistance, and a near endlessly customizable palette of color and pattern. And although the use of terrazzo originates, as the name suggests, from floor-level surfacing, it also lends itself perfectly to other surfaces and even products, too.
India recently overtook its sub-continental neighbor, China, to become the most populous country in the world with a demography of over 1.4286 billion people. As data from the United Nations also estimates an annual population growth rate of 0.7%, the country’s built environment is set to interact with a new discourse of demography and present its own perspective on how to build for billions. It is set to engage with new challenges of infrastructure, transportation, and adequate housing, which on the surface will force cities to constantly expand as a response to these dynamic needs. However, a critical look at the population distribution within the country reveals that the majority of Indians still live in rural areas as it caters to 65% of the population despite increasing rural-urban migration. This suggests a nudge in a different direction. One where the design and development of the rural areas take precedence over the cities. One that explores architecture in rural areas, its relationship with the cities, and its future as a primary framework to house the exploding population.
Michael Rotondi’s buildings—museums, civic centers, education facilities, monasteries, restaurants, and residences—evoke kinetic mechanisms that fold, hinge, twist, and split open. They express the architect’s feelings, thinking, and mood at the time they had been designed, and, on some occasions, during their assembly and construction. Rotondi was born in 1949 in Los Angeles.
He established his RoTo Architects, a research-based firm in his native city, in 1991 after co-heading Morphosis for 16 years with Thom Mayne. Parallel to his practicing career, the architect has been teaching and lecturing at SCI-Arc, Southern California Institute of Architecture, which he co-founded in 1972, led its graduate program from 1978-1987, and was the school’s second director for a decade from 1987 to 1997.
In recent years, the spotlight on sustainable, eco-friendly, and low-carbon materials has intensified across the architecture industry. Amid this interest, a renaissance of hemp architecture is gradually gaining momentum on a global scale. Hemp-based materials have emerged as a favorable alternative to traditional industrialized materials, presenting a multitude of benefits that could revolutionize the construction industry. Despite its vast promise, several hurdles obstruct the widespread adoption of hemp, inhibiting its transformative potential in the construction industry.
Curved design has a timeless appeal that has captivated designers throughout history, transcending mere functionality and aesthetics in interior furnishings. Incorporating curves adds captivating visual appeal, infusing spaces with intrigue and a sense of harmonious flow. Furthermore, curved furniture has the ability to transform the spatial dynamics of an environment, introducing fluidity and softness into a world often dominated by rigid, linear forms. While curves are sometimes associated with an old-fashioned look, contemporary curvilinear furniture presents a fresh and modern approach, combining elements of softness, comfort, and simplicity.
Following an international competition, Dorte Mandrup has been selected to design the new Inuit Heritage Centre in the territory of Nunavut in northern Canada. Designed together with Architect of Record Guy Architects, LEES+Associates, Adjeleian Allen Rubeli, EXP, Pageau Morel, Altus Group, and indigenous consultants Kirt Ejesiak and Alexander Flaherty, the new centre aims to become a sign of cultural conciliation and a symbol of the continuation of Inuit practices, traditions and values. By offering a place where Inuit can reconnect with their collective past through objects, stories, and activities, the centre will promote greater awareness of Inuit culture. The project is expected to be completed by 2027.
The XIV Florence Biennale of Art and Design announced that Santiago Calatrava will receive the Lifetime Achievement Award, a "tribute to one of the most influential architects of our times and a recognition of your audacious experimentation, extraordinary talent, and ingenious ability to combine architecture and art in projects imagined and designed in harmony with nature and oriented towards the ideals of beauty.”
Architectural styles have fallen out of favor throughout history. Generally, the peak of one movement means the decline of another. Over time, the situation may reverse, as in the case of postmodernism, which has divided opinions since its emergence, but experienced a revival in the first decades of the 2000s (or maybe not). Temporal distance contributes to the revision of certain styles' relevance and evaluation of their qualities - or problems.
Office spaces in design and architecture play a crucial role in shaping the way we work and interact in professional environments. They are thoughtfully designed to promote healthy output, encourage teamwork, and give workers a welcoming and motivating environment. After the Covid-10 pandemic, work lifestyles underwent a significant transformation. As a result, companies have been adapting and redesigning new ways of working, implementing flexible schedules and hybrid work policies.
This evolution in work lifestyles has father influenced office design, now more focused on prioritizing health, safety, personal space, and collaboration. Office spaces in design and architecture have been adapting to the changing work landscape for decades. As they evolve to meet the changing needs of the workforce, various design iterations are explored, promoting different values.
This week’s curated selection of Best Unbuilt Architecture showcases projects submitted by the ArchDaily community highlighting different office spaces. Ranging from a more formal bank headquarters in Switzerland to a mixed-use business center in Ukraine, these designs heavily influence the way in which people work in the spaces.
The challenge of designing a house with a tight budget and space constraints, together with the essential duty of responding correctly to the requirements of the user, is sometimes one of the most challenging and motivating tasks an architect can face. How can you take advantage of space most effectively? How can you avoid wasted material? How do you anticipate the possible future expansion of the house? And how do you develop a simple design that also delivers value to its inhabitants?
To help you in this process, we scoured our projects archives to select 30 houses that provide interesting architectural solutions despite measuring less than 100 square meters.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design are joined by Denise Scott Brown, architect, planner and urban designer, and a theorist, writer and educator to discuss her background and upbringing in South Africa; her beginnings in architecture; traveling the world; how teaching impacted her life and career; the National Gallery and other of her projects being remodeled; and much more!
What does the future of cities and transportation look like? It looks like the future will run on two wheels and a handle bar. Many explain the rise of cyclists as a shift towards a healthier and more economical lifestyle. But while that may be true, why would individuals feel inclined to ride bicycles if the roads don't support it, or if there weren't adequate spaces to park?
Architecture plays an important role in promoting the use of bicycles. Cities equipped with safe bicycle lanes, parking lots, and public bike facilities encourage citizens to refrain from using their cars, and opt for a much more sustainable means of transportation. Many have already began reshaping their urban infrastructure in a way that caters to bicycles, whether it is through bicycle bridges, widened cycling lanes, or permanent parking lots.
Toronto’s digital billboard-laden Yonge and Dundas Square is owned by the city but managed through a public-private partnership. While primarily hosting commercial content and activities, the spaces and screens of the square are often used for cultural events and artistic content. As cities, arts organizations, governments, and corporations increasingly seek to engage people in public spaces through combinations of media and architecture, what are some of the possibilities and pitfalls associated with their approaches individually and in concert with one another? How does media architecture modulate civic, creative, and commercial interests and impacts?
ArchDaily and VELUX have joined forces to provide you with an exclusive coverage of the highly anticipated UIA World Congress of Architects 2023. Watch the discussion panel on the future of next-generation homes, moderated by David Basulto, founder and editor-in-chief of ArchDaily. Get to know more of the world of next-generation homes as the panelists delve into innovative approaches, cutting-edge technologies, and sustainable solutions that are reshaping the way we live.
Shifting from an exploitative to a restorative and circular design ideology is fundamental in changing architecture and the built environment to become more sustainable. We look at strategies for a new resourcefulness in architecture and discuss how to bring the built environment back inside the planetary boundaries.
This session is a keynote dialogue moderated by Connie Hedegaard. The UIA World Congress of Architects 2023 keynote dialogues are designed as a series of dialogues between trailblazing architects and experts from science, business and politics. All keynote dialogues are moderated by Connie Hedegaard.
The Implementation Plan for the Construction of National Education System for Green Low-Carbon Development in China clearly states that green low-carbon development should be integrated into campus construction as a goal. New technology products of energy saving and emission reduction are given priority in campus construction to guide teachers and students in the education system to firmly establish the concept of green low-carbon development and lay a solid ideological and operational foundation for achieving the goal of carbon peaking and carbon neutrality.
Architecture and fashion share an interesting interplay in the formation of cultural expressions and identities. Both disciplines can become vehicles for creativity at different levels. Architecture is often described as the “third skin” of humans, while clothes represent the second skin, highlighting somewhat similar functionality of protecting the body while also allowing for self-expression and individuality.
The relationship between architecture and fashion can also be seen in the shared design principles, such as form, proportion, human scale, and materiality. More than a simple background for runway shows, architecture can contribute to setting the atmosphere, becoming a source of inspiration, and orienting the movement through space. Collaborations between architects and fashion houses, such as the renowned partnership between OMA/AMO and Prada, further blur the boundaries between the two disciplines, demonstrating the myriad of interconnections between the two creative fields.
The projects were revealed during the Eumies Awards Day 2023, which took place in Palazzo Michiel in Venice as part of the Collateral Events of the 18th International Architecture Exhibition – La Biennale di Venezia. This year, an additional prize has been added: the Young Talent Open. Created by the Fundació Mies van der Rohe, the award was created for schools from the African continent and Council of Europe nations that are not a part of Creative Europe.
There are three primary settings in which lower-density urbanism can be useful, and where conditions favored by YIMBYs are weak or nonexistent: as a replacement for what is currently slated to be built out as sprawl, as a recovery process for existing sprawl, and in small towns that are growing. Giving up on these settings forces all development intended to combat the housing crisis into urban settings, ideally near transit, where land is much more expensive to acquire and to develop. It also allows the sprawl machine to roll on unimpeded.The best vehicle for implementing principles illustrated here at the scale of a neighborhood, hamlet, or village is not a major production builder, as these principles violate almost all of their conventional industrial practices. Instead, look to the record of stronger New Urbanist developers who are no strangers to doing things considered unconventional by the Industrial Development Complex in the interest of better places with stronger lifetime returns.
ArchDaily and VELUX have joined forces to provide you with an exclusive coverage of the highly anticipated UIA World Congress of Architects 2023. Watch Ambra Gugletti from KOMPAS VC and Lucas Carstens from Modulize explain how data-driven offsite construction can help reduce construction waste up to 90%
C40 and VELUX presents the panel discussion "Healthy Buildings at the Time of the Energy Crisis" at the UIA World Congress of Architects 2023.
The panel discussion will focus on the role of healthy building principles in addressing the ongoing energy crisis through accelerated retrofits while simultaneously promoting environmental sustainability, job creation, and social equity.
There is a general agreement that our built world should become climate neutral. But, how construction will have to change to make this future a reality is still uncertain. At the same time, the economic and social framework for construction and especially for housing construction are changing. Components, building products, and building systems are being reused, and this is accompanied by a new ethic of design and construction and a new aesthetic of architecture.
Examining the houses that architects designed for themselves can provide insight into their design process, priorities, and philosophy. While often reduced in scale, these personal residences offer a peek into the architects’ mindsets and the way in which they translate their ideas into lived spaces without having client-imposed restrictions on the end result. The structures also reflect their creators’ personal values, lifestyles, and aesthetic preferences.
These projects are often experiments and testing grounds for their own design principles, pushing the boundaries of architectural expression. From Ray and Charles Eames, who ended up spending their lives in an experimental house created for prefabrication, to Frank Gehry, who used his Santa Monica Dutch colonial house to test out the ideas of deconstructivism that would later come to define his career, these projects represent showcase a different face of the design process of world-renowned architects.