We are increasingly accustomed to relying on technologies to read and process data referring to the past, in order to interpret the present and predict the future. At the same time, a growing number of studies show that the number and types of variables governing our societies is in constant change. As the natural world reacts to change by experimenting with the evolution of new species that are not necessarily destined to survive, so we should take momentary distances from the deterministic application of data-driven predictions. Viktor Mayer-Schönberger and Karl-Heinz Machat propose a number of possible scenarios in which the Eyes of the City are made to blink from time to time, allowing for alternative modes of urbanity to be tried and tested. Half strategy, half tactic, these glitches offer the space in which to measure the agency of the unpredictable at various scales.

For the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," (21 December 2019-8 March 2020) ArchDaily is working with the curators of the "Eyes of the City" section to stimulate a discussion on how new technologies might impact architecture and urban life. The contribution below is part of a series of scientific essays selected through the “Eyes of the City” call for papers, launched in preparation of the exhibitions: international scholars were asked to send their reflection in reaction to the statement by the curators Carlo Ratti Associati, Politecnico di Torino and SCUT, which you can read here.

As hospitals around the world are reaching their capacity, the architecture and design community is developing new alternatives to fight COVID-19. In order to build 60 Emergency Quarantine Facilities (EQF), WTA was inspired by their pavilion developed last year, part of the Anthology Festival. A viable quarantine structure, the Boysen Pavilion “embodied speed, scalability and simplicity in its structure”.

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White Arkitekter, in collaboration with Silicon Valley-based ReGen Villages, have joined forces to create fully circular, self-sufficient and resilient communities in Sweden. Inspired by computer games, the project puts in place organic food production, locally produced and stored energy, comprehensive recycling, and climate positive buildings.

Architecture firm ODA has designed a 700,000 square foot, tiered development as a gathering spot for Chengdu. The team was invited to participate in a new master plan for the city in China, and their design includes a diverse program, from four residential towers to a commercial park of retail and green spaces. As ODA states, the plan is an urban experiment in rearranging priorities for the public realm.

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The outbreak of COVID-19 has caused an estimated 900 million people around the world to remain at home. Among them are architects and designers who have been asked to work remotely to prevent the virus from spreading through the workplace. For many architects, this is undoubtedly a new territory. However, for ArchDaily, it is not, and we can assure you that it is possible not only to work from home, but to use this time to greatly enhance your skills, knowledge, and development as an architect.

If asked to name buildings by German architect and designer Peter Behrens (14 April 1868 – 27 February 1940), few people would be able to answer with anything other than his AEG Turbine Factory in Berlin. His style was not one that lends itself easily to canonization; indeed, even the Turbine Factory itself is difficult to appreciate without an understanding of its historical context. Despite this, Behrens' achievements are not to be underestimated, and his importance to the development of architecture might best be understood by looking at three young architects who worked in his studio around 1910: Le Corbusier, Mies van der Rohe, and Walter Gropius.

Design, branding and innovation are the most important factors in the success of entrepreneurial strategy, especially in times of change and crisis like the present. Receiving a renowned award is an efficient opportunity to draw attention to the recipient’s work with precise, positive messages. The German Design Awards – the international premium prize of the German Design Council – are entering the call-for-entries stage and offering winners the best-possible opportunity for publicity. They are proof of innovation capability and design expertise and demonstrate that the winners are well positioned and able to differentiate themselves through outstanding design.

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Father of Iraqi architecture Rifat Chadirji has passed away at 93, on April 10 in London, after contracting the novel coronavirus. Born in 1926 in Baghdad, he is responsible for more than 100 buildings across Iraq.

Some of his most iconic works include the Tahrir Square's Freedom Monument, the Tobacco Monopoly Headquarters in 1965, the Central Post Office in Baghdad in 1975 and the Unknown Soldier Monument, one of his most culturally significant intervention designed in 1959, demolished in 1982 and then replaced by a statue of Saddam Hussein in 2003.

Adelaide-based practice Intro Architecture has designed a sweeping tower for the Oscar Seppeltsfield hotel in the Barossa Valley of Australia. Rising twelve stories with around 70 rooms, the hotel's shape was derived from the art of barrel-making, particularly the process of the curvature and manipulation of the stave. The tower was formed to seemingly grow from the vineyard, with its "staves" emerging then twisting to create the curving form.

As the world's healthcare systems struggle to meet the exponential surge in demands from COVID-19, architects and designers are generating a variety of responses and proposals, from large field hospitals to 3D printed clinical masks. In Italy, where the coronavirus outbreak has been among the world's most damaging, a collaborative team led by architect and MIT professor Carlo Ratti has unveiled CURA, a modular intensive care unit made from repurposed shipping containers. CURA, whose name stands for Connected Units for Respiratory Ailments (and also “cure” in Latin), can be quickly deployed in cities around the world and replicated through an open-source design, promptly responding to the shortage of ICU space in hospitals and the spread of the disease.

When you live in a small New England town, a cemetery is never far away. If I take an hour’s walk through local streets, I will easily pass by or through two or three. They’ve long been places of solace, peace, tranquility—even ironic hubris.

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Since March 20, the Argentine government has taken drastic measures to protect the public and curb the spread of COVID-19, including mandatory social isolation. Under these measures, residents and anyone visiting the country must remain indoors and abstain from visiting public spaces until the March 31.

Perhaps nowhere are the effects of the quarantine more notable than on the streets. All cultural, recreational, athletic, and religious events have been cancelled. Public areas like plazas and parks are ghost towns. With the streets closed, balconies have become the new platforms for everything from social interactions and celebrations to protests.  

Do architects today live on in the expressions of the buildings they design? If a “car to inhabit” tests the possibilities allowed by duplicity in architecture, a look at today’s design process of the architecture offices pushes us to consider the potential of creative thinking, and break away from the structure that defines it. It seems today that the attitude of moving away from uniqueness,  belongs not only to engineering and technical offices, but often also to young design offices with strong design sensibility.

The diffusion of office structure over the last several years, attempts to take a distance from the vision of a single Big Architect of the Universe can be appreciated in a “non-authorial” approach. This approach takes on the idea of anonymity which is already interpreted first in literature and in art, and then in a "no-logo" design. This new form of democracy in creativity seems not only to be a way of adapting to the shortage of resources, but first and foremost a useful tool to experiment with new hypotheses in architecture. Today, a great number of the buildings being fabricated on the planet are realized by big Companies: design structures organised in a way that puts architects, engineers, economists, designers and other professionals together. The world of “pure” architectural practice often tends to distance itself, from such situations. However, the approach of young firms without a single leader pushes us to inspect “plurality” as the land from which to trace fragments of the future. 

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Gathering the best-unbuilt architecture from our readers' submissions, this curated collection features conventional, original and innovative functions. With projects from all over the world, this roundup is a conceptual discovery of different architectural approaches.

Art takes center stage in this week’s article with a different kind of museum for Burning Man, a futuristic art center in Slovakia, a museum dedicated to writing, and the Chinimachin Museum, inspired by the urban fabric of the city of Bayburt in Turkey. Moreover, the editorial showcases integrated houses, a redevelopment of a city block in London and mixed-use projects in Ukraine and Poland. New highlighted functions include a concrete lighthouse in Greece, a retirement complex in the Rocky Mountains of Lebanon, and a thermal hotel and spa in Cappadocia.

As hospitals in the United States are starting to hit capacity due to the COVID-19 pandemic, the American Institute of Architects has released a new design guide from their COVID-19 Task Force. The “Preparedness Assessment Tool” is intended to assist non-healthcare design professionals with identifying alternate sites suitable for patient care. The task force developed the tool using established healthcare design best practices and standards in combination with federal documents issued during the crisis.

The COVID-19 pandemic has transformed how we work. As designers are quickly rethinking traditional workflows to stay connected, in San Francisco, Studio BBA is adjusting the way they work to make sure client needs are delivered. Advocating for architecture that inspires human connection, they are creating spaces and places from the alchemy of inspiration, site, materials, vision and form.

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New Generations is a European platform that analyses the most innovative emerging practices at the European level, providing a new space for the exchange of knowledge and confrontation, theory, and production. Since 2013, New Generations has involved more than 300 practices in a diverse program of cultural activities, such as festivals, exhibitions, open calls, video-interviews, workshops, and experimental formats.

New Generations has launched a fresh new media platform, offering a unique space where emerging architects can meet, exchange ideas, get inspired, and collaborate. Recent projects, job opportunities, insights, news, and profiles will be published every day. The section ‘profiles’ provides a space to those who would like to join the network of emerging practices, and present themselves to the wide community of studios involved in the cultural agenda developed by New Generations.

ArchDaily and New Generations join forces! From this month, ArchDaily publishes a selection of studio profiles chosen from the platform of New Generations.

Postcards from Quarantine is a series of illustrations by Alvaro Palma y Alvaro Bernis inspired by touristic postcards that analyze the purpose of travelling and the desire to share the experience--a topic that has been brought to the forefront in times of quarantine during the COVID-19 outbreak.

The public art depot for the Museum Boijmans van Beuningen, designed by MVRDV is nearing completion in Rotterdam. Scheduled for opening in September 2021, recent images showcase the installation of the first of 75 trees on the roof garden.

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Blank Space, the online platform has announced the winners of its annual ‘Fairy Tales’ competition. The seventh edition of the contest selected top entries that offer tales of warning and hope during uncertain times.

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Design practice WEISS/MANFREDI has won the 2020 Thomas Jefferson Foundation Medal in Architecture. Presented by the University of Virginia and the Thomas Jefferson Foundation at Monticello, the award is one of four honors recognizing achievements in architecture, citizen leaderships, global innovation, and law. The Thomas Jefferson Foundation Medals recognize the exemplary contributions of recipients to the endeavors in which Jefferson excelled and held in high regard.

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