Cosmorama, a part of the U.S. pavilion at the Venice Biennale in 2018, comprised three sets of illustrated geographic stories: Mining the Sky, Planetary Ark, and Pacific Cemetery (a portion of which is pictured above). Courtesy Design Earth
I can’t stop thinking about refugia. In the years, months, and days before the COVID-19 pandemic, the term was confined to the literature and philosophy of climate crisis, referring to pockets of life that through geographic isolation or species resilience manage to hang on in spite of the environmental forces against them. Think of clusters of Pacific Northwest barnacles nestled high on coastal outcroppings to avoid falling prey to sea snails. Or old-growth forests insulated from rising temperatures in cool mountain valleys.
As self-quarantine set in earlier this spring, the word refugia, at least for me, expanded in definition from specific ecological condition to conceptual touchstone—a necessary leap to metaphor when faced with planetary crisis. The magnitude of this pandemic falls outside human comprehension, but for the luckiest of us, refuge is manageable: a place of relative safety, of sourdough starters and online Jazzercise classes.
Taller de Arquitectura Carmelina&Aurelio, by Tuxtla Gutiérrez in Mexico, has launched a coloring book with illustrations of famous architectural works. Due to the success of the first edition, the studio has just published the second volume of the series, with illustrations of works by Zaha Hadid, Kengo Kuma, Rozana Montiel, BIG, and Eileen Gray. The digital book in PDF format is available for free on the studio website.
Commonly used as storage support for products in supermarket stocks and fairs, pallets are versatile. After their primary function has been discarded, the reuse of pallets for other purposes is increasingly common, collaborating to the reduction of the amount of waste discarded, especially as raw material for the creation of furniture and decks. However, going beyond the commonly highlighted DIY furniture tutorials on youtube, these structures are gaining ground as the main element in the construction of ephemeral architecture, such as small pavilions and urban installations. In fact, these small pieces can be stacked and united together in different ways and patterns.
Ronald Lu & Partners, the leading TOD expert with over 60 TOD projects across China, is currently developing flagship Shunde ICC Country Garden Sanlonghui. Showcasing an upgraded TOD4.0 design concept, the mixed-use project generates “a harmonious relationship between people and the environment”.
When reflecting on recycling, sustainability, measures to take, and innovative technological solutions, one cannot help but think that there are also familiar approaches that should be taken into consideration. In fact, when examining the impact of the built environment on the climate, one notes that in many countries, 80% of the buildings that will exist in 2050 have already been built. The most effective form of sustainability may, therefore, be saving energy by eliminating or minimizing new constructions, and by avoiding the demolition of existing structures.
That is what adaptive reuse stands for: instilling a new purpose on an existing “leftover building.” Nowadays, the refashioning process is becoming essential because of numerous issues related to the climate emergency, plot and construction costs, a saturation of land, and a change in living trends.
FCBStudios has unveiled the second phase of a regeneration plan for North Hayle Harbour. Drawing inspiration from the historic coastal Cornish town, the design includes 377 homes alongside extensive community facilities. The project teams to establish a location that will become a residential, visitor, business and cultural destination.
Hessenwald School in Weiterstadt, Germany, is an example of energy-efficient, contemporary architecture that offers a new teaching and pedagogical model. At the centre of both model and building stands a well-lit and well-ventilated three-storey atrium.
Recycled and reused materials continue to grow as a more attractive alternative in the construction field. They are at most times a coveted sustainable substitute to conventional building materials, offering a financially resourceful solution when appropriately sourced and implemented. Aside from saving up on raw material costs, establishing recycling facilities or factories might present a good opportunity to generate jobs within a local setting (collecting, handling). The recycling process might also be used as a gateway to lower energy consumption, with some plants eventually generating their own power through specific material transformation techniques (Heat generated power).
This article is part of "Eastern Bloc Architecture: 50 Buildings that Defined an Era", a collaborative series by The Calvert Journal and ArchDaily highlighting iconic architecture that had shaped the Eastern world. Every week both publications will be releasing a listing rounding up five Eastern Bloc projects of certain typology. Read on for your weekly dose: Eccentric Urban Buildings.
For the past 14 years, ArchDaily has been committed to delivering inspiring content. Our curators select the best architecture projects from around the world —from renowned firms to emerging practices— to join the world's biggest curated architecture library, while our editors cover the world’s major challenges and avant-garde ideas that are shaping the built environment, reporting from influential as well as emerging events.
The spire of the Notre Dame cathedral, destroyed during the fires of 2019, will be restored according to the original 19th-century Gothic design, as reported by French President Emmanuel Macron. Built in 1860, to replace the original structure removed in 1792, the spire, not exactly a medieval structure, was designed by Eugène Viollet-le-Duc who found inspiration in the original architectural epoch of the Cathedral.
Back to the Future; BIG + ARUP, New York. Image Courtesy of Van Alen Institute
Van Alen and the New York City Council have announced the 6 finalists for the “Reimagining Brooklyn Bridge” international competition, in both the professionals and young adults categories. Inspiring participants to rethink the iconic Brooklyn Bridge walkway, the contest gathered short-term interventions and longer-term proposals for a complete reconfiguration of the bridge. The 3 final teams in the Professional category include BIG + ARUP; ScenesLab + Minzi Long + Andrew Nash; and Pilot Projects Design Collective, Cities4Forests, Wildlife Conservation Society, Grimshaw, and Silman.
Space-saving fully automate parking solutions buy U-tron. 50% reduced parking footprint and superior user experience. Image Courtesy of U-tron Parking
As ride-sharing services grow and personal ownership of automobiles declines, office building owners and developers are re-thinking the value of parking structures, and their capacity and ability to convert. As part of the total transformation of One Post Office Square (OPOS), located in the heart of Boston's financial district and designed by Gensler, a new automated parking garage will optimize the use of valuable leasable space, enhance the user experience and create long term flexibility.
Cities around the world are facing new questions of urban flight. As the COVID-19 pandemic spread, it exacerbated a range of living conditions and housing crises, from telecommuting and construction to global economies. As Fast Company reports, almost 40% of those living in cities have considered moving out since the pandemic started. With the possibility of the pandemic stretching on for years, more urbanites are considering the move to rural areas and small towns.
Interdisciplinary architecture and urban design firm, Crossboundaries was founded in 2005 in Beijing by Binke Lenhardt (b. 1971, Mannheim, Germany) and Hao Dong (b. 1973, Shanxi province, China). The two met in New York in 1999, while pursuing Master of Architecture degrees at Pratt Institute. Dong had earned his bachelor’s from the Beijing Institute of Civil Engineering and Architecture and Lenhardt had received a Diploma in Architecture from the University of Applied Sciences in Dortmund, Germany. Prior to coming to the US, Lenhardt worked in Holland and Germany where she is a registered architect. After graduating from Pratt in 2000, the two architects worked at various firms in New York before moving to Beijing in 2002, at the time when the city was already preparing for the 2008 Summer Olympics. They started working at the Beijing Institute of Architectural Design (BIAD) after Lenhardt studied Chinese at a local university and became proficient in Mandarin. The architects worked their way up at BIAD.
The Manifesto of Futurism, written by Italian poet Filippo Tommaso Marinetti in 1909, was the rallying cry for the avant-garde movement driven by the writers, musicians, artists, and even architects (among them Antonio Sant'Elia) in the early 20th century. After the manifesto's publication, Futurism quickly came to the forefront of public conscience and opened the way for many other cutting edge movements in the art world and beyond.
While the movement would undergo a significant decline in the years following World War II, it reinvented itself decades later during the Space Age, when faith in technology and industry were at a fever-pitch and the world's powers were racing to put humans on the Moon. All of a sudden, humanity had a new cultural panorama that inspired every facet of society--from musicians, to scientists, to architects. With the combination of engineering and art, not to mention the bountiful scientific achievements of the time, works of architecture turned into works of science fiction.
Some researchers define the Anthropocene as beginning at the Industrial Revolution. Others identify it with the explosion of the first nuclear bomb, and others with the advent of agriculture. Regarding the precise timeline, there is not yet a scientific consensus. But the notion that human activities have been generating changes with planetary repercussions, whether in the temperature of the Earth, in biomes, or in ecosystems, is one that has become increasingly popular. The anthropocene would be a new geological era marked by the impact of human action on planet Earth. This acknowledgement of human impact is particularly disturbing if we consider that if the entire history of the Earth were condensed in 24 hours, humans would only appear in the last 20 seconds. Whether in the massive extraction of natural resources or in the carbon release from vehicles and industries, it is well known that a large part of the fault lies with construction activities, especially in the production of solid waste due to waste and demolition. In Brazil, for example, civil construction waste can represent between 50% and 70% of the mass of solid urban waste [1]. Many will end up being discarded irregularly or thrown in landfills to be buried indefinitely.
La Biennale di Venezia is presenting for the first time an exhibition curated by all the Directors of the six Artistic Sectors from Art, Architecture, Cinema, Dance, Music, Theater. It will also be live-streamed on July 15th, 2020, at 2:30 pm (Italian time).
PAU or Practice for Architecture and Urbanism revealed images for a proposal that imagines New York City without cars. The visionary N.Y.C. (“Not Your Car”) project unlocks the potential of the city’s streets, reopens the public space to people and bans private vehicles.
Courtesy of Third Nature | Structured Environment | Henrik Innovation
Danish architects Third Nature have designed a new proposal for a regenerative tourism site in Japan. Called Nordisk Hygge Circles - Ugakei, the project was completed with Japanese engineers Structured Environment and sustainability experts Henrik Innovation. The new adventure park consists of cabins and glamping tents, a camping area along the estuary, and a learning area to encourage activities in nature.
Recycling and upcycling of materials and structures have become more and more popular in architecture as alternatives to the production of components in construction, typically associated with increased energy consumption and high levels of pollutants released into the atmosphere. The main difference between these two methods is that, while the former uses a certain amount of energy to process the material before it is reused, the latter does not require this process, but rather reuses it just as it was discarded.
The following text was drafted in response to the first prompt in The Architect's Newspaper's “Post-Pandemic Potentials” series. A previous response, by Mario Carpo, argued that all the changes ushered in by the pandemic are likely to be reversed. Read more about the series here.
As the last of our mid-term reviews were completed in early March, the looming red dots of the COVID-19 tracker were still well east of New Haven—indeed, an ocean away. The design studios on the upper levels of Rudolph Hall were strewn with the typical detritus of the charrette, as our students departed for spring break and a well-earned two-week respite. Within a few days, however, Yale closed our campus out of an abundance of (what is now clearly justified) caution and we had abandoned the building altogether, told our students they would not return to those studios for the rest of term, and were scrambling to heave the entire curriculum into an online mode. Instead of resetting our spaces for the last push of the term, we turned to creating digital collaboration infrastructure, teaching everyone how to use Zoom, and chasing our students around the globe to verify their time zone, home equipment, and connectivity.
We've recently passed the halfway point of 2020, and to date, we've published hundreds of residential projects featuring distinct ways of living on ArchDaily. In a year marked by the worst health crisis that humanity has experienced in the last century, the Covid-19 pandemic, the house has gained new meanings and values, reiterating that no matter how diverse its program, a home's purpose is to shelter its inhabitants.
What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? During the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," Archdaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Here you can find all the information about the “Eyes of the City” section, curated by Carlo Ratti, Politecnico di Torino, and SCUT - including exhibits, events, and project's blueprints.
For some years now, a key issue in European debate has catalysed the attention of economists, sociologists, technologists, policymakers and trade unionists: Industry 4.0. Established in Germany in 2012 and initially discussed in an almost exclusively technological key, the issue has overwhelmed the political agenda of the main European economies, stimulating industrial policies and state support, but also provoking heated debates on the future of work and on the new relationship between factory and society.
.jpg?1594644701 "April 2019. Image © Erieta Attali")
.jpg?1594127477 "Pavilion built with recycled material transforms public space in South Africa. Image: © Ella Petousis")
