Heatherwick Studio has shared plans for a pair of residential towers in Vancouver, Canada. The "curvaceous" skyscrapers were designed for Kingswood Properties and Bosa Properties in the city's West End neighborhood. Inspired by tree-like forms, the towers aspire to create a "new level of global design excellence" that emerges from a ground level plaza. The two towers would rise between 30 and 34 stories tall in height, and would feature views across the city and Vancouver Harbor.
When we talk about cities or their lesser variations – villages, towns, communities –, we are used to evoking stereotyped scenarios that relate to streets, cars, buildings, and we often end up forgetting that there are plenty of other surprisingly unique patterns.
Many people study the cities and wonder about the exact moment when they were invented, given that they are open, unfinished works in progress. Some assume that their origin was due to the need for protection, which caused humans to quit nomadic lifestyles and settle as groups in a specific land to increase their chances of survival.
In our increasingly urbanized world, everything and everyone has adopted a lifestyle of nomadism. New environmental and social constraints have forced people to have a constant "on-the-go" behavior, so much so that almost everything has acquired wheels, even the buildings. But with the rise of debates like "is humankind being replaced by robots?" and "is technology taking over?", urban mobility has helped give access to housing, healthcare, and education in places with extreme difficult conditions.
To shed the light on globally-thriving mobile activities, the France-based Institut pour Ville en Mouvement, or City on the Move Institute, is an organization that has been addressing the challenges posed by urban mobility and contributing to the emergence of innovative solutions. In a series of short Youtube clips, the organization invited experts in the fields of architecture, urban planning, and technology to share their insights on the future of urban mobility.
2020 was a challenging year for ArchDaily and for all of us. The changes and uncertainty that emerged around the globe allowed us to double down on our mission to provide information, knowledge, and tools to architects, leveling the access to architectural knowledge and working towards a more diverse, equitable profession. This includes the importance of building a community, for which the Building of the Year Awards has always been one of our flagship community-led initiatives.
This is why for the 12th consecutive year, we are tasking our readers with the responsibility of recognizing and rewarding the projects that are making an impact in architecture and in our built environment, with ArchDaily’s 2021 Building of the Year Awards. By voting, you are part of an unbiased, distributed network of jurors and peers that has elevated the most relevant projects over the past decade. Over the next two weeks, your collective intelligence will filter over 4,500 projects down to just 15 stand-outs for the best in each category on ArchDaily.
The 2021 Building of the Year Awards is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.
Skyler Dahan, an LA-based photographer, has captured Frank Lloyd Wright's Civic Center, in Marin County. Shot on Kodak Portra film with a Contax 645 medium format camera, the series of images highlight Frank Lloyd Wright's latest commission. Serving as a justice hall, the project was actually completed by Wright's protégé Aaron Green after the architect’s death.
Architecture practice Bey Arquitectura has shared details of the firm's Punta Cana Bey Garden project in the Dominican Republic. The 28 loft-type villas were designed to connect with the surrounding natural context and support the implementation of renewable energy. Located in the heart of Bávaro, the project is sited near shopping malls, restaurants, schools, the Punta Cana Airport and the beach.
Vladimir Belogolovsky speaks with Christoph Hesse over Skype between New York and his office in Korbach, Germany to discuss his pioneering projects and why working in the countryside is relevant.
Celebrating community, three interdisciplinary leaders of design firm Sasaki are building space for change. Defining the future through collective, contextual, and values-driven projects, they are showing how working together produces greater impact. Following the belief that better design comes through open exchange and deep engagement, each of these women are creating more sustainable and inclusive futures.
It’s a given that the coronavirus pandemic has had wide-ranging impacts on construction projects large and small over the past 10 months. So, what about the construction of new buildings that share the defining characteristic of being superlatively tall?
As detailed in an annual report published earlier this month by the Chicago-headquartered Council on Tall Buildings and Urban Habitat (CTBUH), newly completed skyscrapers experienced a global decline of 20 percent in 2020 compared to the previous year due, both directly and indirectly, to the COVID-19 crisis.
The Nordic Pavilion at the 17th International Architecture Exhibition of the Venice Biennale will be transformed into an experimental cohousing project by architects Helen & Hard, supported by a curatorial team from the National Museum of Norway. Responding to the theme of How will we live together? the intervention “will present a framework for designing and building communities based on participation and sharing”.
Scott Brownrigg have been appointed to design the 44 hectare masterplan for The Barony, a wellbeing and cultural visitor facility in East Ayrshire, Scotland. Made to transform the site of an ex-coal mine, the project will include 344 villas, a reception, spa and visitor center, as well as ecological sites for produce and research. Led by Board Director Neil MacOmish, the team developed the concept to embrace the site's topography.
The façade is one of the most important elements in an architectural project. In addition to being the building's first barrier against heat, rain, snow, or wind, it also largely determines the appearance of a building. It can make the project stand out, blend into urban context, or even manifest, at first glance, values of transparency, lightness, or simplicity that the architect seeks to convey. Accordingly, the façade also constitutes a significant portion of the total cost of the work and, therefore, must be specified very carefully, taking into account aesthetics, functionality, maintenance, and long-term behavior.
Imagine having a blank canvas on which to master-plan a brand new city; drawing its roads, homes, commerces, and public spaces on a fresh slate and crafting its unique urban identity. Every urban planner has fantasized about designing a city from scratch and luckily for some, this dream is morphing into concrete opportunities.
Over the last two decades, new, master-planned cities have emerged from the ground up at an unprecedented scale, the majority of which have been created in Asia, the Middle East, Africa, and Latin America, with currently over 150 new cities in the making. This new type of urban development has shown to be particularly seductive in emerging markets, where they are sold as key parts of the strategy to leapfrog from agriculture and resource-based systems to knowledge economies by attracting foreign capital and boosting economic growth.
3XN and IttenBrechbühl have been selected to design Tilia Tower, an 85-meter-tall mixed-use wooden building that includes apartments, retail, and a hotel. Located in Lausanne, Switzerland, the project also encompasses the transformation and renovation of two existing buildings, as well as the implementation of new public spaces, bringing vitality to the neighborhood.
Carlo Ratti Associati (CRA) has designed a new, mixed-use office building in Paris called ILOW. Created with property development company Bouygues Immobilier, the project was made to act as a bridge between La Défense and the nearby social housing projects Tours Nuages (Cloud Towers). Designed in collaboration with Agence d'Architecture Willerval et Associés, the building takes on the shape of "open arms" connecting two different socio-economic neighborhoods.
Wood in architecture, when properly managed, is often associated with sustainability but also with a sense of comfort and coziness. Well-designed joinery can provide versatility and uniqueness to interior design, among so many other benefits.
As we are entering 2021 after a year of anxiety and uncertainties, what are your expectation for our future? The UN75 survey reports that most people around the world hold greater optimism for the future: “Globally, many more respondents believe people will be better off in 2045 than today (49%) compared to those who believe people will be worse off (32%).”
This article was originally published on Common Edge.
For most people, calling a place “sacred” designates it as an important location, one usually associated with spirituality. It might be the setting for religious rituals (the sacred space of a church, synagogue, or mosque), a spot where some event described as “miraculous” has occurred (such as the reported sighting of the Virgin Mary in Lourdes, France, which became a pilgrimage site), or a place which held the body of deity (think of the Church of the Holy Sepulchre in Jerusalem, built upon what is believed the be the tomb of Jesus Christ).
The term ‘open concept’ is popular with house-flipping television shows and real estate descriptions for lofts or contemporary style homes. However, the phrase is absent from the architect’s lexicon, likely due to a much more robust vocabulary and archive of precedents for describing the continuity of space in a domestic environment. This video is the second in a series that breaks down various ‘open concepts’ in architecture. The first video was dedicated to the ‘Organic Plan’ of Frank Lloyd Wright and this one takes a closer look at the ‘Free Plan’ of Le Corbusier. Through comparisons with Wright and supported with examples from the Five Points of a Modern Architecture, ‘Free Plans’ are presented as a unique way of understanding the coherence of space.
David Chipperfield Architects has unveiled his restoration plans for the Grand Hotel in Nieuwpoort, Belgium. Started in 2019, the project converts the structure into a residential building, while seeking to reinstate its landmark status. Becoming “The Grand residential building”, the architecture will also take on an extension that underlines a “sensitive understanding of heritage value and entails reinterpretation and invention as well as restoration”.
Architecture and urban planning studio STL Architects has created a design concept for the Korean Museum of Urbanism and Architecture in Sejong, South Korea. The team's minimalist approach features open, airy interiors and rectilinear building volumes located within the National Museum Complex Master Plan. The design aims to re-address the idea of Human Ecology by exploring ways to intensify the relationship between humans and their natural, social, and built environments.
The progressive departure of factories from cities, often due to environmental regulations, noise ordinances, or the price of real estate, has left many urban manufacturing facilities abandoned and out of use. As these urban factories are left empty, many adventurous developers are taking advantage of the plentiful space, light, and flexible functions that they offer, leading to a residential revitalization in many of the world's defunct manufacturing facilities.
In dystopian films, it is a common trope to depict the sky as filled with a thick fog, blocking the sun's rays and bringing a dark atmosphere to the scenes. Whether in Blade Runner or in a Black Mirror episode, the lack of sun commonly represents a future we would rather not live in. The sun provides heat to planet Earth and is a great source of light energy, essential for the survival of many living creatures. We can generate electricity from the sun and still use only a fraction of the energy it provides. Sunlight also regulates our circadian cycle, which affects our mood. But recent forest fires and industrial pollution in some large cities have already made the dystopian blockage of sun a relatively common phenomenon, depriving hours of sunshine from many inhabitants. Concurrently, with the COVID-19 pandemic, we are living a plot that few science fiction writers could have predicted, and new technologies and solutions have emerged to try to contain the spread of this invisible enemy. Can the sun, or specifically ultraviolet radiation, kill viruses and bacteria? Could it kill the coronavirus?
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Almost 6 months ago, on August 4th, 2020, the city of Beirut was shaken by one of the biggest non-nuclear blasts in history. Leaving the northern side of the capital in ruins, the explosion damaged around 40,000 buildings. New contemporary structures completed recently by local international architects are now facing reconstruction dilemmas, raising existential questions such as: How should reconstruction efforts of “new” damaged buildings look like? Should architects rebuild them as they were before the blast, erasing what has happened or should they leave scars and portray new realities?
In order to explore ideas and highlight different perspectives, ArchDaily had the chance to sit with three architects whose buildings were impacted by the blast. Bernard Khoury, Paul Kaloustian, and Lina Ghotmeh talked about their projects and their vision of the reconstruction of Beirut with ArchDaily's Managing Editor, Christele Harrouk, alongside Architectural Photographer Laurian Ghinitoiu, who documented in a featured photo series the extent of the destruction.
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