As we reflect on the tumultuous events of 2023, it becomes evident that the challenges posed by changing environmental conditions have left an indelible mark on communities worldwide. In response, architects and urban planners have set out, searching for the ways in which their actions can help create safer environments for communities worldwide, responding with both fast-to-deploy emergency architectures and long-term strategies to build resilience and mitigate risks.

Beyond merely responding to events like the devastating earthquakes in Turkey, Syria, and Morocco, or the widespread flooding in Libya or Pakistan, professionals are attempting to take proactive approaches, developing strategies that extend from predictive modeling to the application of re-naturalizing techniques or the ongoing research into the physics of safer and resilient structures.

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As we head towards the end of 2023, an eventful year that could be defined as the year of "shifts", we take a look at how global events and trends impacted the design of interior spaces. Looking back, people questioned everything, and the architectural practice was no exception. A new voice was given to nations often forgotten as architects searched for alternative ways of designing and building. We questioned colonialism, consumer culture, waste, tradition, and authenticity, bringing about new perspectives within the discipline. Interior design in 2023, however, was reserved; explorative, but a lot more modest and subtle compared to previous years. Following years of constant changes, it seems as though people felt the need to pause, slow down, and embrace simplicity, while expressing their individuality through acupuncture interventions.

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In the rapidly evolving landscape of the 21st century, cities have emerged as models of innovation in terms of sustainable development goals. Cities creatively address pressing urban challenges, including density, transportation, housing, and resilience. They hold the potential to pioneer a comprehensive climate agenda, serving as laboratories for sustainable initiatives, cross-sectoral innovations and community-oriented strategies. Cities act as catalysts for revolutions, implementing impactful solutions that can be applied worldwide.

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Videos

In a moment in history when some seek alternatives on other planets and others find refuge in virtual worlds, paradoxically, the future seems to be Earth. This may be one of the significant lessons that 2023 has taught architecture. Understanding this also implies becoming aware that our planet is depleting before our eyes—and a generous portion of this responsibility belongs to the production chains involved in architecture and construction.

If there is still something that can be done to mitigate the climate and environmental crisis in which we find ourselves, it will necessarily involve a revision of all the paradigms that define the industry. It is necessary to change focus and seek other narratives on which to sustain the ways of making architecture on a planetary scale. These ideas resonated in many voices this year, and, at the same time as the possibility of a future for the planet was debated, equal attention was given to the scale, values, and local cultures. The selected interviews here tell stories about the community, environment, cities, practices, and new narratives for architecture in 2023 and beyond.

Inaugurated on November 11, 2023, and running until March 10, 2024, the Sharjah Architecture Triennial serves as a metaphor drawing attention to the design and technological innovations within the built environment, particularly in the global south. The exhibition features contributions from 29 architects and studios spanning 25 countries. Building upon Venice's global platform for experimentation at the 18th International Architecture Exhibition, the 2023 Triennial embarks on a similar journey, creating space for voices and discussions often overlooked in global exhibitions and unveiling elements that have long existed but remained unseen. With a keen awareness of the global south, but also of the global north, and an understanding of the polarities between them, as articulated by curator Tosin Oshinowo, this second edition of the exhibition focuses on "The Beauty of Impermanence: An Architecture of Adaptability."

Celebrating everything that exists, especially in the global south where places thrive amidst scarcity, the triennial adopts an optimistic approach, drawing lessons from current situations and revealing the value and sophistication of alternative responses that have emerged due to resource constraints. “We're able to celebrate them. We're able to learn from them”, adds the curator. The triennial aims to comprehend a more sustainable, accessible, and equitable future—a collective effort to address the challenges of climate change, explore the built environment, and embrace under-celebrated regional traditions. Highlighting solutions that have endured the course of time and others responding to contemporary difficulties, "The Beauty of Impermanence" emphasizes the necessity of nuanced hybridity essential for our urbanized world.

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Local communities are more than just a collection of buildings and infrastructure. They possess a distinctive architectural character that mirrors their history, culture, and values. As part of our year in review, we take a deep dive into the top narratives that examine the architectural identity of different local communities.

These stories explore a wide range of topics, including unique geographic territories, cultural tribes, iconic landmarks, communal collaboration, and socio-ecological urban planning. Through these narratives, we uncover the captivating tales behind the buildings and public spaces that shape certain cities and towns.

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On November 30, 2023, the UN COP28 climate summit begins in Dubai, the United Arab Emirates. The name stands for the Conference of the Parties under the UNFCCC, and symbolizes the annual meeting of world governments for the purpose of establishing strategies to limit the extent of climate change and its adverse effects. Last year’s summit concluded with several important measures, including the promise of a global fund aimed at providing financial aid to developing countries affected by climate disasters.

The main purpose of COP is to reinforce the commitments of the Paris Agreement, signed in 2015, which strives to keep the global temperature rise under 1.5C degrees. As the construction industry accounts for 39% of global emissions, architecture plays an important role in helping to lower our carbon footprint, making COP28 a crucial event for architects.

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Located 270km north of Dakar, the capital of Senegal, and near the border with Mauritania, is the Island of Saint-Louis. It is a prominent colonial city in West Africa, known for its blend of Mediterranean architecture with a tropical climate. Saint-Louis was founded by the French Colony in 1659 as its first trading post on the Atlantic coast of Africa. It later became the capital of French West Africa (AOF) and Senegal. However, it lost this status in 1902, which led to its economic decline.

This complex history has made Saint-Louis a melting point for different layers of architecture and urbanism. The island showcases a grid urban form with double-storey villas, which is typical of 19th-century French colonial urbanism. Additionally, it features tropical courtyards, shaded balconies, 1920s art déco houses, and early '30s modern civic buildings. However, due to its economic and infrastructural isolation, this architecture and urban heritage have continuously degraded. Therefore, it seeks new interventions for the conservation, restoration, and re-adaptation of the city.

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The vomitorium and its purpose is one of historical architecture’s most common misconceptions. It’s said that the vomitorium was a room that neighbored Roman feasts, where guests could socially eject the contents of their stomach before returning to the feast with renewed capacity. Although this theory was not entirely based on fiction – as Romans are known to have indeed taken up habitual regurgitation, possibly as a sign of excess wealth – there’s no reason to believe there was a specific room dedicated to the practice.

The original usage of the term ‘vomitorium’ – taken from the same Latin root ‘vomere’ – in fact refers to a room that allows a large building to disgorge itself of its contents. A vomitorium, therefore, is nothing more than a corridor. Specifically, a wide, arterial corridor leading to or from a high-capacity public space such as a theatre, arena, or stadium, designed with the intention to get as many people in or out of the venue as quickly as possible. A well-designed vomitorium, for example, is essential for efficient emergency evacuation procedures, but even during day-to-day activity, the ability to move large numbers of people quickly helps with a venue’s turnover and creates a more pleasant crowd experience.

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Like most countries, India faces a perpetual housing crisis. As the world’s most populous nation, with an urban population expected to grow from 410 million in 2014 to 814 million by 2050, this becomes a pressing concern. The Indian built landscape brings further complexities in the form of a pervasive market-driven approach and the need for socially relevant housing. Looking into the future, how will India address the needs of its growing population to house the next million urbanites?

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Buildings that are designed to layer stories and memories, evoke a sense of aspiration, define cultural narratives, and build a national identity will always be important in all societies. When buildings have this power to shape communities, make an impact on a city’s image, and change the course of socio-economic growth, then they can be identified as iconic. Though the term “iconic” is subjective, it is one that pushes the boundaries of architecture in any context. It calls for spatial originality, proposes innovative material technology, and necessitates a radical socio-economic investment to be realized.

However, since the economies of developing countries in the global south cannot meet the requirements of these architectural structures, is there a more suitable socio-economic model for monumental structures in this context? Can the incremental principles of small adaptable changes and growth be applied to the finite iconic aspiration of this architecture?

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Cities across the US are struggling to fill their office spaces. Major cities like Washington DC, Boston, and San Francisco have increasingly vacant downtowns, while the urban centers of small Rust Belt cities struggle to survive altogether. This trend is consistent beyond the US, with over three-quarters of Europe’s office buildings at risk of obsolescence by the decade’s end. The cause of this, in most cases, is simple: an oversupply of offices and a shift towards remote work. These vacant buildings can trigger a negative domino effect of economic and social challenges for cities, and their surplus, coupled with a housing shortage, has sparked discussions among cities and architects about the impending necessity to transform offices into housing.

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