This article was originally published on Brandon Hubbard's blog, The Architect's Guide.

According to a new study released by TheLadders, recruiters spend only six seconds on average looking at your resume. This proves the importance of having a concise, well-formatted resume that emphasizes your greatest skills and experience.

I have the "benefit" of reading hundreds, if not thousands, of architecture resumes throughout the year. This gives me a unique opportunity to see a range of good and bad examples. Often the weaker samples come from younger candidates who haven't been in the job market for very long. If you are just starting out in your career the task of creating a resume can be daunting.

Creative, expressive, visual, a little bit edgy – tattoos convey many of the same qualities we as architects strive to achieve both in designing buildings and crafting our own personal identities. Whether it’s a small geometric motif or a full-back masterpiece, a tattoo is an immediate statement of who you are and what interests you.

Luckily for architects, the subjects of our affections just so happen to also make great source material for tattoos, from your favorite Miesian plan to a simple city skyline to the elaborate facade of a gothic cathedral.

Here, we’ve rounded up 118 of the most impressive architectural tattoos from across the internet and from submissions by our own ArchDaily readers. Each tattoo has its own story to tell (one reader even shared that his tattoos were inspired by scars obtained through model making mishaps).

Feeling inspired for some ink? Check out the list below!

In this visual essay, Greek filmmaker Yiannis Biliris documents the all-pervasive pall of glass that covers the modern city. The three-and-a-half-minute-long film, produced by Visual Suspect and shot entirely in Hong Kong, captures the vivid reflections seen in the facades of the city’s buildings, as Biliris selectively pans and zooms his camera to instill a strong sense of urgency in the viewer’s mind.

The essay, beautifully haunting in its imagery, might be seen as a reflective commentary on the state of our built environment today. Inspired by Albert Einstein’s general theory of relativity, which states that mass causes a distortion in space and time, it seems to subtly ask if our understanding of reality is warped itself. Describing the video as "a visual essay about perception and knowledge as [a] reflection of our reality," Biliris comments that "mass curves space and time, while the observer has his own perspective."

Of the Pritzker Prize’s illustrious list of laureates, the 1994 winner Christian de Portzamparc is perhaps the least covered by the media. However, this relatively low profile belies the subtle and insightful understanding of architectural and urban issues that in many ways puts him decades ahead of the curve – with the sociologically-led principles he has been developing since the early 1980s now becoming widely popular in architectural circles. In this interview, the latest in Vladimir Belogolovsky’s “City of Ideas” column, Portzamparc explains the journey that led to this unique take on architecture.

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The World Architecture Festival has announced the shortlist for their 2017 awards slate, featuring 434 projects ranging from small family homes, to schools, stations, museums, large infrastructure and landscape projects. The world’s largest architectural award program, the WAF Awards year saw more participation this year than ever before, with a total of 924 entries received from projects located in 68 countries across the world.

#donotsettle is an online video project created by Wahyu Pratomo and Kris Provoost about architecture and the way it is perceived by its users. Having published a number of videos on ArchDaily over the past two years, Pratomo and Provoost are now launching an exclusive column, “#donotsettle extra,” which will accompany some of their #donotsettle videos with in-depth textual analysis of the buildings they visit.

After a stop in Doha to visit IM Pei’s Museum of Islamic Art, and a peek inside MVRDV’s house office in Rotterdam, we are bringing you to Shanghai for our 3rd #donotsettle Extra column. Last week we visited OMA’s first project in Shanghai, the Lujiazui Exhibition Centre, and had the privilege to get a sneak preview before it opens to the public in the next months. Please tag along!

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As final juries draw to a close, graduating architecture students are left with a crucial decision to make. While some might take a plunge into the scary real world looking to gain professional experience, others might choose to further reinforce their architecture education and skill set. Of the latter, most enroll in an MArch program, or take well-trodden paths into urban design and planning, landscape architecture, historic preservation, or theory and criticism. But in an increasingly complex world faced with myriad problems, what about those graduate architects looking to bolster their education in other related disciplines that will give them a more unique perspective on design problems? Here, we shortlist seven alternative, interdisciplinary graduate programs offered by architecture schools worldwide.

London’s annual temporary architecture pavilion spectacular has returned. Each summer the Serpentine Pavilion program selects an accomplished architect who has yet to create work in the United Kingdom, and asks them to build a temporary shelter on the gallery's lawn. The resulting structure is erected in June and dismantled in October.

This year’s offering is designed by Francis Kéré—the first pavilion designed by an African Architect to grace Kensington Gardens. Kéré’s project is composed of a series of curving blue walls shaded by an elliptical cantilevering wood and steel canopy. Thus far the design has been universally lauded by critics; read on to find out why they thought the project was so appealing.

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As anyone who has recently attempted apartment-hunting in a major urban area will know, reasonably-priced housing can be difficult to come by for many and salaries don’t always seem to match the cost of living. This gap is contributing to housing crises in developed and developing countries worldwide. People are simply being priced out of cities, where housing has become a commodity instead of a basic human right. Financial speculation and states’ support of financial markets in a way that makes housing unaffordable has created an unsustainable global housing crisis.

Earlier this year the 13th Annual Demographia International Housing Affordability Survey was released for 2017, revealing that the number of “severely unaffordable” major housing markets rose from 26 to 29 this year; the problem is getting worse. The study evaluates 406 metropolitan housing markets in nine of the world's major economies and uses the “median multiple” approach to determine affordability. By dividing the median house price by the median household income of an area, this method is meant to be a summary of “middle-income housing affordability.”

Videos

Civic buildings are, as a rule, both austere and intimidating. They are often designed to represent authority above all, taking cues from Classical architectural language to construct an image of power, dominance, and civic unity. Adam Nathaniel Furman, a London-based architect and thinker, has at once eschewed and reengaged this typology in order to propose an entirely new type of civic center ("Town Hall") for British cities. The proposal, which was commissioned by the 2017 Scottish Architectural Fringe as part of a New Typologies exhibition in which architects are imagining "how our shared civic infrastructure will exist in the future, if at all", is currently on display in Glasgow.

By "re-grouping various civic functions into one visually symbolic composition of architectural forms," references and types of ornament and allusions have been configured "depending on the metropolitan area within which it is situated in and embodies." In short, Furman states, the Democratic Monument "is an expression of urban pride, chromatic joy, and architectural complexity" which has universal symbolism but remains a beacon to its vicinity.

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Architect and author of the Architect + Entrepreneur book series Eric Reinholdt recently released a video detailing the results of his research into the best drone for architects and designers. The drone he chose is the Mavic Pro from DJI, which he says balances multiple factors like cost, portability, camera quality, stability, ease of operation, and flight time. The only major negative Reinholdt mentions is the camera’s fixed aperture; he recommends counteracting this by purchasing neutral density filters, which help adjust the camera’s exposure. But why architects? Reinholdt mentions the variety of possible uses for a drone throughout a project, but most importantly, he sees video as the future of telling the story of architecture. Through video, you can simulate a user's movement through spaces and mimic the experience of architecture.

In this video, British YouTuber Tom Scott explores Thyssenkrupp’s potentially disruptive new "MULTI" elevator system,” which the company revealed in detail this week. Though only in its beta stage of development, being tested within the confines of ThyssenKrupp’s 246-meter tall “innovation” tower in Rottweil, Germany, Multi aims to transform high rise building design with horizontally moving elevator cabs.

The German firm’s cable-free system utilizes vertically mounted tracks, in-cab braking systems, and pivoting elevator tracks to whisk occupants up and across buildings faster and safer than traditional shaft based systems.

The following is a manifesto, in search of a movement... In it, I am proposing a theory of architecture based around a ruffneck, antisocial, hip-hop, rudeboy ethos. [1]
– Kara Walker

In her companion publication to the 2014 group exhibition “Ruffneck Constructivists,” the show’s curator, Kara Walker, lays down a radical manifesto for urban intervention. Just months before Ferguson [2] and a year before Baltimore, [3] Walker proposes her theory through which installation artists (along with architects and designers by extension) can become “defiant shapers of environments.” [4] The invocation and juxtaposition of the terms hip-hop and architecture in the intro to her manifesto is particularly remarkable given the show’s exclusive assembly of visual and installation artists.

Jože Plečnik is often described as Slovenia's greatest architect despite his passing over seven decades ago. The trace of his hand, which was trained in Vienna under Otto Wagner, can be seen across the country – and especially so in Ljubljana. Although Plečnik is often most keenly remembered for his restorative work and renovation of Prague Castle in the 1920s, the impact he left on the Slovenian capital is unmistakable.

Today, the city is dominated by a medieval castle, sat definatly atop a hill. It was for here, on this particularly charged site, that Plečnik proposed a radical intervention in the mid-20th Century. He wanted to build a new Slovene Parliament – a structure of State to house the legislature of the People's Republic of Slovenia within the second Yugoslavia. With this plan rejected by the authorities, Plečnik proposed a second design—known colloquially as the "Cathedral of Freedom"—here rebuilt and animated for the first time by Kristijan Tavcar.

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The Indian Government’s Smart City Mission, launched in 2015, envisions the development of one hundred “smart cities” by 2020 to address the country’s rapid urbanization; thirty cities were added to the official list last week, taking the current total of planned initiatives to ninety. The $7.5-billion mission entails the comprehensive development of core infrastructure—water and electricity supply, urban mobility, affordable housing, sanitation, health, and safety—while infusing technology-based “smart solutions” to drive economic growth and improve the citizens’ quality of life in cities.

In a country bogged down by bureaucratic corruption, the mission has been commended for its transparent and innovative use of a nation-wide “City Challenge” to award funding to the best proposals from local municipal bodies. Its utopian manifesto and on-ground implementation, however, are a cause of serious concern among urban planners and policy-makers today, who question if the very idea of the Indian smart city is inherently flawed.

This article was originally published by The Architect's Newspaper as "Rendering LOL: How architects are absurdly using Calder sculptures."

Why do so many architects use Alexander Calder sculptures in their renderings, even when the works have nothing to do with the institution or project depicted? The Calder Foundation has been tracking this phenomenon, and the results are featured in the images for this article.

A new exhibition at the Whitney Museum in New York explores mobiles—kinetic sculptures in which carefully balanced components reveal their own unique systems of movement—created by American sculptor Alexander Calder from 1930 until 1968, eight years before his death.

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In their latest press release, elevator manufacturer ThyssenKrupp announced new information about their cable-free system that rethinks the movement of the 1853 invention. Allowing for both horizontal and vertical transportation, “MULTI” has the capacity to innovate tall building design through its elimination of architectural constraints such as vertical alignment and elevator shaft dimensions. First unveiled as a concept in 2014, MULTI reported this month that the elevator has been installed into a test building and is soon to be implemented publicly into new developments.

In a time of what seems to be ever-increasing religious and political conflict, Bartlett students Akarachai Padlom, Eleftherios Sergios, and Nasser Alamadi instead chose to focus on collaboration between religions in their thesis project entitled “Faith Estates,” which outlines a new method of mass religious tourism. In an area around the Dead Sea characterized by disputed boundaries and conflicting ownership claims, the group aims to reimagine the relationship between the world’s three monotheistic religions, but also to rethink the relationship between religion, tourism, and the landscape. The design consists of large-scale excavation sites which form tourist resorts along a pilgrimage route with the goal of forming a mutually beneficial relationship.

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