This article was originally published by The Architect's Guide as "How to Create a Target List of Architecture Firms."

In a previous article, 5 Reasons Why You Need Multiple Architecture Portfolios, I discussed the importance of creating a targeted employment application. This process begins with selecting the office(s) where you would like to work.

So with the thousands of architecture firms out there, how do you know where to apply? I am sure you can come up with a few companies off the top of your head or perhaps you have a specific firm in mind. 

Regardless if you are targeting one employer or are simply looking for a “new job” these strategies will help you create your ideal architecture firm list.

The Japanese/Belgian team of Sou Fujimoto Architects and AWAA has been selected as the winners of an international competition for the design of a new tower to be located at a significant crossroads in the outer Brussels municipality of Auderghem.

Led by developer Unibra and construction company Thomas & Piron, the competition asked architects to propose a new mixed-use urban development of between 25,000 and 50,000 square meters that would activate the the prominent triangular site at the corner of the Herrmann-Debroux viaduct and the Boulevard du Triomphe.

Early renderings for the project show a series of sloping residential highrises growing out of a mixed-use podium, including one taller tower and a longer building featuring a concave roof. The various structures appear to be connected at key points via lightweight terraces housing plantings.

One of the rising conversations in the architecture world in recent years has been the issue of architects' salaries. But how much are you worth? When is it time to ask for that much-needed raise? Two key elements to successful salary negotiation are timing and asking for the right reasons.

First, what do you deserve? Raises are earned, but there is a certain amount of money you deserve. For US salary data, check the AIA Compensation Report, which is updated annually. If you live internationally, see if you can find a similar resource for your country or city. Unless you are performing below average (coming in late, not being productive, or worse, setting back the office’s productivity), you shouldn’t be making a below-average salary.

Once you have an equitable starting salary, how can you tell if you’ve earned a raise from there? You may have earned a raise if...

Videos

In their video series for the November 2017 World Architecture Festival, PLANE—SITE delves into contemporary concert hall design. The five films highlight major themes in today’s musical architecture through an interactive, multimedia panel. Using Harpa Concert Hall in Reykjavik, Wroclaw’s National Forum of Music, and the Philharmonie de Paris as examples, the videos show how contemporary concert halls are more technological and multi-functional than ever before, demonstrating how architecture redefines the modern-day musical performance experience.

The series acted as a starting point for a conversation between the WAF audience and panelists, moderated by PLANE—SITE’s Andres Ramirez. Panelists included Michel Cova of dUCKS scéno, Tateo Nakajima of Arup, and Jacob Kurek of Henning Larsen.

From Portuguese architectural photographer Fernando Guerra comes imagery of MAD's Huangshan Mountain Village in China. This residential design, comprising ten housing blocks that mimic the mountain range they are embedded in, is just one piece of the Taiping Lake tourism master plan; architecture and nature blend together to create modern apartments with differing panoramic views.

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Venice? Chicago? Lisbon? Seoul? Architecture biennials, biennales, triennials, and triennales have become a vital part of the culture of modern architecture. Every two or three years, they debut new ideas, discuss popular topics, and showcase the best of what is happening in the field for both today and tomorrow. But, with the proliferation of these events in countries around the world, they can be tough to keep track of. How many are there, and when are they? ArchDaily has you covered. Below we have compiled what we believe is a comprehensive list showing the what, where, and when of the world's architecture and design biennials, triennials, and a handful of the larger yearly events. We've also included some more in-depth descriptions of a handful that have (in recent years at least) proven themselves to be big names.

Videos

In order to be successful in any field, professionals must stay ahead of the curve—though in architecture nowadays, technology progresses so quickly that it’s difficult to be on the front lines. Virtual Reality can transport architects and their clients into unbuilt designs and foreign lands. Smart Cities implement a network of information and communication technologies to conserve resources and simplify everyday life. Responsive Design will give buildings the ability to be an extension of the human body by sensing occupants' needs and responding to them.

With the technology boom, if architects want to stay in the game they will inevitably have to work alongside not only techies but scientists too. Neuroscientist Colin Ellard works “at the intersection of psychology and architectural and urban design.” In his book, Places of the Heart: The Psychogeography of Everyday Life, Ellard examines how our technology-based world impacts our emotions and behavior to try to figure out what kind of world we should strive to create.

In their latest issue, Rolling Stone has named Elon Musk "The Architect of Tomorrow," as well as listed architects David Benjamin and Kate Orff as two of their "25 People Shaping the Future in Tech, Science, Medicine, Activism and More."

This article was originally published by Common Edge as "Is Online Learning Really the Future of Architectural Education?"

Higher education is on the cusp of a major transition. It’s extremely likely that professional training, including that necessary to become an architect, will be conducted primarily online in the relatively near future. This means that design studio classes, a hallmark of the architect’s experience, will also happen online, likely without the in-person, face-to-face contact that defines that experience. The shift will eliminate many self-defeating aspects of today’s studio culture, but there’s also potential pitfalls that need to be addressed, before an online version of that culture acquires its own bad habits. We can do this by pro-actively devising new teaching and working methods that leverage the capabilities of digital education to promote constructive social dynamics between students.

In the midst of the tall, rectilinear skyscrapers which make up downtown Chicago appears a short, sloped glass curtain wall, topped by a protruding truncated cylinder structure: Helmut Jahn’s Thompson Center. Opened in 1985, the building was to be home for a variety of agencies of the State of Illinois, and its design was a play off of the traditional American statehouse, updated with glass walls symbolizing government transparency and an immense atrium evoking the atrium spaces found in most United States’ statehouses. The interior spaces, however, stirred further contention with the public. Unconventional red, blue, and white paints coat the interior elements—a design choice many believed to be provocative and even jarring.

From the moment we attend our very first lecture to the peak of our careers, architects are plagued with stressful events that are unlike any other profession. Meeting deadlines, dealing with planning and fabricating the dreams of our clients, our job can be intense and extremely demanding.

Often when we complain about it to our non-architect friends, however much they try, they don’t quite understand. They are not used to the impact that moving a staircase or rotating a plan might have on our workload, nor can they relate to losing a favorite pen. But among ourselves, we can wallow in our pain together as we go through just what makes our job so stressful (and rewarding)!

Winter is here, the streets are full of festive lights and store displays are decorated with gift-wrapped goodies which must mean only one thing—the holiday season is upon us!

Architects, ArchDaily has got you covered: our 2017 holiday gift guide features over 40 ideas, with gifts ranging from the slightly wacky to the delicately designed. This year the list includes an assortment of concrete furnishings and accessories, space frame-inspired jewelry and architectural building blocks.

So without further ado, let the shopping begin!

One year on from the Chicago Riverwalk’s completion, designers Sasaki Associates have released mesmerizing footage of the Riverwalk from a new perspective. Using a drone to give an overview of the project, the video captures the successful integration of the Riverwalk into the urban landscape as it changes shape and form, defining a unique experience for the public. Global design firm Sasaki led the team as prime consultant on the last two phases of the Riverwalk, working in close collaboration with local firm Ross Barney Architects.

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In the second film from this year's series of PLANE—SITE's Time-Space-Existence videos, Mexican architect Tatiana Bilbao shares her philosophy of how architecture should be designed with the user’s experience in mind, rather than for standalone aesthetic qualities. In the video she discusses how architects should to some extent let go of their artistic intentions for a more practical approach to serve the needs of people, discussing how architecture has become detached from its key purpose over the last fifty years due to the influence of capitalism.

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The seventh house in the Arts & Architecture Case Study program was built with real clients in mind: a family of three with creative hobbies. The result, designed by Thornton M Abell, is a flexible home with a distinctive functional character.

The house divides neatly into three separate areas: to the left of the entrance, working spaces make up nearly half of the full floorplan, with living and sleeping areas off to the right and extending forward into the garden. Sliding panels between the roomy central reception/dining area and the cozy living room create the option of privacy or extra space, as required, with the terrace and splash pool beyond offering further possibilities for summer entertaining. A small planting area beside the sliding door blurs the line between indoors and out.

This Fall, global architecture and design firm, Morphosis has their plate full as four of their projects reach significant construction milestones. From Africa to the Middle East, Europe and the U.S., Morphosis is creating international landmarks that display their values of sustainability and future development. Read on to learn more about what Thom Mayne's team is up to.

This article was originally published by Amar Singh on Medium titled "You're working in the wrong place."

At my most recent job, I did all of my best work at home. I would actively try to avoid the office for as long as possible. At home, I had two desks and complete control over my environment. Distractions and breaks were choices.

Once I went into the office, the environment changed. There were constant distractions, from other employees, dogs barking (for the record: puppers were a net positive), impromptu meetings and birthday celebrations. It was very difficult to get into flow states and incredibly easy to be broken from them. Of all the places I could work, my desk at the office was often the worst option.

This article was originally published by Common Edge as "The Politics of Architecture Are Not a Matter of Taste."

Late last month Current Affairs published an essay by Brianna Rennix and Nathan J. Robinson titled “Why You Hate Contemporary Architecture: And if you don’t, why you should.” The piece, written in a pseudo-funny Internet lexicon wherein all objects of criticism are “garbage,” is so laden with irony—the poorest of substitutes for analysis—that it is difficult to discern a core argument. Still, I’d like to question the central premise of the piece: that what the authors term “contemporary architecture” is ugly and oppressive, and that liking it is nothing shy of immoral.