Videos

The Minnesota Experimental City (MXC)—a utopian plan for the city of the future that was decades ahead of its time, and yet is surprisingly little-known—was the brainchild of the urban planner and technocrat Athelstan Spilhaus. Spilhaus was a man who saw science as the solution to the problems of the world, and became a public figure presenting his ideas of utopia in everyday life through his comic strip "Our New Age." During the mid-1960s, he conceived an ambitious plan to condense his ideas into a prototype for future cities that would be both noiseless and fumeless, accommodating America's growing population and their by-products.

A new documentary, The Experimental City, explores the development, and ultimately, failure of the MXC's vision for future settlements. Using retro film clips, it takes us back in time to a period where Spilhaus' predictions of computers that can fit into your home and remote banking appeared more of a fantasy than reality. The film is directed by Chad Freidrichs (known also for his 2011 film The Pruitt-Igoe Myth) and was premiered at the Chicago Film Festival, in conjunction with the Chicago Architecture Biennial. Several further screenings will be taking place across the country, including at DOC NYC on November 16th.

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Simplicity is the intent, monastic is the feel.
– Kashef Chowdhury

Kashef Mahboob Chowdhury/URBANA’s Friendship Centre in Gaibandha, Bangladesh, seems like a project that is not so much built up in the landscape, but carved out of it. A labyrinth of arches, courtyards, pavilions, and pools, all carefully crafted from handmade bricks, define the space of a facility for a charitable organization—Friendship NGO—who work with remote communities with limited opportunities.

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Videos

Mies van der Rohe’s Barcelona Pavilion is being transformed into a “1:1 scale model” of itself in a new exhibition designed by Anna and Eugeni Bach titled “mies missing materiality.”

Over the next week, the iconic structure – the longest standing temporary pavilion in modern architectural history – will be completely covered with white vinyl, obscuring the beautiful marble, travertine, steel, chrome, and glass for which it is recognized.

The project sets to prompt discussion about the role of material in the original design, as well as the symbolism of the white surface within modern architecture.

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The much-anticipated Louvre Abu Dhabi, designed by Jean Nouvel, opens this week in the United Arab Emirates. The project has enormous significance as a transnational partnership between the French and Emirati governments, and is set to become a center for art and learning in the Gulf region. Located on Saadiyat Island and surrounded by the sea, the museum comprises twenty three permanent galleries and exhibition spaces, a Children's Museum, an auditorium, and a research center – all connected together by waterfront promenades and a vast, shimmering dome.

The Southbank Undercroft, which lies beneath the Queen Elizabeth Hall along the River Thames in London, has been the subject of much debate in recent years following a proposed closure and redevelopment in 2013. Long Live Southbank, an organization born out of this threat of expulsion, gave the diverse community who call the space home a voice. After 17 months of campaigning, they were successful in ensuring the Undercroft was legally protected and fully recognized as an asset of community value. Since then, the group of activists has begun another groundbreaking journey.

In partnership with Southbank Centre, Long Live Southbank recently launched a new crowdfunding campaign to restore the legendary Undercroft. The restoration project will cost £790,000 and is set to open in 2018, improving Londoners’ access to free creative spaces in the heart of the City. These types of space are becoming increasingly rare and the restoration effort reflects a desire to celebrate the authentic cultural sites that make London the vibrant landscape it is.

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London’s V&A Museum has announced that they will be acquiring a section of Alison and Peter Smithson’s Brutalist housing development Robin Hood Gardens, sparing it from destruction as the complex is currently being demolished.

The three-story section will consist of both the exterior facades and interiors of a maisonette flat, one of the signature typologies of the development and a defining example of the Brutalist movement in architecture.

In addition to their videos, #donotsettle’s Wahyu Pratomo and Kris Provoost tell extended stories about the buildings they visit through an exclusive column on ArchDaily: #donotsettle Extra. In this installment, the duo brings you to the newest design by OMA, Rijnstraat 8 in The Hague, The Netherlands. Saskia Simon and Kees van Casteren from OMA explained the architecture of Rijnstraat 8 to #donotsettle while touring the building.

This project, which houses a variety of Dutch government agencies, is an example of a spatial alteration that occurred as result of political and organizational changes. However, given the existing structure by architect Jan Hoogstad, OMA has transformed the architectural experience of the building from within.

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This article was originally published by Common Edge as "Enduring Principles of Art That Also Apply to Architecture."

It is safe to say that architects, academics, critics and even the public have been arguing about the merits of architectural style for centuries. Even during the course of my own career, the more general style categories of contemporary-vs-traditional have continued in an unabated battle. For better or worse, contemporary has generally won out as the default position for most schools and publications, probably because of the sheer visual entertainment value it offers, and the lucrative merits of its two stepchildren, branding and advertising.

I’d like to propose another position: that certain enduring principles of art, rather than any temporary style—and, remember, they are all temporary—should be our real architectural goal. This presumption means you must be agnostic when it comes to style and put aside any notion of an ideological stance regarding the right or wrong of your architectural preferences. There are those, of course, who say that to imagine that “my art” is better than yours, or even that I can define real art in the first place, is a fool’s errand.

I think otherwise.

Videos

Last week, Mexico received a visit from 2014 Pritzker Prize winner Shigeru Ban, who, following September’s devastating earthquakes, reached out to the country in order to offer support through his experience with humanitarian projects.

Following ten years of multinational collaboration between France and the Emirate of Abu Dhabi, Jean Nouvel's Louvre Abu Dhabi opens this week to the public. Located on Saadiyat Island and surrounded by the sea, twenty three permanent galleries and exhibition spaces, a Children's Museum, an auditorium, and a research center are connected by waterfront promenades which weave beneath the building's iconic dome.

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Amazon’s open call for bids for its new headquarters, HQ2, closed last month, but in the months leading up to the final decision in 2018, analysts will continue to flood the internet with detailed studies evaluating who they believe should be the winner. In other words, the mirror-mirror-on-the-wall game for cities is just starting to warm up.

Earlier, ArchDaily reported on the data-driven approach adopted by Moody’s Analytics which projected Austin, TX as the winner. But another study by IT education company Thinkful now points towards Washington DC as the city most likely to make the cut. So what makes Washington DC the fairest of them all? Read on to see how data science techniques helped analysts at Thinkful with this prediction, what kind of approach they adopted, and how it differed from that of Moody’s Analytics.

As most architecture students and practicing architects find out, all-nighters are (ironically) the stuff of nightmares. They're a last resort when the project is due and you have run out times you can say "I’ll do that tomorrow." All-nighters should be avoided at all costs as they can have many negative effects on your mind such as decreased concentration and reduced long-term memory. Even your body can suffer too; pushing yourself to the limit as you fight tiredness and work as much as physically possible will weaken your immune system and can cause circulatory problems from sitting down for 20 or so hours straight.

In a previous article, we have discussed the many ways in which you can avoid pulling an all-nighter so you don’t have to be as sleep deprived. But sometimes things just don't go to plan, and you may feel that working through the night is the only option. Read on for tips and tricks that should make your all-nighter slightly more bearable (if that's at all possible).

If you were to identify, categorize and map the 21st century’s emergent architectural practices from the world over, all on one diagram, what would it look like? Considering how the current architectural landscape consists of several different approaches, attitudes and political stances, how would you map them without being too reductive? And how would you ensure that out of hundreds of emergent practices and firms across the globe, you don’t leave anyone out? Perhaps the Global Architectural Political Compass V 0.2 could offer a clue.

Created by Alejandro Zaera-Polo and Guillermo Fernandez-Abascal, the diagram is part of an ongoing inquiry into “the state of the art in (global) architectural practice” [1]. In 2016, Zaera-Polo explored the subject in a comprehensive essay for El Croquis titled “Well into the 21st Century” in which he set down the framework for 11 political categories that now form the compass diagram.

Deeply rooted in the phenomenological ideas of Maurice Merleau-Ponty, Steven Holl’s architectural philosophy is centered on human experience, materiality, and a thorough engagement with the site or context. But more than his experiments with space and material, he is best known for his mastery over what is perhaps his favorite material, or medium: natural light.

His design for the Visual Arts Building at the University of Iowa, seen here through the lens of photographer Aaron Dougherty, is one of his projects that best explores these concerns. Clad in weathering zinc and stainless steel, the four-story building houses studios, teaching spaces, galleries and faculty offices for all visual arts departments—from Ceramics, Jewelry Design and Sculpture, to Printmaking, Painting, Video Art, and 3D Design.

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This article was originally published by The Architect's Newspaper as "Landmarks sends PAU’s Domino Sugar Refinery design back for revisions."

The New York City Landmarks Preservation Commission (LPC) has asked PAU to take its plans for the Domino Sugar Refinery back to the drawing board. While reactions from the public and commissioners were warm on the whole, commissioners debated whether the building, which has sat vacant for more than a decade, is a ruin or “armature” as Practice for Architecture and Urbanism (PAU) claimed, or whether the structure could—or should—be treated like an adaptable building.

Essentially, PAU intended to use the facade as a mask for a glass office building. Instead of sitting right up against the old brick, the new building would be set back ten feet from the old, and workers could get outside and up close to the original walls via metal latticework terraces poking through the glass envelope. The approach, explained founding principal Vishaan Chakrabarti, would preserve the bricks by equalizing the temperature and humidity on both sides while allowing the architects flexibility within a challenging original structure. A round-arched glass roof would dialogue with the American Round Arch windows that define the facade, while on the ground floor, the designers proposed a through-access from the Kent Avenue smokestack to the park and water that would be open to the public.

This essay by the academic and writer Martin Lampprecht responds directly to an opinion piece penned by Sean Griffiths, a former partner of FAT, entitled "now is not the time to be indulging in postmodern revivalism".

Oh my. Where to begin? My first impulse was just to move on and shake my head in wonder, perhaps, that a well-established designer and architectural thinker would wish to publish an article so dyspeptic. It is, after all, a common pattern: the young pranksters of yesteryear, once their hairlines have started to recede, transform into  schoolmasters as befitting their recently-acquired academic sinecures. It’s all just part of the normal generational cycle that keeps a culture moving forward. Business as usual.

Increasingly close collaboration between architects and engineers has caused an explosion in bridge design over the last few decades, resulting in structures that are both bold yet rational. As a result, cities have exploited bridges as great monuments of design, to foster pride in the residents and promote themselves as a destination for tourists. These ideas have inspired photographer Greig Cranna as he travels the world, capturing the elegance of today's bridge infrastructure.

Cranna has been documenting some of his stunning photography on Instagram, collating it over the past 20 months into a forthcoming book, Sky Architecture—The Transformative Magic of Today's Bridges. In capturing these entrancing structures, the photos show the impact of the bridges as an addition to the landscape and revel in their contemporary silhouettes and designs.

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The conversion of shipping containers to living spaces is not a new concept—but being able to purchase them online and have them delivered by e-commerce giant Amazon is. Deliveries by the Seattle-based (and seemingly endlessly expanding) company are becoming a staple for most American households: dogs have never barked so much at the postman, porches have never been so littered with empty boxes, and never before has almost every product on the market been available from one place without even having to leave the house.

In spite of this consumer revolution, homes on demand constitutes new territory for the platform. So what does it look like when an entire house is delivered on the back of a truck?