Gallaudet University was established in 1864, becoming the first American educational institution for the deaf and hard of hearing. The university is officially bilingual, with American Sign Language (ASL) and written English used throughout the educational programs. Over the years, the university has grown, adapting both its teaching methods and its spaces to the needs of its students, in turn learning from them how to counter the challenges they face and create a safer and more comfortable environment. These lessons turned into design guidelines, created to educate the architectural community about the strategies they can employ to create more accessible spaces for all.

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The official opening date for the 23^rd Serpentine Pavilion has been announced for June 7th, 2024. The structure designed by Seoul-based Korean architect Minsuk Cho and his firm Mass Studies, will welcome visitors until October 27, 2024, in London’s Kensington Gardens. Titled “Archipelagic Void,” the pavilion is composed of five islands displayed around a central void in reference to the mandang, a type of open courtyard found in traditional Korean houses. The intervention will be activated throughout the summer with a diverse program of events, starting with a conversation between Minsuk Cho and Serpentine Artistic Director Hans Ulrich Obrist on June 7, 2024.

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As dwellers of big cities, we tend to be dragged into a very fast-paced lifestyle. Surrounded by monumental buildings and infrastructure, we can easily lose sight of key spaces that connect us with our neighborhood and provide us with rare moments of peace and enjoyment. Appropriation of the environment we inhabit becomes an uncommon circumstance.

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When he was invited to design the 21st Serpentine Pavilion in London’s Kensington Gardens public park, Chicago-based artist Theaster Gates envisioned a calm space to offer respite and a subtle exploration into the power of sound and music in architecture. Created out of lightweight stained wood, the “Black Chapel” demonstrates more than just artistic and architectural sensibilities. In addition to the use of sustainable materials, the project also pays close attention to how the building materials are sourced, bringing visibility to the problem of modern slavery in the construction materials supply chain.

To ensure fair labor conditions not just on-site, but throughout the entire production process, the Serpentine Pavilion collaborated with Grace Farms, a US-based non-profit foundation helping designers and industry leaders to eliminate forced labor in the building materials supply chain, thus establishing more ethical practices and a more humane future.

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As the demand for affordable housing grows and the availability of low-cost properties diminishes, stakeholders in housing must become more innovative in their approach to social housing development. One opportunity lies in restoring and repurposing abandoned buildings. While building new houses remains the primary strategy for Housing Authorities and Associations, rehabilitating derelict buildings can be a more economical option. This approach not only maximizes the use of dilapidating infrastructure but also provides an economic opportunity to increase affordable housing within the city. Although rehabilitating derelict residential buildings may seem like an obvious solution, it becomes even more crucial when considering abandoned commercial, institutional, or historical buildings for social housing.

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South Asia has undergone notable transformations across economic, political, social, and various other spheres. Mirroring these patterns of societal change are the architectural practices across this region. The modern nation-states of South Asia – Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka – share similar histories and a future characterized by rapid economic development and urbanization. However, each region exhibits distinct nuances concerning the present and potential state of architectural praxis, informed by their socio-cultural contexts and emerging political climates.

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In the quest to promote a more sustainable construction where the use of natural materials contributes to the transmission of local traditions and cultures, an increasing number of architecture projects are exploring different resources and techniques to address environmental, economic, or social concerns. Understanding the benefits and qualities of materials such as color or texture influences the final experience of those who inhabit, walkthrough, or visit spaces. Therefore, understanding their technical, constructive, aesthetic, and functional properties should be part of the design process from the beginning.

Public Markets are complex cases that beautifully combine an engineering exploration with the instigation of a beneficial public function. In fact, it doesn't take much to designate an open and accessible commercial hub that would encourage commercial exchange and economic development for small or local businesses. All one needs is a lot and a sheltering roof. However, many designers and architects have chosen to take this exercise beyond the social level and into further material and technical exploration. 

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Humans are social beings.The interaction between individuals is an essential part of the human experience and helps improve society as a whole. While architecture plays an important role in promoting spaces for people to meet, exchange and socialize, furniture can be a strategic tool for achieving this goal.

Browsing through our project library, one can find a number of examples of cafes and public spaces where communal tables become a central element in providing a place to meet. In many of these projects, the sinuous design of the tables, with protrusions and recesses, provides not only the possibility of various configurations of chairs for different group sizes but also different uses for the tables themselves, at times as planters, at others as slides or extensions of a workbench.

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Whether rising to the highest room of the tallest tower in a Disney-esque castle, giving an admirer the chance to confess their love on an apartment building fire escape, or connecting a basement or attic room with a decorative period feature, there’s something unavoidably romantic about spiral staircases. But there’s more function behind these coiling forms than just their good looks.

One common-held theory is that spiral staircases were first installed in historic castles as vertical baffles, tiring out enemy infiltrators before they could make it to the top. This is why – it is said – many are set to turn clockwise on the ascent, so attackers have a smaller arc for swinging weapons (mostly held in right hands) than defenders making their descent.

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At the dawn of Modernism, in the fervent search for innovative, efficient, and cost-effective building systems, the idea of modular construction offered the promise of exactly that: an industrialized system comprised of ready-to-assemble elements, easily configured, cost-effective, and quality-controlled. While the idea did not gain as much traction as was initially expected, it has remained an attractive premise for architects and designers. Now, new developments in the field have led to a renewed interest in the matter, as modular housing emerges as an effective measure in various fields, from affordable housing to emergency shelters, or even as platforms for interdisciplinary collaboration, participation, and co-design. The following article explores this promise of accessibility, creativity, and affordability that has become an integral part of the debate around modular architecture.

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Representing 32% of the global population, Generation Z (those born between 1995 – 2010) accounts for a healthy chunk of the workforce (27% by 2025 and rising every year). These are the fresh young minds employers are fighting to attract. With prospective employers’ impact on society (93%) and a healthy work/life balance (77%) the two biggest motivators in deciding where Gen Z’ers want to work, a large part of any new office building’s design brief is green space.

While hybrid working and flexible hours represent the most obvious ways to improve work/life balance for many, because of the missed social interactions and the lack of space or functionality at unproductive home workspaces, the majority of 16-24-year-olds are the only age group who prefer to work from the office.

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