Uzbekistani Architecture

Uzbekistan has officially announced that architecture studio GRACE, led by curators Ekaterina Golovatyuk and Giacomo Cantoni, will oversee the country's National Pavilion at the 19th International Architecture Exhibition- La Biennale di Venezia in 2025. The exhibition, titled A Matter of Radiance, will explore Uzbekistan's modernist architectural legacy in response to the Biennale's overarching theme, "Intelligens. Natural. Artificial. Collective."

2025 promises to be a landmark in architecture, heralding a vibrant renaissance of creativity and exploration. As societies confront challenges such as climate change, rapid urbanization, and technological evolution, architecture is both a mirror to these dynamics and a compass pointing toward a sustainable and inclusive future. This year's architectural calendar offers abundant opportunities to celebrate the discipline's transformative power — from boundary-pushing festivals to thought-provoking exhibitions that explore pressing cultural and environmental narratives.

Cross Works just unveiled the plans for New Tashkent, a large-scale expansion of Uzbekistan's capital, Tashkent. The project covers 25,000 hectares to the east of the existing city, located between the Chirchiq and Karasu Rivers. Designed to accommodate an estimated 2.5 million people in the coming decades, the development aims to address population growth in a sustainable manner. The initiative follows an international design competition held in early 2023, which was won by London-based design and technology firm Cross Works. Following their selection, the firm has taken the lead on masterplanning, digital twin development, and coordination of a multidisciplinary team.

Zaha Hadid Architects (ZHA) has been announced as the architect of the Alisher Navoi International Scientific Research Centre, an expansive cultural and educational facility taking shape in New Tashkent, Uzbekistan. The center is set to incorporate the Navoi State Museum of Literature, along with a 400-seat auditorium and an International Research Center and residential school dedicated to training 200 students in the Uzbek language, literature, and music.

Uzbekistan has just revealed its pavilion for Expo 2025 in Osaka, Japan. Designed by Atelier Brückner and realized by NUSSLI, the pavilion aims to showcase the country’s vision for the future under the Expo’s broader theme, “Designing the Future Society for Our Lives.” Composed of modular, reusable wooden elements, the pavilion’s architecture will later be reconstructed in Uzbekistan, serving as a studio, workshop, or school.

The Uzbekistan Art and Culture Development Foundation and Wael Al Awar have jointly unveiled “Tashkent: Appropriating Modernism” at the Sharjah Architecture Triennial. The showcase spotlights three essential instances of modern architecture in Tashkent, Uzbekistan. Crafted by Wael Al Awar, founder and principal architect of waiwai, the initiative presents the three case studies and their significant evolution.

Global Architecture Development (GAD) has presented the New Tashkent City master plan, shortlisted in the Master planning category at the World Architecture Festival (WAF) 2023. This comprehensive vision hopes to propel Tashkent, Uzbekistan, into a new development phase through their design strategies. The New Tashkent City master plan attempts to carefully examine critical aspects of traditional city planning, setting up lasting development goals for the design. In fact, it includes efforts to strengthen infrastructure, support economic growth, improve community involvement, and enhance environmental services. Overall, the design hopes to raise the city’s overall livability.

Tashkent, the capital city of Uzbekistan, stands as one of the most populous cities in Central Asia. Situated in the northeastern part of the country, near the border with Kazakhstan, Tashkent has been profoundly shaped and influenced by diverse cultures throughout its history. The most significant transformation of its urban landscape occurred during the Soviet era when the city was rebuilt as a model Soviet city, following the 1966 earthquake that caused substantial damage. During this reconstruction, architects from various regions of the Soviet Union collaborated with local experts, resulting in a unique form of architectural modernism that harmoniously integrated elements of Islamic architecture, indigenous creativity, and cutting-edge engineering achievements of that era. At that time, Tashkent held the esteemed status of a prominent international city in the East.

Public spaces are the beating heart of our cities. They act as the hubs of social and cultural activity where people congregate, interact, and escape the clamor of the city. These areas are crucial in determining a city's identity, character, and citizens' well-being and standard of living. Public spaces can define our communities and significantly impact how we live, work, and interact with one another through their architectural designs, facilities, and activities. Furthermore, they provide leisure, exercise, and recreation opportunities, allowing individuals to escape the confines of their daily routines and connect with nature.

Videos

Studio KO’s curation of the Uzbekistan Pavilion for the Venice Biennale is based on research, curiosity, workshopping, and experimenting with the senses. For over two years, the studio has worked alongside the Arts and Cultural Development Foundation, designing the Center for Contemporary Arts and their initiatives to restore and rehabilitate vernacular houses, transforming them into artist residencies. While exploring the 18th International Architecture Exhibition onsite in Venice, ArchDaily had the chance to speak with the founders of Studio KO, Karl Fournier, and Olivier Marty, curators of Uzbekistan National Pavilion. Their exhibition for this year’s theme, “The Laboratory of the Future,” focuses on the country’s rich heritage as a potential tool and inspiration for developing a more sustainable future.