Belgian Architecture

Pavilions offer architects a unique opportunity to experiment, serving as compact spaces that push the boundaries of design and spatial concepts. Free from many conventional functional constraints, these structures allow for artistic expression and the testing of new technologies. Pavilions often act as living laboratories of architecture, positioned in public or cultural contexts. They transform their surroundings into interactive, memorable experiences, providing a stage for architects to showcase their most innovative ideas. In recent years, climate responsiveness has emerged as a crucial focus in pavilion design. By using temporary structures as a testing ground for more sustainable practices, architects can experiment with alternative materials and environmentally conscious approaches that address the climate crisis.

The 19th Biennale Architettura, set to open in Venice in May 2025, will see the Belgian pavilion transformed by an exhibition titled "Building Biospheres," curated by a team comprising landscape architect Bas Smets, climate scientist Valerie Trouet, and biologist Stefano Mancuso. Initiated by the Flemish government and the Flanders Architecture Institute, this thought-provoking exhibit will explore a transformative approach to architecture through the lens of plant intelligence.

Between 1960 and 1976, Belgium's capital became a center for architectural experimentation, blending modernist ideals with prefabrication. This period led to the creation of two iconic buildings: the CBR Office Building (1967-1970) and LH 187 (1976), designed by Constantin Brodzki and Marcel Lambrichs. Located side by side, these buildings share a striking architectural style. Both feature facades made from large prefabricated concrete modules, showcasing the brutalist aesthetic and a dedication to using industrial materials and innovative construction techniques for their time.

The Belgian Pavilion for Expo 2025 Osaka, designed by the winning consortium of Carré 7, Beyond Limits, One Designs, Pirnay, and Poly-Tech, embraces the Expo's overarching theme, "Designing the Society of the Future, Imagining Our Life of Tomorrow." With a focus on "Saving Lives," the pavilion' explores the universal significance of water and its vital role in creating and sustaining life. By highlighting water's interconnectedness with all living beings through the metaphor of cells, the pavilion aims to reflect humanity's relationship with the environment and the importance of preserving it for future generations.

Master plans are comprehensive design strategies that guide the future development of cities, districts, or large-scale projects. From a design and architectural perspective, they strive to balance the need for flexibility, long-term vision, and the integration of infrastructure with the public realm. Key themes in master planning often include sustainable development, urban connectivity, and cultural integration. Master plans shape not only the physical environment but also the social fabric of communities by emphasizing walkability, mixed-use spaces, and the blending of natural and built environments. These large-scale frameworks showcase the role architecture plays in shaping the future of urban life.

As we reach mid-2024, European cities showcase various urban development markers that are shaping the trajectory for the remainder of the year. Under themes of urban mobility in Brussels, sustainability in Valencia, Smart Cities in Rotterdam, and urban cooling in Paris, each city is making noteworthy progress on the road to meet the 2030 targets set by the Paris Agreement. In these diverse urban fabrics, European cities are committed to defining challenges and working towards shaping a climate-conscious future.

The Centre de Cultura Contemporània de Barcelona (CCCB) has announced the finalists for the European Prize for Urban Public Space 2024. Selected from a total of 297 projects corresponding to 35 European countries, the 2024 edition nominates 5 finalists in the General category, promoting quality public spaces throughout the European territory, and 5 in the Seafronts category, addressing coastal cities' climate vulnerabilities. The European Prize for Urban Public Space is an honorary biennial competition aiming to highlight best practices and innovations in the creation, transformation, and recovery of public spaces in European cities.

The team comprised of David Kohn Architects, noA Architecten, and Asli Çiçek has won the international competition for the redesign of SMAK, the Municipal Museum of Contemporary Art in Ghent, Belgium. The project includes the reconfiguration of the museum grounds and the extension of a cluster of historic buildings in the center of the city. Established in 1999, the Stedelijk Museum voor Actuele Kunst aims to redefine its relationship with the city and to create more appropriate space for the design of its extensive contemporary art collection.

The fourth edition of the Bruges Triennial: Spaces of Possibility, curated by Shendy Gardin and Sevie Tsampalla, will be held from Saturday 13 April to Sunday 1 September 2024. This event promises to transform the streets and historic center of Bruges, Belgium, into a showcase of contemporary art and architectural interventions. With a focus on exploring the latent potential of this UNESCO World Heritage Site, the festival raises questions about how concepts like change and sustainability can interact with preservation.

In 2020, in the midst of the first wave of lockdowns due to the pandemic, the municipality of Amsterdam announced its strategy for recovering from this crisis by embracing the concept of the “Doughnut Economy.” The model is developed by British economist Kate Raworth and popularized through her book, “Doughnut Economics: Seven Ways to Think Like a 21st-Century Economist”, released in 2017. Here, she argues that the true purpose of economics does not have to equal growth. Instead, the aim is to find a sweet spot, a way to balance the need to provide everyone with what they need to live a good life, a “social foundation” while limiting our impact on the environment, “the environmental ceiling.” With the help of Raworth, Amsterdam has downscaled this approach to the size of a city. The model is now used to inform city-wide strategies and developments in support of this overarching idea: providing a good quality of life for all without putting additional pressure on the planet. Other cities are following this example.