Videos

Multifarious experiences of cities are brought forward in Copenhagen Architecture Festival (CAFx)’s impressive Film Mosaic—from life-affirming experiences of cities as potential, if not real, spaces of play, dance, social exchange and community-building, to claustrophobic experiences of trapped, suffocating life. To the authors of this short reflection essay, a series of films depicting the latter kind, have made a powerful impact. Filmmakers from countries as diverse as Azerbaijan, Georgia, Canada, Uruguay, Tunisia, United Kingdom and Spain offer artistic expressions of how persons in today’s urban life may be unable to thrive, to differentiate themselves, to find rootedness, calmness, sanity or safety.

A 2022 United Nations report claims that the negative impacts of the climate crisis are mounting much faster than scientists predicted less than a decade ago. Rising greenhouse-gas emissions could soon outstrip the ability of many communities to adapt, and the consequences will continue to hit the world’s most vulnerable populations. As climate scientist Maarten van Aalst suggests, “Any further delay in global action on adaptation and mitigation will miss a brief and rapidly closing window of opportunity to secure a livable and sustainable future for all.” The data is clear: to protect our planet, we need to prevent a 1.5°C rise in global temperatures this century. To do so, the world must achieve a 45% reduction in global carbon emissions from 2010 levels to 2030, to then reach a net-zero state by 2050. It is evident, however, that we are on track to miss this goal by a substantial amount. The clock is ticking, and every industry should act fast (and drastically) to even dream of greener cities.

Sanmartín Guix, an architectural firm based in Barcelona, aims to enhance the value of the built heritage through rehabilitation and adaptation according to the needs of new generations, providing comprehensive architectural services as well as real estate advice. In this way, the conditions and aesthetics of the buildings are improved, seeking to adapt them to the requirements of all those who wish to visit or inhabit these spaces.

Once popular in Victorian architecture, pocket doors fell out of fashion in the mid-1920s and hinged doors soon became the norm. In recent years, however, a renewed interest in space-saving and design-forward solutions has brought pocket doors back into the limelight. What used to be an overlooked architectural feature is now becoming increasingly common in modern interiors, along with its creative flair and countless functions. These sleek, sliding doors can efficiently divide rooms, create seamless transitions, save space and contribute to a unique, sophisticated and stylish look. All of this while adding a slight touch of poetry to the home; sliding silently into the wall, pocket doors invite users to step through and explore what lies beyond, creating a strong sense of mystery and intrigue.

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In our current context of ecological crisis, global warming, biodiversity loss, human population growth, and urban sprawl, we need to rethink the way we build and live in our city. We have observed the consequence of uncontrolled urban planning and construction driven only by a capitalist and productivist vision of the city, packing as many humans as possible in the cheapest constructions available, without consideration for the impact on our planet, our fellow animals &  plants inhabitants, and our own wellbeing. The concrete jungles we have been building for the past century have proven to be disrupting our climate (Global Warming, Local heat island effect), our ecosystems (loss of biodiversity, and recess of animals & plants population), and our economy (the food and product industry have been displaced far away, replaced by the only service industry, and the generation of the huge amount of waste in the city).

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Architecture has always been considered a fixed entity in contrast to the ever-shifting appearance of Nature. Photography has dutifully followed this concept of immobility by trying to fix the ‘eternal’ presence of architecture as a memorable icon. In historical terms then, architecture and landscape coexisted in the humanistic continuum of inside and outside space to which Modernism aspired, as "extensions of man", in incidental and uncanny relationships of adjacency and reflectivity. My intention through my photography has been  to change this perception.

The Government of Mexico City, UNESCO and Airbnb announced an alliance "to position the city as the capital of creative tourism and remote workers in Latin America". The announcement was made known through the Mexico City Government's social networks and Airbnb's news section. However, on August 9th, 2021, UNESCO unveiled the strategy with the intention of "contributing to the reactivation of tourism in a responsible and sustainable way in Mexico, and extending the benefits of cultural and creative tourism to more communities, Airbnb will promote, with the accompaniment of the United Nations Educational, Scientific and Cultural Organization ("UNESCO"), destinations and experiences outside the traditional tourist circuit."

If street culture is the glue that holds together an urban environment, what happens when its denizens no longer need to go outside? This is one of the fundamental questions faced by architects today, decades after the New Urbanist movement first popularized, or rather brought back, the concept of mixed-use streetscapes—and more than sixty years since Jane Jacobs famously championed walkable streets as essential to building vibrant urban communities.

Long gone, of course, are the days when city streets were our only outlet or option for access to retail and other services. Now, the internet gives us all that and more: remote shopping, banking, education, and even healthcare. Meanwhile, social media has transformed the way we communicate with friends and neighbors. All of which is to say: we no longer need to go out for social interaction or to procure services, we choose to.

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In an age of unprecedented globalization, our food supply chains — the institutions and mechanisms involved in food production and distribution — have become longer. So much so that they are hardly perceived as chains or systems. They have been integrated into our lives, and into our cities, and transformed our relationships with food. And yet, those very long food supply chains are implicated in some of our most pressing global problems, from food security and waste to biodiversity and climate change. These food supply chains have come to their current state, their current length, over decades, or centuries perhaps, through all sorts of political, social, cultural, and economic processes, and carry with them a range of burdens: vague producer-consumer relationships, and a host of negative environmental externalities, among many others.

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Through its New Nordic cuisine, the food scene in Copenhagen has been growing in popularity and is becoming a major appeal for inhabitants and visitors. Its rooted and seasonal gastronomy as well as its traditional convivial concepts make any food experience in the city a wholistic one as it is linked to the produce, the ambiance, and of course the setting. An enjoyable meal, in what is one of the happiest cities in the world, requires specific localization, design, and planning that can nurture communal and leisure activities. Such spaces should become even more coveted as Copenhagen hosts the UIA World Congress of Architects.

Whether it is for a break, relaxation, or even free wifi, coffee shops tend to host a series of situations that involve more than just enjoying a cup of coffee. A quiet and pleasant place, which in addition to everything else offers a good hot drink, is a great attraction for those looking for a coffee shop to spend a few hours.

In this sense, a landscape project that integrates greenery into these environments can significantly increase the comfort of customers, by easing temperatures and offering a barrier against atmospheric, noise and visual pollution. In addition, after the restrictions imposed by the Covid-19 pandemic, open spaces, with natural ventilation and gardens became priorities for many projects, including coffee shops.

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The world’s most primitive construction materials are being used to create the most advanced buildings. In light of environmental crises, architects are focusing their efforts in designing better built environments for people and the planet. The results may often seem ‘greenwashed’, failing to address the root of ecological distress. Environmentally responsible architecture must aim not to reverse the effects of the ecological crisis, but instigate a revolution in buildings and how we inhabit them. Essays from the book The Art of Earth Architecture: Past, Present, Future envision a shift that will be a philosophical, moral, technological and political leap into a future of environmental resilience.

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Teen girls are neither children nor adults, meaning they have specific needs and behaviours different from both these groups. Unfortunately, like many marginalized groups, these needs and behaviours have not been met or encouraged through our built environment as it has for others. For example, playgrounds are built for children to let off steam and sports courts that foster competition are targeted at men and teen boys. 

Accordingly, not building public spaces with the needs of teen girls in mind allows other groups of people, predominantly men who already take up 80% of public spaces, to continue to dominate them. Making teen girls feel ten times less secure in public spaces. Not only does this absence affect their social, physical, and mental development, but it also complicates how they see where they belong in public spaces.

Unconstrained by the dogmas of established offices, new architectural practices can often challenge building norms and redefine living standards. The Young European Architecture Festival (YEAH!) is an event dedicated to highlighting these new and emerging practices and bringing their contributions to the built environment into focus. Many of these practices are challenging and redefining typologies of residential architecture. They are building upon ideas such as cooperative housing schemes, community-initiated developments, and circular economy. Others are exploring local identities and resources as a way to reinvigorate the profession while creating respectful and regionally relevant works of architecture.

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There are significant deficiencies in how our cities worldwide operate and serve the people who live in them. Bureaucracies, red tape, and other limiting processes that publicly drive our cities towards their futures are often the aspects that cause change to happen at such a slow pace that by the time an issue is addressed, five more have popped up in its place. Over time, society has come to accept that when the systems we have in place don’t do much to serve our needs, it forces us to turn to alternatives to advocate for change. Some urban issues have found the best solutions after initiating social movements and the formation of grassroots groups. 

Mexico City is undoubtedly one of the most exciting and effervescent cities on the cultural and architectural scene in recent decades. Various authors have positioned it inside and outside the country through projects that make up a meeting platform for the creative community. LAGO/ALGO is part of the list of those resilient spaces that emerged from the pandemic, with the need to reimagine our current context by rethinking how we relate to the public and private space having the iconic Chapultepec Forest as a stage, an 810-hectare urban park that is divided into four sections which harbor some of the most important tourist sites in Mexico.

This article was originally published on Common Edge.

In Childhood’s End, Arthur C. Clarke’s mid-20th century science fiction classic, a character wonders if the flattened inhabitants experiencing a far-off planet’s tremendous gravitational force are aware of the third dimension. In recent years, this hypothetical has found parallels in our growing digital universe, where we are continually drawn to our flat screens to confirm our relevance, connect with like-minded individuals, or create dating profiles. With attention spans riveted by endless digital content, walking down the street has become a delicate dance of avoiding people staring obliviously at their phones—those who, calling to mind Ada Louise Huxtable’s famous question, “Kicked a Building Lately?,” might walk right into one.