Designing a memorial is a challenge of crafting a moment of pause – a slight change in one’s daily activity to experience a sense of place to respectively reflect and acknowledge. While memorializing a historical event, such as a war or a cultural achievement, has a definitive beginning and end – a set number of deaths, or a memorable proclamation declared on a set date – the act of memorializing the AIDS epidemic has no such tangible point in history. ”AIDS is not a war, nor a disease conquered. In our design process, we emphasize the changing and varied ways through which AIDS affects us personally and as a society. It is important to create a space that conveys our sense of solemn respect, remembrance and loss, without resorting to symbolism around a date, image, or names, ” explained Mateo Paiva and Esteban Erlich of the Brooklyn-based firm studio a+i, the winners of an international design competition for an AIDS memorial at St. Vincent’s Hospital Park.

Set within the western tip of a triangular-shaped plot of land created by Seventh Avenue, 12th Street and Greenwich Avenue, the memorial will honor not only the city’s 100,000+ men, women and children who have died from AIDS, but also the efforts of the caregivers and activists who respond to the crisis. After drastically transforming the design to address community concerns about safety and to fit within the confines of a downsized site, studio a+i ’s new design has just received approval from Community Board 2 and will proceed to the Landmarks Preservation Commission and the City Planning Commission.

More after the AIDS memorial after the break.

Following the debate “Communication and Bottom-UP. The importance of the way stories are being told.” dpr-barcelona is committed to expand the debates and conversations avoiding them to get lost after a few days of the event. With this motivation, they published a digital-pamphlet [kindle + ePub] exploring the thought and ideas of thinkers and doers; articulated by simple detonating questions posed through emails, tweets and conversations intending to communicate effectively the very essence of the debate: “the importance of telling stories.” This digital pamphlet is a starting point for a open and written debate were everyone can also sum opinions: Those interested in responding will be able to add more contents using Booki, which is an open platform that allows to write collaborative books and even generating a very personal version. To download the book for kindle and ePub format, please visit here. Text courtesy of dpr-barcelona.

Mehruss Jon Ahi and Armen Karaoghlanian combined their educational backgrounds with Interiors, an online journal that marries architecture and film.

Interiors is an online journal, published on the 15th of each month, in which films are analyzed and diagrammed in terms of space. Interiors focuses on how space is used throughout a particular scene and how the architecture of the film impacts its narratives and characters.

The Border Checkpoint Terminal in Ninotsminda, Georgia is a modern two storied building with a total area of 1.78 hectares and is located between the old custom building and border. Designed by Luka Machablishvili, the project considers all modern and necessary requirements, both in visual and functional terms, which will make for maximum comfort for consumers. More images and architects’ description after the break.

[AC-CA] just launched their next competition which aims at designing a New Sustainable Market Square in Casablanca, Morocco. A market square is a public open area where market stalls are traditionally set out for trading, commonly on particular days. It is usually situated in the center of the town, surrounded by buildings and streets. To create a sustainable market, environmentally conscious design techniques will be implemented. The architecture of this new structure should reflect contemporary design tendencies. The proposal must not only attend to the specific function but the design should also take into consideration the urban insertion and its impact. Early bird registration ends July 31 with the submission deadline November 5. To register and for more information, please visit here.

Zaha Hadid’s recently-opened Heydar Aliyev Center in Baku caught fire today. Flames started in the ceiling and, according to the Emergency Situations Ministry and Azerbaijani Prosecutor General’s Office, were successfully prevented from spreading throughout the inner parts of the museum. Thankfully, no one has been hurt.

It hasn’t been long since the architecture world was sadden by a fire that caused extensive damage to Le Corbusier’s Unité d’Habitation in Marseilles.

Reference: Today.AZ

There is no other comic saga more influenced by architecture than Batman. Gotham, and the fictional architects that built the city, have been main characters since the first plots. Writer and architect Jimmy Stamp describes in these essay the fascinating architectural references and metaphors that have filled Batman stories for the last 60 years.

Batman, Gotham City, and an Overzealous Architecture Historian With a Working Knowledge of Explosives

By Jimmy Stamp

New York, Dubai, Tokyo, Moscow, Gotham. Every city in every atlas—real and fictional— has a unique character shaped by history and geography. More than a mere sense of place derived from architecture and planning, cities have a feeling that pervades the consciousness of those who live there until themselves become a a piece of the urban fabric, a fractional embodiment of the city itself. Perhaps more than any other person—real or fictional—Batman is integrally linked to his city, the city he has sworn to protect. In every sense of the word, he is a true avatar of Gotham. And Gotham City itself is an avatar, not only of the dreams of its fictional architects, but of our collective urban paranoia.

Read the full post after the break

We have now over 85,000 photos in our Flickr Pool! As always, remember you can submit your own photo here, and don’t forget to follow us through Twitter and our Facebook Fan Page to find many more features.

The photo above was taken by naoyafujii in Tokyo, Japan. Check the other four after the break.

The Royal Institute of British Architecture (RIBA) has released the shortlist for this year’s Stirling Prize, the UK’s most prestigious architecture prize that is presented annually to the ‘building that has made the greatest contribution to the evolution of architecture in the past year’. This year’s six shortlisted projects range from seemingly simple yet highly innovative London Olympic Stadium to the thoughtful and intimate Maggie’s Cancer Centre in Glasgow. The winner will be announced in October at the RIBA Stirling Prize dinner.

Follow the break for the complete shortlist and more details about the RIBA Stirling Prize.

This year’s Venice Biennale will kick off on August 29th and run through November 25th and for the first time, the Institut Ramon Llull will be presenting an exhibition dedicated to Catalan and Balearic architecture entitled “Vogadors”, featuring nine projects from nine different architects that epitomize the contemporary and avant-garde works from the regions. The exhibition is inspired by the Mediterranean Sea, which is the main geographical feature of the regions, and by the words of Jorge Oteiza, “He who forges ahead creating something new does so like an oarsman, moving forward but back-paddling, looking behind him, towards the past, towards what exists, so as to be able to reinvent its underpinnings.”

Follow us after the break to see the projects to be featured at the exhibit.

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The June ABI has proven that we still have not been able to shake the weak activity of May - the score capped out at 45.9 from 45.8, marking the third month in negative territory. The market continues to show a drop in demand across all design services, in all regions. The poor conditions suggest upcoming weakness in spending on nonresidential construction projects, as each sector of construction shows negative growth commercial/industrial 46.9, institutional 46.0, and mixed practice 45.9. “The downturn in design activity that began in April and accelerated in May has continued into June, likely extending the weak market conditions we’ve seen in nonresidential building activity ,” said AIA Chief Economist, Kermit Baker, PhD, Hon. AIA. “While not all firms are experiencing negative conditions, a large share is still coping with a sluggish and erratic marketplace.”

This summer, New York artist Kurt Perschke brought his celebrated art project RedBall to the UK. Co-produced by Torbay Council and The Dartington Hall Trust, it arrived on the streets of the English Riviera in Torbay in June before touring to Plymouth, Exeter, Weymouth & Portland and London, finishing the tour at Dartington Hall and popping up in a total of 20 sites. The project engaged thousands of people on its tour of alleyways, underpasses, high streets, town squares, heritage sites and bridge arches across the country. Alongside the tour, the RedBall UK education project worked with hundreds of young people and staff in 5 schools to raise the aspirations and achievements of Year 6 pupils. Text Courtesy of Danny Cooke. For more information on RedBall UK, please visit here.

Raimund Abraham (1933-2010), who would have turned 79 today, was far from your typical architect. A striking figure – usually sporting a black fedora, thick moustache, and cigar – Abraham was a radical thinker who believed passionately in the sacred importance of architecture.

For Abraham, architecture existed just as legitimately in the mind as on the ground; as he put it: “I don’t need a building to validate my ideas.” In fact, many of his visionary drawings were exhibited as art, including in the MOMA. Although most of his designs were never actually built, those that were gained critical acclaim.

He was best known for the Austrian Cultural Forum in New York City, a 24-story, “guillotine-like” building curiously squeezed onto a plot only 25 feet wide. Architectural historian Kenneth Frampton called it “the most significant modern piece of architecture to be realized in Manhattan since the Seagram Building and the Guggenheim Musuem of 1959.”

To celebrate this great mind, we present you his final work, Musikerhaus (House for Music or Musician’s House), as photographed by Thomas Mayer. The House, a former NATO missile base turned artists’ residence/exhibition gallery (you can see the latest exhibition “The Reality of the Unbuilt” in the photos below), will be completed next year.

More photos & quotes, after the break…

As we’ve discussed at length here at ArchDaily, an Olympic Bid is no thing to take on lightly. Our 3-part series on the subject, “How NOT To Host the Olympics,” made very clear that this mega-event is a major urban project with long-term economic, social, and environmental consequences. So, it’s no surprise that Olympic bidders research and strategize well in advance – consider London 2012‘s “Sustainable Olympics” bid or OMA’s perhaps premature interest in Turkey- to ensure, first, that they get the bid and, second, that the Games leave renewal (rather than destruction) in their wake. Architecture, Research, and Urbanism practice, XML, are already taking on the task of preparing its home country, the Netherlands, for its 2028 bid. Their just-released report compares Olympic City bids across the globe – from the 2020 contenders of Madrid, Istanbul, Dohan, and Tokyo to a 2024 contender, South Africa. Interestingly, they’ve noted a cyclical nature of the Games’ socio-economic significance and have thus come up with a 3-prong strategy that will position the Netherlands to spearhead a new Olympic paradigm. You can check out XML’s full Report, well worth a look, after the break...

Koppert + Koenis Architects were recently announced as winner of the competition by the Flemish Government with their contribution for a double sports accommodation in Oudenaarde, Belgium. The sports complex will facilitate the sports education of the local primary and secondary schools during the day and local sports clubs during the evening hours. The jury was charmed by the clear setup and the optimal sports and teaching facilitating design resulting in simplicity and a realistic integration with its surroundings. More images and architects’ description after the break.

This was an unprecedented year for Tsinghua University’s Non-Linear Parametric Workshop with close to 200 students attending. Students of the Advanced Design Unit taught by Daniel Gillen, Xu Feng with assistance by Andrew Haas investigated parametric software, thought processes and strategy with a specific focus on versioning.

The tutors’ sequenced information provided to students to encourage a scientific level of variable testing and analysis.  The nine-day workshop was organized into three parts, beginning with abstract versioning, followed by a pavilion, and concluding with a product.

Designed by Fabiano Ravaglia, Liebert Rodrigues, Vinícius Philot, Fernanda Marx, Tiago Mendonça, and Karen Novaes, the DAF: Designing for Adaptable Futures competition proposal focuses on expansion and flexibility to create a new way of thinking about Brazilian social housing. Based on practices developed by the low-income residents of the social housings of Rio, the team objective is to formulate a set of strategies that could enable and encourage the expansion of housing but in a neatly way. By taking advantage of the existing structure and implantation and inside the constructive knowledge of the population, this will allow the enlargement when it suits them. More images and architects’ description after the break.

ANDO | Andalucía Office, composed by five young architects from the University of Seville, shared with us their 2nd prize winning proposal in the Fourth edition of the “International Mock Firms Skyscraper Competition” organized by Chicago Architecture Today. Their concept, which focused on versatility, let to their NODO project, a tower over 550 meters in Beijing. The most innovative architectural idea of the project is based on the possibility of a constantly changing skyscraper. It is all about developing a mutant vertical city building possibility, which answers to its time, place and inhabitants requirements. More images and architects’ description after the break.

The “Line, surface, space“ installation, by Kawahara Krause Architects, is displayed as part of the architectural triennale in Hamburg this summer. Erected on the plan of three interlocking twisted squares of different sizes, the threads of the outer square suggest the edges of an imaginary space, while the more densely arranged threads towards the middle seem to create surfaces. A fragile structure of threads stretching from floor to ceiling seems to dissolve in space and recompose to ever new appearances. Varying between transparent and closed surfaces, the spatial perception changes with each step taken through the installation. More images and architects’ description after the break.

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According to a local Arizona news channel, a home Frank Lloyd Wright designed for his son, David S. Wright, is on the chopping block.

In his architectural review of the Ronald McDonald House, a home for families with children at the nearby Children’s Hospital, Blair Kamin came up against a moral dilemna: