As part of a new concept that offers a proposal of tourism and rest, in an art deco building, Campos Polanco opened its doors in September of this year. Located in front of the Garden of the Republic of Lebanon on one side of the Chapultepec Forest in Mexico City, the project puts in place 12 suites created for executives and digital nomads looking to get away from chain hotels to immerse themselves in the local culture in one of the most exclusive areas of the city.

CityMakers is working with Archdaily to publish a series of articles, conversations and interviews with the different actors of city co-production behind CityMakers Barcelona Lab 2022, an event that will take place from 14-18 November. On this occasion, Camilo Osorio, Architect and Master in Urban and Territorial Development at the Polytechnic University of Catalonia - Barcelona Tech, presents his article "Barcelona: Joy and Order. The natural and artificial endowments of an exemplary city".

Earth architecture is built on a far-reaching history. Its story continues to be told through aged structures that have stood the test of time. Across the world, indigenous earth construction techniques have been pioneered by many ancient civilizations. Communities originally built shelters from earth - the most readily available material to them - and have passed on their construction techniques through generations. Earth architecture evolved with a careful understanding of land and location. With practices perfected decades ago, it is fascinating to see earth architecture remaining resilient through adversities 

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On January 21, 1958, three women sat down as contestants for an episode of the popular television show “To Tell the Truth”, a quiz game in which a panel tries to guess which of the three contestants is who they say they are by asking them a series of questions. The announcer reveals the true identity of the person is a registered architect, has so far designed a Hilton hotel, and is a married mother of four. Each of the women, dressed formally in pencil skirts and blouses, introduces themselves as Natalie De Blois. As the panelists reveal their lack of knowledge about architecture, only firing off questions about Frank Lloyd Wright, one asks “What is the name of the building that was torn down to build Union Carbide?” The real Natalie De Blois, at the time a senior designer at SOM, firmly answers, “Hotel Margery.”

Architecture is one of the oldest recorded professions, dating back to ancient eras when builders designed historic huts and constructed some of the great wonders of the world. When we think about women who have been known as trailblazers of the industry, it’s astonishing that we often talk about women who we may interact with in the workplace day to day, or who our mentors may have learned from. Natalie De Blois was a modern-day pioneer of women in the design workforce, and although her legacy began only seventy years ago, it has significantly changed the way that women can participate in the profession today.

Videos

Multifarious experiences of cities are brought forward in Copenhagen Architecture Festival (CAFx)’s impressive Film Mosaic—from life-affirming experiences of cities as potential, if not real, spaces of play, dance, social exchange and community-building, to claustrophobic experiences of trapped, suffocating life. To the authors of this short reflection essay, a series of films depicting the latter kind, have made a powerful impact. Filmmakers from countries as diverse as Azerbaijan, Georgia, Canada, Uruguay, Tunisia, United Kingdom and Spain offer artistic expressions of how persons in today’s urban life may be unable to thrive, to differentiate themselves, to find rootedness, calmness, sanity or safety.

A 2022 United Nations report claims that the negative impacts of the climate crisis are mounting much faster than scientists predicted less than a decade ago. Rising greenhouse-gas emissions could soon outstrip the ability of many communities to adapt, and the consequences will continue to hit the world’s most vulnerable populations. As climate scientist Maarten van Aalst suggests, “Any further delay in global action on adaptation and mitigation will miss a brief and rapidly closing window of opportunity to secure a livable and sustainable future for all.” The data is clear: to protect our planet, we need to prevent a 1.5°C rise in global temperatures this century. To do so, the world must achieve a 45% reduction in global carbon emissions from 2010 levels to 2030, to then reach a net-zero state by 2050. It is evident, however, that we are on track to miss this goal by a substantial amount. The clock is ticking, and every industry should act fast (and drastically) to even dream of greener cities.

Sanmartín Guix, an architectural firm based in Barcelona, aims to enhance the value of the built heritage through rehabilitation and adaptation according to the needs of new generations, providing comprehensive architectural services as well as real estate advice. In this way, the conditions and aesthetics of the buildings are improved, seeking to adapt them to the requirements of all those who wish to visit or inhabit these spaces.

Once popular in Victorian architecture, pocket doors fell out of fashion in the mid-1920s and hinged doors soon became the norm. In recent years, however, a renewed interest in space-saving and design-forward solutions has brought pocket doors back into the limelight. What used to be an overlooked architectural feature is now becoming increasingly common in modern interiors, along with its creative flair and countless functions. These sleek, sliding doors can efficiently divide rooms, create seamless transitions, save space and contribute to a unique, sophisticated and stylish look. All of this while adding a slight touch of poetry to the home; sliding silently into the wall, pocket doors invite users to step through and explore what lies beyond, creating a strong sense of mystery and intrigue.

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In our current context of ecological crisis, global warming, biodiversity loss, human population growth, and urban sprawl, we need to rethink the way we build and live in our city. We have observed the consequence of uncontrolled urban planning and construction driven only by a capitalist and productivist vision of the city, packing as many humans as possible in the cheapest constructions available, without consideration for the impact on our planet, our fellow animals &  plants inhabitants, and our own wellbeing. The concrete jungles we have been building for the past century have proven to be disrupting our climate (Global Warming, Local heat island effect), our ecosystems (loss of biodiversity, and recess of animals & plants population), and our economy (the food and product industry have been displaced far away, replaced by the only service industry, and the generation of the huge amount of waste in the city).

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Architecture has always been considered a fixed entity in contrast to the ever-shifting appearance of Nature. Photography has dutifully followed this concept of immobility by trying to fix the ‘eternal’ presence of architecture as a memorable icon. In historical terms then, architecture and landscape coexisted in the humanistic continuum of inside and outside space to which Modernism aspired, as "extensions of man", in incidental and uncanny relationships of adjacency and reflectivity. My intention through my photography has been  to change this perception.

The Government of Mexico City, UNESCO and Airbnb announced an alliance "to position the city as the capital of creative tourism and remote workers in Latin America". The announcement was made known through the Mexico City Government's social networks and Airbnb's news section. However, on August 9th, 2021, UNESCO unveiled the strategy with the intention of "contributing to the reactivation of tourism in a responsible and sustainable way in Mexico, and extending the benefits of cultural and creative tourism to more communities, Airbnb will promote, with the accompaniment of the United Nations Educational, Scientific and Cultural Organization ("UNESCO"), destinations and experiences outside the traditional tourist circuit."

If street culture is the glue that holds together an urban environment, what happens when its denizens no longer need to go outside? This is one of the fundamental questions faced by architects today, decades after the New Urbanist movement first popularized, or rather brought back, the concept of mixed-use streetscapes—and more than sixty years since Jane Jacobs famously championed walkable streets as essential to building vibrant urban communities.

Long gone, of course, are the days when city streets were our only outlet or option for access to retail and other services. Now, the internet gives us all that and more: remote shopping, banking, education, and even healthcare. Meanwhile, social media has transformed the way we communicate with friends and neighbors. All of which is to say: we no longer need to go out for social interaction or to procure services, we choose to.

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In an age of unprecedented globalization, our food supply chains — the institutions and mechanisms involved in food production and distribution — have become longer. So much so that they are hardly perceived as chains or systems. They have been integrated into our lives, and into our cities, and transformed our relationships with food. And yet, those very long food supply chains are implicated in some of our most pressing global problems, from food security and waste to biodiversity and climate change. These food supply chains have come to their current state, their current length, over decades, or centuries perhaps, through all sorts of political, social, cultural, and economic processes, and carry with them a range of burdens: vague producer-consumer relationships, and a host of negative environmental externalities, among many others.

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