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Visualization and technology have long gone hand in hand. It is, after all, a means of representing architecture that has relied on technological developments to keep up with the demands of a growing audience across multiple industries. But the fact that the two are inseparable does not mean that technology should dictate the way in which visualization is used. As technology advances, so too does its ability to become less obtrusive, allowing technological know-how to take a back seat in favor of the creative process and design exploration.

The new version of Lumion has entered into a visualization landscape that has changed dramatically over the past decade. The pursuit of photorealism that dominated much of visualization’s technological development has, for the vast majority of its users, been largely accomplished. Effective visualization is now no longer an exception to the norm, but increasingly an expectation. As Remko Jacobs, Lumion Founder and Chief Technical Officer, explains, “photorealism is there, particularly when it comes to imaging the exterior of buildings. It’s much easier to make something that looks good.”

Playful cities promote play, leisure, and creativity in their public spaces and architecture. It offers opportunities for gatherings that help develop communities socially and culturally, improving the quality of life and providing essential elements for healthier and more balanced habits. They directly influence citizens' cognitive and emotional development by stimulating creativity and imagination through spaces designed for fun.

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Architecture has the power to transform cities. Whether through the innovative use of materials, collaboration with other architecture firms to realize neighborhood master plans, or transforming public transportation for an entire population, design can significantly influence and impact how we interact with the places we live. In an exclusive interview with ArchDaily, Alan Pullman of Studio One Eleven talks about his firm’s vision for the future of Los Angeles and its approach to architecture and urban planning.

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Commerce is a human activity practiced by societies since the beginning of evolution. Exchanges were made between products negotiated by entire communities at first. They began to be based on a common currency and practiced individually over time, from family to family. In one way or another, this activity is a characteristic of civilization and even influences our territorial organization. Historically practiced in outdoor spaces, commercial activity defined many spatial configurations.

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The winners of the German Design Awards 2023 approach design in ways that are both clever and sustainable, with a focus on ground-breaking product solutions and visionary ideas. The cradle-to-cradle principle, modular construction methods, sustainable use of materials and energy efficiency have long been mainstays in manufacturing and the construction process. But real estate branding is also increasingly coming into focus and becoming an important instrument in architectural communication and marketing.

Of the 4,200 submissions that the German Design Awards 2023 received, 98 projects in total were honored with the highest ‘Gold’ distinction. The German Design Awards are one of the most well-recognized international design awards, distinguished by its diversity and the quality of the projects. The awards are given to companies whose products stand out in the categories of ‘Excellent Product Design’, ‘Excellent Communications Design’, and ‘Excellent Architecture’. In the three different design disciplines, this year’s winners include companies such as Duravit, Mono and WMF, as well as the architecture firm MVRDV and start-ups such as nevi and X Shore AB.

March 9 marks the birthday of one of the most important Mexican architects worldwide. A pioneer of the Modern Movement in Mexico whose work has transcended geographical limits to be studied by different generations of architects who have rewritten his teaching to make it their own. Every year, this date represents the perfect excuse to rethink Barragan's legacy to architecture not only in Mexico but also in the world, and different projects have been carried out with this intention, awakening the interest of new generations. However, until a few years ago, the record of the architect's work was not very accessible since more than 50% of the projects he built remained anonymous due to the lack of a proper archive of his work.

These days, the architecture industry cannot disregard how significant the challenge of sustainability has become. One strategy for achieving sustainable development is a circular economy, based on a sustainable life cycle. This strategy minimizes resource usage and extends the useful life of buildings from a design perspective. Moreover, another challenge is how to increase the usability of the building itself, in addition to how we've incorporated building disassembly into the cycle. This requires that designers take the future into account when making design decisions, integrating the requirements of the present with the potential outcomes of what has not yet happened.

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This article was originally published on Common Edge.

There’s no shortage of slippery slopes in the architectural lexicon: “architectural” and “architectonic” hover near the top of the list. Problems invariably arise when the modifier supplants the modified. This happens more than you’d think, especially of late. A wholly separate issue arises when owing partly to a linguistic slight of tongue, architecture is understood as something distinct from the building, eschewing physical inhabitation. 

"I am tolerant. But I revolt. I accuse. It is my obligation. I am alone. Behind me there's no dictatorship, no party, no group, nor any mafia — neither a collective intellectual scheme nor an ideology. The green revolution is not a political revolution. The base sustains it and is neither minority nor elitist. It is a creative evolution in harmony with nature and the universe's organic course."

The above paragraph was said in the mid-20th century by Friedensreich Hundertwasser, an Austrian artist, and architect born in 1928. Hundertwasser marked architecture history with his distinct style of irregular and vibrant forms. His projects were a manifesto against rational and repetitive architecture. In them, there was a right to intervene in windows, irregular floors, green roofs, and spontaneous vegetation. As an architect, he always put diversity before monotony, believing in the right of each individual to modify their home and express their creativity. Above all, Hundertwasser believed in the importance of man's identification with nature and the world around him, addressing concepts related to community life and respect for the environment.

How are contemporary homes pushing the boundaries of innovation for the future? Currently, these spaces tend towards clean lines, neutral colors and flexible spaces, with the integration of technological features and automation. But even though there are certain timeless features that define neutral contemporary interiors, we can begin to identify future trends by analyzing architectural projects that differ from the traditional, recognizing disruptive interior materials and finishes guided by technological advances that are shaping complex and changing homes of the future. The selection of these innovative materials conveys a meticulous decision process in building the structure and identity of a space. Depending on the context and typology of a space, there is a growing awareness of how materials impact an environment, and how new technologies are creating smart solutions that can mitigate their effects indoors.

Artificial intelligence (AI) is playing a key role in visualizing the interiors of the homes of the future, and together with the exploration of biophilic, intelligent and 3D-printed materials, is stimulating new ways of approaching how we will live indoors moving forward.

Providing an overview of the profession and discipline of architecture can be a complex task given the diversity of people's backgrounds, personal interests, and experimentation techniques. Therefore, many processes related to architecture are based on speculation and innovation, taking the initiative to reimagine established limits. Architecture schools, such as École des Beaux-Arts, Vkhutemas, and Paulista School, were progressive schools of their time that developed their style led by experimental and curious minds. Thanks to these experimental processes, each developed its architectural style, characterized by factors such as philosophy, location, and the era in which the school was born.

Since its creation in Santa Monica in 1972, the Southern California Institute of Architecture (SCI-Arc) has been a world-renowned center of innovation and one of the few independent schools of architecture in the United States. It excels in challenging its students through various programs to stretch their imaginations by experimenting with non-traditional materials and approaches. Through the renowned Making+Meaning program, SCI-Arc provides an immersive introduction to students and creative professionals from diverse disciplines, who have the opportunity to explore the field of design and emphasize the fundamentals of experimentation and architecture. The return to face-to-face teaching this year infuses new energy into the program for both students and instructors, given the value of collaborating in a physical space for the development of studio-based projects.

What role does landscaping play in contemporary housing? In what ways can architecture and landscaping be integrated into a whole? Considering the incorporation of landscaping from the beginning of the architectural project has become a defining aspect and even a challenge for many architects, aiming to improve the quality of life of their inhabitants and contribute to the protection and care of the environment.

On numerous occasions and within the Latin American setting, nature appears as a protagonist or founding principle of the proposed architectural design, involving reasons related to promoting the relationship with the surrounding environment, incorporating native species of the site, and enhancing the connection between the interior and exterior, among others. Although there are different ways of planning, organizing, and arranging the layout of environments in contemporary housing, the dialogue between architecture and landscape can collaborate with the uses, activities, and circulations determined based on the needs to be met or the users to be accommodated.

Throughout the past decade, human civilization has become so ‘woke’ we’ve administered a new word for it. And while this new-found wokeness derives from the quest to spotlight the inherent, yet previously ignored by many, racial social, and political injustices and behaviors in our lives during the early #blacklivesmatter movement, in more recent times it has come to stand for the calling out of all categories of injustice.

The purpose of architecture, as the ArchDaily Guide to Good Architecture states, is to ‘give form to the places we live.’ The book’s first chapter, ‘Good Architecture is Considerate’, suggests in order to improve the quality of life provided by human-designed spaces, we need to employ a human and empathetic approach.

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“Economic shocks, climate change, and COVID-19 have changed transportation systems in a fundamental way. We can’t waste a crisis. We can increase access to transportation while reducing greenhouse gas emissions. We can achieve more mobility with fewer impacts,” argued Ani Dasgupta, president of the World Resources Institute (WRI), at the 20th annual Transforming Transportation conference. For two days, global leaders reflected on the state of transportation systems worldwide at the hybrid event in Washington, D.C., which was also watched by tens of thousands online. The event was co-organized by WRI and the World Bank.

Transportation still accounts for 25 percent of greenhouse gas emissions worldwide and up to 30 percent of emissions in developed countries. Transportation is a diverse sector that includes sidewalks, bikes, cars, buses, trains, subways, ships, and planes.

Outdoor dining and activities have gained increasing appreciation in recent years. We value the sense of freedom and adventure, and the possibility of socialization that they provide, as well as the connection with nature. As a result, outdoor spaces are becoming more popular in residential and commercial designs, as new features made specifically for these types of spaces can enhance the comfort and well-being of occupants. This is because when dealing with nature there can be a variety of inconveniences related to weather, such as wind, rain, or cold temperatures. In order to properly enjoy these areas all year-round, solutions can usually include outdoor heating. However, typical heaters tend to have clumsy and old-fashioned designs, detracting from the careful design of the rest of the environment.

Several factors influence the architecture of contemporary stores, including the evolution of retail, changes in consumer expectations, and the rise of e-commerce. Creating the physical space of a brand is an opportunity to offer an experience that conveys the values and image that the brand wishes to be associated with.

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As summer in the Northern Hemisphere is inching ever closer and nature is rapidly responding to the increase in temperature, our desire to spend time outside (by ourselves and collectively) is growing at an equally fast pace. And although public parks are a great option for those of us who live in urban centers, the luxury of having one's very own, at-home access to nature cannot be overstated.

For residential projects in particular, gardens are the most common way of connecting with the natural world in this way. But, as these four examples show, courtyards can provide an equally satisfying window into changing seasons – and, when viewed through glass by way of patio doors, skylights, or frameless windows, can give us a glimpse of greenery from the weatherproof comfort of almost any room in the house.