The main purpose of public houses and eateries is to provide customers – both individuals and groups – with an environment and an atmosphere in which to release the stresses of their day or week so far, either with a quiet drink in a quiet corner, or in larger, more social groups.
Even before COVID brought with it more permanent closing times, the rise of on-demand TV and food delivery services meant that staying ‘in-in’ –with the comforting embrace of their pillow just a short hike up the wooden hill to Bedfordshire– was becoming a more popular choice. Perhaps it’s no surprise, then, to see the growing emergence of establishments that offer more active entertainment than a quiz night and karaoke box.
Here are five examples of bars and restaurants designed for life’s players.
Fascinating and photogenic, colorful cities often catch the eye not only of the thousands of tourists visiting every year but also of many architects around the world. From an aerial viewpoint - which happens to be how many visitors get their first glimpse of these cities from the window of an airplane - one can see the colorful picture created by the many different shades of roofs and rooftops.
There are many different reasons for this diversity of colors. Some cities use specific colors on roofing as a climate strategy, while others simply have a tradition of painting houses in a certain way. In any case, these colorful cities are unquestionably very visually appealing.
I first went to China in 2002, a year after the International Olympic Committee awarded the 2008 Summer Games to Beijing. That initial trip was about exploring nature, cuisine, ancient temples, archeological sites, and, in general, experiencing lifestyles in China, mainly outside of its major cities. I was motivated by the pure curiosity of a Western tourist driven to an Eastern country in search of the old world, the exotic, hoping to catch a glimpse of a rich traditional culture on the cusp of its inevitable radical transformation. At the time, there was no modern, or rather contemporary, architecture in China to speak of. There were only the promising first hints of the development of a potentially new architectural language being undertaken by just a handful of independent architects almost entirely under the radar.
In April 2023, India achieved a significant milestone that will shape the trajectory of its urbanization going forward. According to data from the United Nations, the South Asian subcontinent is now home to over 1.4286 billion people, overtaking the former leader China’s count of 1.4257 billion. With a population boom that is estimated to grow at a 0.7% rate annually, India faces several challenges and opportunities in its path to becoming a global power.How will India’s rising demography influence its built environment?
Flexibility and open spaces are themes in contemporary house design. Multifunctional spaces and creative storage solutions are more than welcome when seeking easily adaptable environments to meet owners' constantly changing needs. To give you some fresh inspiration, we have selected ten projects that feature countertops that integrate different programs and serve more than one function in the home.
Climatic conditions are changing around the world, and with more extreme temperatures and limited resources, architectural and urban solutions must also change. How could our homes look and function effectively in a post-climate change scenario? Analyzing in detail the forecasts of these climatic variations, the architects of W-LAB have developed a Low-Tech habitat proposal for humid, hot, and arid climates, incorporating bio-materials, transportable solutions, and configurations that promote life in small and resilient communities.
Next month ICFF and WantedDesign Manhattan, New York’s concurrent design fairs that form the backbone of the NYCxDESIGN Festival, come together under the same leadership for the first time. Already under the same roof –that of the Jacob K. Javits Convention Center– since 2021, ICFF, the long-standing platform for established American design and its international peers, and WantedDesign Manhattan, the platform for independent and emerging talent at home and abroad, are now co-ordinated by WantedDesign’s founders, Odile Hainaut and Claire Pijoulat. Integrating agendas and taking the fairs in a new interactive direction, they are looking to unify the vision while retaining the essence and purpose of each.
https://www.archdaily.com/1000716/whats-new-in-design-icff-and-wanteddesign-manhattan-2023-adopt-a-shared-visionEmma Moore
In tropical countries like Brazil, external areas are highly valued in residential projects. The backyards are used differently and configured according to the architectural project. Whether large or small, landscaped, with a pool, or equipped with other features, Brazilian families seek to make the most of their outdoor areas when possible.
Cities are complex ecologies of intersecting natural systems and urban infrastructure. Environmental degradation has brought attention to the asymbiotic relationship between man-made and natural systems. A new economy is emerging where interdependence and environmental stewardship are valued. Designing for a circular economy requires consideration of human habitats not as towns or cities, but as bioregions.
Every year in Mexico City, during the month of February, "Art Week" is celebrated with a series of events that seek to offer experiences in different spaces, mostly museums, cultural centers, or art galleries that join the cultural agenda. This event is important because both the city and these venues become the stage for different contemporary artists who come together to exhibit their work and enrich the dialogue around today's art. It is also a tourist destination that attracts collectors from all over the world.
The transformation in the domestic spaces’ dynamics impacts the architecture inside and outside houses and apartments. Kitchens are the prime example of this transformation. Historically considered marginalized workspaces, they have gained more prominence as architectural spaces. This influences not only the size of the rooms and their organization but also the used claddings.
Located in the southern part of Benin-Republic, near the port city of Cotonou, is Ganvie; the largest floating village in Africa. It is situated in the middle of Lake Nokoué and is characterized by colorful wooden stilt houses arranged around artificial islands dating back to the 17th century.
This unique architecture was born from the history of the Tofinu tribe, who built it as a refuge from the slave trade. It has been sustained over time by their communal socio-ecological aquacultural systems and has now become a global tourist attraction for the country. The village was recognized as a world cultural heritage site by UNESCO in 1996, attracting up to 10,000 visitors annually. However, this influx of tourists has impacted the locals and their socio-ecological practices that sustain this water environment. Aquaculture has become increasingly challenging to maintain as the village struggles to retain its economic foundation. Additionally, traditional building practices have given way to modern ones, and the village faces ongoing environmental challenges. Nevertheless, the unique lifestyle of the locals around the water still offers many lessons for the design of prospective floating cities.
Concepting is all about the early stages of the design process. A process where architects need to explore, think, make, create and express. It is not a linear process with a defined start and end point but rather a circular/iterative process. It involves testing and rejecting. Sometimes an entire concept will be 'thrown away', while at other times, the architect will keep and discard parts and continue to evolve.
The work of lead architects is essential during the concepting stage, where their experience and vision allow them to set the project's parameters and overall design intent. By enabling architects to spend more time in this stage, with more data and feedback, Spaces contributes to creating better project outcomes and architects who can spend more time doing what they do best and enjoy the most.
"The taste of the apple lies in the contact of the fruit with the palate, not in the fruit itself," Jorge Luis Borges once said. The taste is not something inherent in itself; its experience is the result of an encounter. Similarly, emotions are not contained within architecture, but are only felt through the encounter of the body with the space, when it becomes a place. How does the environment affect how we feel? This is the question that drives the duo of artists and filmmakers Ila Bêka and Louise Lemoine in their latest endeavor, the book "The Emotional Power of Space," which will be released on May 17th in an event preceding the opening of the Venice Architecture Biennale 2023.
Ice caps are rapidly receding; one of America’s two political parties is actively undermining federal authority; despite new materials and additive manufacturing, most houses constructed today are built much as they were several generations ago; the pathological suburbanization of the nation continues unabated. In the face of this and more, it seems, “the center cannot hold.” Such were several of the issues that prompted Keith Krumwiede, a soon-to-be fellow at the American Academy in Rome (AAR) at the time, to argue in 2017 that if a single detached house for every family is at the core of “The American Dream,” then we need a new dream.
Brutalism is an architectural style that originated in the 1950s and became popular in the 1960s. Its name comes from the French "béton brut," which means "raw concrete," as this material is one of the most characteristic elements of the style. Its main features are the apparent use of concrete, offering visuals where natural texture and tonality are the protagonists of the buildings. Brutalist buildings often have an austere and massive aesthetic, with simple and repetitive geometric shapes. The use of industrial materials and innovative construction techniques is also common in brutalism.
With so many architecture and design trade shows taking place around the world each year, it can be challenging to identify which ones offer exhibitors and visitors a genuinely useful and valuable experience. In recent years there has been a trend towards more local events that provide opportunities for industry professionals to make meaningful connections with potential partners. Since it was established in 2019, The Architect Show has become an important forum for Greece’s architecture community, bringing together representatives from national and international brands that support the country’s vibrant real estate market.
Professionals in the AEC industry are well aware of the issues that grapple the built environment. That the construction industry is the largest consumer of materials and is responsible for 40% of all carbon emissions is a commonplace fact. Construction work is also a large waste generator and could greatly benefit from circular design principles. Almost three-quarters of all construction projects tend to be over budget, and nearly half of the spending on buildings goes into the overheads. In a fast-paced world with multi-faceted challenges, technology, and digitization seek to deliver significant solutions.
In theory, architecture is separate from art. Some even argue that there is a hierarchy between the two. Fortunately, Vão is an example of how this separation doesn't need to exist and how having a hierarchy between them is unproductive for both sides. Founded in 2013 by Anna Juni, Enk te Winkel, and Gustavo Delonero in São Paulo, the office develops architectural projects fueled by artistic thought. It also develops artistic works on an architectural scale.
SpaceX founder and science-fiction fan Elon Musk is attempting to make the fiction of space travel a scientific reality. ‘In order to safeguard the existence of humanity,’ he explains, ‘we need to become a multi-planetary civilization.’ Musk says he’s laser-focused on ensuring we make a second home elsewhere in space, and has his sights set on Mars. He’s not alone, of course. NASA’s recently-released Moon to Mars Architecture Concept Review is a ‘study of the hardware and operations needed for human missions to the Moon and Mars,’ leading to long-term scientific discovery and human habitation in deep space.
But there’s a long way to go before we get there – and not just the 140 million miles (average distance to Mars). The biggest challenge to Mars habitation and eventual colonization is humanity itself, and our indecision. Many of us question why we should sink so much of our energy – both effort and resources – into such a task, when there are plenty of more pressing matters to address here on Earth?
Home elevators are increasing in popularity. For one thing, people are living longer and the vast majority plan to age in place. Indeed, a US survey found that 90% of adults over 65 would like to stay in their current residence. A lift in one's home serves a number of practical purposes besides enhancing mobility, like the convenience of moving groceries or heavy objects between levels. In addition, a home elevator is a real conversation piece – not to mention that it can add up to 10% to the value of a home.
Seattle-based Olson Kundig is an example of how context and culture can influence a firm's design approach. Founded in 1966 by Jim Olson and now consisting of hundreds of employees and thirteen principals/owners, including Tom Kundig, the firm has an extensive and diverse portfolio that spans different scales and budgets. In lectures and interviews, Kundig in particular often talks about how having grown up in a region with a strong mining and lumbering tradition has influenced the industrial and rational aesthetic of his designs, the use of durable and low-maintenance materials, and a special attention to craftsmanship. In many of the firm's designs, however, the ingenuity and emphasis on moving parts –blurring the boundaries between inside and outside– is striking. This is usually achieved by incorporating hand-held devices that allow users to activate the building directly, connecting them both to the context but also to the building itself and the dynamic mechanisms therein.
The Santa Creu & Sant Pau Hospital Research Institute, designed by Pich Aguilera Arquitectes in conjunction with 2BMFG Arquitectos, stands in the Santa Creu & Sant Pau Hospital complex in Barcelona –one of the biggest Modernist Spanish architectural ensembles, declared a World Heritage Site by the UNESCO.
The Research Institute stands out for its striking ceramic envelope and its capacity to blend in with Sant Pau Hospital’s Modernist buildings, while also focusing on high energy savings and improved comfort inside the building. The ceramic slats were made to measure for the project by Faveker, a specialist in high-tech façade solutions.
Two years ago, as part of an initiative by the Barragan Foundation, the launch of the institution's renewed website was announced via its Instagram account. This represented an effort to compile all the information that exists so far from the Barragán Archive that enriches the study of his career, opening up the panorama to understand his trajectory and evolution from a clear chronology, experiments, and collaborations, as well as unrealized or demolished projects. The website compiles these five decades of career, presenting a list of 170 works inside and outside the country that is updated as more material is researched and collected.