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My commitment to pavilions—to the idea of making constructional follies—is connected with needing to develop prototypes and carry out constructional research away from the normal practice of architecture. Without being subject to a client’s brief, the pavilions give me an opportunity to develop and test different methodologies, which is something that has always interested me about teaching. They are investigations into various kinds of context, dealing with urban scenarios and landscapes—they are about making something in space for its own sake, when the guiding idea comes from a reading of place. The pavilions fine tune my engagement with a specific situation, allowing me to see what is essential in terms of an action or construction. I did not set out with the idea of working in series, but as different opportunities came up, the process of designing them became more organic, the language seemed to make sense, and as one thing reinforced another, they took on a life of their own.
Advances in technology have changed the way people work and move around congested cities. Since free space in these urban areas has become scarce, people have shifted their perspective upwards and are now looking to the sky for new means of mobility, transporting their goods via cargo drones and flying ‘taxis’.
Competing in this year’s 15th annual Multi Comfort Student Contest, Saint-Gobain had over 2,200 students from 199 universities worldwide. The final was narrowed down to 60 competing teams from 34 countries, all of whom traveled to Milan to present their designs to an international panel of experts from the Municipality of Milan. This year’s brief was to design a project to rehabilitate and reconnect the urban area around Crescenzago subway station in Milan in line with the city’s #milano2030 development plan. The competition also focuses on Saint-Gobain’s concept of Multi Comfort: thermal, visual, and acoustic comfort, as well as good indoor air quality.
Nothing is ordinary about the Italian city of Venice. Whether it is the vividly-colored architecture that dates back to Gothic and Byzantine eras, or the fact that the city is floating on water, culturally-rich Venice is an intriguing destination for people of all backgrounds and interests.
With every visit to Venice, London-based architect and photographer Mayank Thammalla found himself discovering new scenic views of the city, ones that are often tucked beneath its architecture. In his recent photographic series ‘Echoes of Venice’, Thammalla used the canal ripples as his canvas and displayed the deteriorating architecture of Venice from a unique, inverted perspective.
Rotterdam-based Fundamental Architects and Omega Render have designed an iconic high-rise and bridge over Ishim River in Kazakhstan. Made for the country's largest developer, BI GROUP, the 75.000 sq. meter mixed-use building is sited in the heart of Astana. Reaching a height of 121 meters over the river Ishim, the building is set to become a new home for residential, office, hotel and commercial functions as an infrastructural hub.
NEXT architects has curated the second annual Bicycle Architecture Biennale as a showcase of buildings that transform cities through cycling. Opening in Amsterdam, the BAB shows the work of international designers from around the world and explores urban design through social, economic and environmental projects. It was conceived by BYCS as a way to inspire people to imagine new possibilities for human-centric cities.
Scandinavian firm White Arkitekter has won an architectural competition for a landmark 12-meter-tall observation tower, hosted by the municipality of Varberg, Sweden. The winning proposal will form part of the development of the region’s new ecological recreation area at the Getterön nature reserve.
https://www.archdaily.com/919091/white-arkitekter-create-lattice-observation-tower-in-swedenNiall Patrick Walsh
As architects, we are on an endless journey of discovery, open to new experiences that fuel our creativity. We explore our surroundings and beyond, we travel to expand our views and open our mind, being often exposed to the unexpected. All these experiences are stored in our mental hard drive until the inspiration moment comes, drawing random non-linear connections between them and putting us into a state of divergent thinking, from where new ideas appear.
Past, Present, Future is an interview project by Itinerant Office, asking acclaimed architects to share their perspectives on the constantly evolving world of architecture. Each interview is split into three video segments: Past, Present, and Future, in which interviewees discuss their thoughts and experiences of architecture through each of those lenses. The first episode of the project featured 11 architects from Italy and the Netherlands and Episode II is comprised of interviews with 13 architects from Spain, Portugal, France, and Belgium.
David Chipperfield Architects Milan’s renovation of the historic Procuratie Vecchie building in Venice is set to get underway, following a granting of permission by the Superintendency of Archaeology, Fine Arts and Landscape earlier this year. For the first time in 500 years, a large portion of the Procuratie Vecchie on the Piazza San Marco will be made accessible to the public to host activities of The Human Safety Net, supporting vulnerable communities.
Architecture practice DNKag has designed two corten discs as a rooftop extension to a seaside production facility in Saint Petersburg, Russia. Dubbed Harbor Sea Infinity, the project will become a social and business center overlooking Sevkabel Port. In a short time, Sevkabel Port has become a new point of attraction for urban activities and a popular destination for citizens and tourists in the city. The new rooftop addition aims to bring new life to the industrial warehouse.
Known for his progressive aesthetics and vast body of work, 1982 Pritzker Prize laureate Kevin Roche (born June 14, 1922) has headed numerous projects of varying program and scale as the design principal of his firm Kevin Roche John Dinkeloo and Associates. In 1980, shortly before the death of Roche's business partner John Dinkeloo, the firm was described by critic C. Ray Smith in 1980 as "the most aesthetically daring and innovative American firm of architects now working."
Austin and Punta Cana-based practice Atelier Reach Architects have broken ground on a new residential community development in the Dominican Republic. Located on the west side of Punta Cana Village, the project brings together community activities with private residences and amenities. Called The Flats, the new housing model was designed to raise awareness about design and construction methods along the country’s eastern coast.
Kohn Pedersen Fox Associates (KPF) has celebrated the groundbreaking of their first residential tower in Philadelphia, titled Arthaus. The 47-story condominium tower is situated at Broad and Spruce streets along the famed Avenue of the Arts, and directly across the street from the Kimmel Center for the Performing Arts. The scheme aims to create a rich, holistic experience from top to bottom, inside and out, an in the interiors for all residences and amenities.
HENN has released details of their proposed CAMPUS ’25 in Linz, Austria. Designed for the Raiffeisenlandesbank Oberösterreich banking institution, the scheme is defined by principles of openness, flexibility, and multi-functionality, with a range of services open to the wider public. The central cornerstone of a new campus, the new building will contain co-working zones, shops, restaurants, and exhibition spaces.
What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Hereyou can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.
“We all live in an ecosystem; we just don’t know it. When it comes to urban areas, people have an ecological blind spot.” — Seth Magle, Director, Lincoln Park Zoo Urban Wildlife Institute, Chicago.
The advance of AI technologies can make it feel as if we know everything about our cities—as if all city dwellers are counted and accounted for, our urban existence fully monitored, mapped, and predicted.
https://www.archdaily.com/918968/eyes-of-the-city-seeing-and-designing-beyond-the-human-jeanne-gang-for-the-shenzhen-biennale-uabb-2019Studio Gang
The Adler Hotel Group have completed construction on a new, minimalist eco-hotel in Italy’sDolomites mountain range. Called Adler Lodge Ritten, the project is located on the Ritten plateau, a short walk from the region’s historic narrow-gauge railway. The retreat was designed to blend into the surrounding forest by taking the form of rural alpine structures.
As early as the 1970s, Emilio Ambasz (born 13 June 1943) initiated a discussion on sustainability through his work with green spaces and buildings which is arguably more important today than ever, and contributed to theoretical and design discourse outside of architecture through his wide variety of interest and career pursuits. Ambasz’s work has crossed several disciplines; he has been a curator, a professor, an industrial designer, and an architect, and is highly regarded in all of these varied pursuits.
The Museum of Contemporary Art Chicago is presenting an exhibition devoted to the work of the ultra-modern, genre-bending artist and designer Virgil Abloh. Titled “Virgil Abloh: Figures of Speech” the immersive space has been curated by the Museum's Chief Curator Michael Darling, and Samir Bantal, a director at OMA’s research wing, focusing on the creative process and collaborative work of Abloh who is redefining fashion, art, and design.
German architecture practice Ingenhoven has broken ground on a new mixed-use development for Düsseldorf. As a "green heart" and urban mountain in the city, the project is being built at Gustaf-Gründgens-Platz. Called Kö-Bogen II, the design reflects the character of the neighborhood while creating a new landmark with views to Hofgarten park. The roofs and facades of the project will feature extensive greenery with hornbeam hedges and plantings as a sustainable model for the inner city.
Design lab Space Saloon recently wrapped up its second experimental design-build festival in Southern California. Dubbed FIELDWORKS, the festival aimed to rethink design-build and hands-on education. Following the success of the first workshop, LANDING, the group returned to Southern California to develop site-specific projects and workshops.