The challenges associated with the provision of adequate and affordable housing around the world demand that architects respond with original solutions that challenge traditional building forms, typologies and methods of delivery.
PLANE–SITE brought together the architects of four inventive housing projects. These projects represent a diversity of approaches to similar housing challenges across radically different global contexts. From the redensification of European urban centers to the rapid urbanization of the tropical Asian megacity, these radical housing models challenged existing paradigms in order to advance resident well-being as their principle design concern. In contrast to Schumacher’s divisive speech, the panel illustrated projects that were deliberately designed to promote community life and social interaction between residents – and in some cases also with other citizens in spaces that blur the line between public and private.
Architecture and design studio Hello Wood have created a line of "smart" outdoor furniture for educational institutes and public communal spaces. The two furniture pieces, Fluid Cube and City Snake, re-introduce modular public structures in a contemporary and sustainable way.
City of the Future is a bi-weekly podcast from Sidewalk Labs that explores ideas and innovations that will transform cities.
In the fourth episode from season 2, hosts Eric Jaffe and Vanessa Quirk discuss the future of electrification with Gretchen Bakke, author of The Grid: The Fraying Wires Between Americans and Our Energy Future, and Sidewalk Labs’ director of sustainability Charlotte Matthews.
Automation is rapidly becoming a normalized part of many people’s daily lives and careers, a trend which has by no means evaded the construction industry. While this increasingly pervasive technology is often considered a symptom of the contemporary 21st century, however, one automated construction technology may have a history stretching as far back as the 1960s. This technology, the bricklaying robot, has transformed dramatically since its limited realization over 50 years ago, splintering into newer, more technologically advanced variations today.
https://www.archdaily.com/928440/the-evolution-of-bricklaying-robots-changing-the-rules-of-traditional-constructionLilly Cao
Among 78 international participants, Heinle, Wischer und Partner won the first prize in the design competition for the new building of the Stanisław Wyspiański Museum in Krakow, Poland. The project will be built, in the middle of the museum district of the city and next to the historic National Museum.
Blanca Pyrenees, Education Center (Els Hostalets de Tost, Spain, 2013). Image Courtesy of Jose Ahedo, Wheelwright Prize Winner
The Harvard Graduate School of Design has initiated a call for submissions for the 2020 Wheelwright Prize, an open international competition that awards $100,000 to a “talented early-career architect to support expansive, intensive design research.” This annual prize is dedicated to advancing original architectural research that is informed by cross-cultural engagement and that shows potential to make a significant impact on architectural discourse.
Every field has its heroes. In architecture, heroic designers have often been celebrated both for their skills and as public personalities. Frank Lloyd Wright and Louis Kahn were icons in the 20th century. In the 21st, Zaha Hadid was as bold and evocative as her buildings, and she became a “starchitect” (to use the industry-specific parlance), her untimely death further elevating her to what-might-have-been status. But heroes are only human, and their deaths do not automatically convey a permanent place in the pantheon. They do, however, allow for a fresh perspective on the living.
Designed by Skidmore, Owings & Merrill LLP (SOM) with local architecture partner May Architecture, the new Winship at Midtown facility for cancer care is an addition to the Emory University Hospital Midtown (EUHM) campus and the existing Winship Cancer Institute.
Shifts in technology reflect how designers are creating experiences of architecture and cities. New advances engender novel ways of working, and in turn, shape our design process. As a practice defined by pushing boundaries, experimenting with workflows, and embracing new design technologies, Morphosis has a forty-year history of enthusiastically wondering at the future.
What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Hereyou can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.
Media Architecture is a merging of new technologies and the built form in order to explore narrative and to imbue character, to engage people and create new dialogues through a layer of meaningful experience.
It isn’t a new concept - telling a story about a building through its form, particularly the facade of a building, has been around throughout history;- just think of York Minster’s stained glass windows, St Mark’s Basilica in Venice, and the Meenakshi Temple in Tamil Nadu. What is exciting now is the opportunities brought about by technology to create new narratives and new forms of human interaction.
Designed by Kieran McGonigle and Aidan McGrath, House Lessans, has been named RIBA House of the Year 2019. The most prestigious prize given to the UK’s best new architect-designed house has been awarded this year to a simple home located in County Down, built on the site of a former farmstead.
Courtesy of ADRIAN SMITH + GORDON GILL ARCHITECTURE
Adrian Smith + Gordon Gill Architecture has unveiled new images for the competition of the South HeXi Yuzui Financial District, the foundation for a new world-class, waterfront business district. The 500-meter-tall tower, part of the development will become the new focal point for the district, attracting businesses and tourism from China and the international market.
Architect Edward Cullinan, founder of Cullinan Studio, has passed away aged 88. The studio announced the death its founder, saying that Cullinan died in his sleep on Monday. Known as Ted, he was awarded the 2008 RIBA Royal Gold Medal for Architecture in recognition of his inspirational practice and teaching.
In late October, the Guardian’s architecture critic Oliver Wainwright reported that the United Kingdom’s first architecture union had been formed. The Section of Architecture Workers (UVW-SAW) is a section of the United Voices of the World, a new model of grassroots trade union that supports the expansion of union ideals to professions and sectors which traditionally did not have such representation. The launch of the union, and the reasons behind it, serve as the latest episode in long-running concern over the working conditions faced by architects in the UK and across the world.
https://www.archdaily.com/928339/is-it-time-for-architects-to-unionize-the-uk-says-yesNiall Patrick Walsh
Glenn Murcutt has unveiled the design of the 2019 MPavilion as part of Queen Victoria Gardens in Melbourne, Australia. Known for environmentally responsible designs grounded in an Australian background, Murcutt's new project is his first civic city design. MPavilion 2019 is the sixth in an ongoing series of annual architect-designed summer pavilions for Melbourne.
The park ends with a broad staircase leading into the sea next to the Fishermen's House. Image Courtesy of BOGL
BOGL, a Danish landscape architecture studio, won the open planning and design competition for an urban development project in Norway. Located in the harbor city Tananger, a growing area, the proposal highlights the possible evolution of the space into an attractive place to live, work and visit.
Presented to projects that anticipate and address future challenges, the WAFX Award celebrates the “most forward-looking architectural concepts”. X-Space, an urban fabric regeneration project in Dubai, winner of the Smart Cities Category was selected to take on the overall WAFX 2019 prize.
SPACE10 has opened a new research and design lab in Delhi, India. The opening aims to create a collaborative platform where experts, creatives and specialists in multiple fields can meet, experiment, and prototype solutions for everyday life. The new lab opens inside Chhatarpur's Dhan Mill Compound in South Delhi.
Widely used in infrastructure, gabion walls are structures made of mesh metal cages filled with stones. These permeable walls use galvanized steel wire to withstand outdoor conditions.
Belgian architect Juliaan Lampens has passed away at the age of 93, in Ghent, Belgium. Known for his brutalist houses and his skillful use of concrete, wood and glass structures, the architect has created some of the most famous works from the last decade, including House Juliaan Lampens – Van Hove, House Vandenhaute – Kiebooms, and Kerselare Chapel.
FAAB Architektura has unveiled their design that reimagines Warsaw's Piłsudski Square in Poland. Made to bring together the humanities, arts and sciences with nature, the proposal aims to inspire interactions between disciplines. As the team state, the proposal was formed as an intermingling of history and art, literature and music, film and design, science and innovation. The project is made to promote the creation of urban ecosystems.
A lot can change in a city within one year; from demolitions, to reconstructions and project completions, a city's urban fabric is constantly being altered. During the past 4 years, Chilean architect and photographer Francisco Ibáñez Hantke of Estudio Ibanez has put together a photo-series titled Non-Structures, which focuses on London's urban regeneration and transformation and captures its various moments of ruins, planning, process, and eventually, complete architecture.
Changtteul Church, is an old place of worship in Gyeonggi-do, South Korea, that gets its name from the term "changtteul", meaning "a frame containing a window", in Korean. As its name suggests, the building's character lies in its series of windows, giving the visitors both outside and inside a unique experience of light and scenery.
Designers Hanyoung Jang and Hanjin Jang of studio minorormajor utilized the windows of Changtteul as a metaphorical motif for their design concept: the first being the 'window between man and God', and the second being ‘the window between man and nature’, immersing the abandoned religious facility with dramatic experiences.
