Although cities are supposed to be built for everyone, they are in most of the time, thought, planned and designed by men: “Cities are supposed to be built for all of us, but they aren't built by all of us.”

With basic different needs, men and women expect different outcomes from their urban surroundings. A city should be able to fulfill everyone’s essentials. Lately, the topic that has everyone's attention revolves around cities designed by women. With a female mayor onboard and a feminist agenda, for the past four years, Barcelona has been undergoing major transformations on this subject.

The municipality of Patras in Greece launched a competition for the design of the Crematorium, a highly debated subject in the Orthodox Greek context. The winning scheme was imagined by architects Stelios Andrikopoulos, Konstantinos Grivas, and Alexandra Stratou.

+ 8

Revery Architecture has designed a new development of 11 residential towers for the Squamish First Nation in Vancouver, Canada. Working with developer Westbank, the $3-billion project would transform the city’s Kitsilano neighborhood on the reserve lands at Sen̓áḵw. The project will be Canada’s largest development on First Nations land.

City of the Future is a bi-weekly podcast from Sidewalk Labs that explores ideas and innovations that will transform cities.

In the final episode of season 2, hosts Eric Jaffe and Vanessa Quirk discuss the past, present, and future of responsive architecture with Sidewalk Labs’ director of public realm Jesse Shapins, engineer and microclimate expert Goncalo Pedro, Bubbletecture author Sharon Francis, and renowned architect Liz Diller of Diller Scofidio + Renfro.

Human economic activities are naturally dependent on the global ecosystem, and possibilities for economic growth may be limited by the lack of raw materials to supply factory and trade stocks. While for some resources there are still untapped stocks, such as certain metals and minerals, there are others, such as fossil fuels and even water, with serious availability issues in many locations.

Once completed, the Dubai Municipality will become the world’s largest 3D printed building, standing tall at 9.5 meters with an area of 640 square meters. Executed by Apis Cor, a U.S.-based company, the structure was directly built on-site.

+ 32

Durbach Block Jaggers won the competition for a multi-level car park, playground and commercial tower in Penrith, Australia. Working with Sue Barnsley Design, Right Angle Studio and SGS, the team made the proposal for Penrith City council's Soper Place Design Competition. Unanimously chosen by the selection panel, the design combines a playground on an arched brick base with a commercial tower and car park.

Videos

In their recent interview for the Time Space Existence video series, Plane-Site, through the support from the European Cultural Centre, interviewed Spanish architect Ricardo Bofill. The series will be exhibited in the biennial exhibition in Venice, opening May 21-22, 2020.

DMDmodular is manufacturing modules for the world's tallest modular hotel, in the Big Apple. The modular elements of the 26-story AC Marriott New York NoMad, designed by Danny Forster & Architecture, are produced in Skawina, Poland and shipped to the United States.

Wafai Architecture and Fragomeli+partners, two architecture practices based in Torino, Italy have imagined an Islamic cultural center in the Piedmont area. The project features a mosque and a center for cultural and social activities, a space that promotes constructive dialogues.

+ 2

Odile Decq has unveiled new images of the design for her first new residential building and luxury skyscraper in Barcelona, Spain. Called Antares, the project will be sited along the Mediterranean Sea. In addition to the architecture, Odile also designed the interiors. Antares was made to be a unique addition to the Barcelona skyline by taking the form of a distinctive architectural tower.

+ 10

Quatre Caps, a group of architects from Spain visualized in a series of images, the unbuilt works of Fernando Higueras. In fact, the pictures portray the buildings in their context, as if they were built back when they were first conceived.

+ 9

What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Here you can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.

Architectural practice naturally results in an extraordinary accumulation of visuals and archival media that demand sorting, cataloguing, and organizing at a certain moment in time in order to avoid their amorphous accumulation to invade the working order of a firm. Tagging, numbering and classifying the accumulated traces of architectural creativity and data, has become a way of organizing the log of creative options and scenarios developed in practice, a directory of successful examples and of failures, all arranged to be used as a self-referential working catalogue of options that may be mobilized at any moment in time. 

Log 47 reconceives architecture’s role in climate change away from sustainability and solutionism and toward its formal complicity and potential agency in addressing the crisis. In this excerpt from her introductory essay, guest editor Elisa Iturbe defines carbon form as a necessary new way of understanding architecture and urbanism in order to develop a new disciplinary paradigm.

Until now, most environmental discourse in architecture has focused on carbon as a by-product of building and construction, making it seem that at the ecological brink, the most pressing concern is energy efficiency. This stance compartmentalizes the discipline and dislocates the origin of the climate crisis from the dominant political, economic, and spatial organizations that are its cause. In response to this dislocation, Log: 47 Overcoming Carbon Form reconsiders the link between architecture and climate by exploring the reciprocity between energy and built form. To do so, energy must be understood beyond its technical capacity, viewed instead as a political and cultural force with inevitable spatial repercussions.

Tanzania’s architecture is built to celebrate nature and everyday life. Representing a long history of diverse styles, from British and German to Arab influences, much of the country’s major buildings include mosques, churches and marketplaces. Today, Tanzania’s diversity is also rooted in its traditional architecture and structures that were shaped by both their functional use and culture.

+ 1

The National Architectural Competition for the Research, Rescue, and Rehabilitation Center for the Sea Turtles in Iztuzu Beach, organized by the Ministry of Environment and Urbanisation of Turkey, selects KÂAT Architects to design the environmentally sensitive facility.

+ 4

Angola, like many African countries, is experiencing a process of rapid urbanization. For the most part, these changes are happening under little to no regulation, filling cities with spaces that lack the infrastructure to provide a basic quality of life for residents. However, in spite of this unregulated development, it's worth noting the quality of contemporary architecture being produced in the second-largest Portuguese-speaking country, where projects draw inspiration from the strong local identity and blend with modern materials and technology.

In this article, we highlight 4 current projects in Angola. While it is a small sample, not only from the capital city of Luanda, but from smaller cities as well, it showcases the richness of Angola's local architecture--an art form that deserves worldwide recognition.

Krft, a young architecture studio based in Amsterdam, was selected as the winner of the Brighton College competition, for the new performance arts building. Finalists included international firms Haworth Tompkins, Sauerbruch Hutton, Mecanoo, and Morphosis.

3XN and Aspect Studios have been selected to design a new mixed-use tower for the University of New South Wales in Sydney. Made with a focus on resilience and environmental sustainability, the project aims to to create a welcoming campus gateway that will serve as a new entrance point to the UNSW campus.

Design practice LMN Architects have unveiled new details of the design for the Seattle Aquarium Ocean Pavilion. The $113 million project will include the 50,000-square-foot Pavilion sited adjacent to the existing Seattle Aquarium. The pavilion will link together the new Seattle Waterfront, downtown and the historic Pike Place Market.

+ 1